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Barry
Bridgestock
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"ASK BARRY"
Each month, on this
page, I'll answer gemological or other pertinent questions sent to me
by email or through the "Ask a Question" link above. **( For the sake of clarity or brevity, the
version of the question shown here, might be condensed, or slightly
altered, from the original one submitted.)**
New for February
Hi Barry,
I'm from southeastern Texas and I have a question about Brazilian opals. I've heard that opals can dry out and want to know if they can dry out in my safe. Should I be doing something to keep them in good condition?
Joelle
Hi Joelle,
Opals do contain water and they can dry out and develop small fractures. This is called crazing. Even though Brazilian opals are said to be less likely to craze, I would still take precautions. One of the Australian opal suppliers suggests putting a damp cotton ball in the container, gembox, or plastic bag the opal is being stored in. Even though your area of Texas is quite humid, the air inside a safe can get pretty dry. Why take a chance? I had a bad experience with what was once my favorite opal and I sure wish I had taken better care of it. It was pretty much ruined. Thanks for the great question.
Barry
Dear Barry,
I recently purchased a paraiba tourmaline. It's supposed to be a 1.25 ct. stone, but looks smaller than that to me. What would look bigger--a 1 ct. paraiba or a 1 ct. sapphire?
Karen
Hi Karen,
The rule of thumb on diameter and carat weight is that if two stones weigh the same, the stone with the higher specific gravity(S.G.) will be smaller. Since the S.G. of sapphire is 4.00 on average and the S.G. of tourmaline is 3.06 on average, the 1 ct. tourmaline will have a bigger diameter IF the stones are cut the same. Sometimes cutters will facet a stone which is unnecessarily deep to preserve weight, especially if the stone is expensive. Check the bottom of your stone to see if it has a "big bellied" pavilion that is rounded and seems too deep. You should also get your stone weighed to put your mind at ease. Thanks for the question.
Barry
Hi Barry,
I recently bought a pretty tanzanite ring. After buying it, I read that it is not recommended for a ring and that it is temperature sensitive. What does that mean, and will I be able to go out with it in the winter if I wear gloves?
Beth
Hi Beth,
Tanzanite is definitely sensitive to thermal shock, which is a rapid temperature change. GIA states that a change from the heat in a display case to the cool temperature of a glass countertop can cause tanzanite to fracture. When I heat-treat tanzanite I take it up to 550 degrees C. in increments of 50 degees per hour and am careful to give it at least a 12 hour cooling down time because rapid cooling seems to be the biggest danger. I would think that if you wore gloves in cold weather your stone would be safe, but why not err on the side of caution? Tanzanite should be treated with care--no exposure to abrasives, no steam cleaners and no sonic cleaners. Your tanzanite ring should be fine if worn carefully.
Barry
NEW FOR DECEMBER
A friend of mine just bought a 'green kunzite'. Have you ever heard of green kunzite?
Diana, Australia.
Hi Diana,
I went on-line to check this out and there are people selling 'green kunzite'. Yikes! Kunzite is the pink and lavender/pink variety of spodumene and hiddenite is the rich green variety. The lighter green spodumenes are usually called green spodumene by many gemologists because they don't have the richer green associated with the gems from Hidden, NC, which was named after the man who discovered hiddenite, William Hidden. Kunzite from Afghanistan is being irradiated to produce a very attractive green gemstone which reputable dealers are describing as irradiated green spodumene. I will try to find out how stable the irradiation treatment is and get back to you. My feeling is that calling these gems 'green kunzite' would be like selling 'purple citrine' or 'golden, yellow emerald', and I would advise your friend to at least get the R.I. tested for the 'green kunzite'. Thanks for the great question.
Hi Barry,
I have a 'Lake County Diamond' and would like to know about it. PJ, San Diego.
Hi PJ,
One of the great things about answering questions about gemstones is that it expands my knowledge. I knew nothing about Lake County Diamonds before getting this questions. Now I want to go find some for my collection. 'Lake County Diamonds' are from the Kelseyville, CA, area. They are a volcanic glass made up of almost pure silica and have a hardness of 7.5-8.0 (Mohs). Usually colorless, they can be yellow, lavender and pink. They are found 12.9 miles south of Kelseyville and are unique to that area. There are several websites that tell about them. This one has directions to the deposit: http://eclecticarcania.blogspot.com/2008/03/lake-county-diamonds.html
This is an interesting subject and I would appreciate any additional information on these stones.
Barry
Hi Barry,
I make wirewrapped jewelry and use a rock tumbler with stainless steel shot to work harden and clean silver after a piece is wrapped. I recently wrapped a 'Mystic Blue Topaz' and am not sure if I should use the tumbler because it looks like the topaz has a coating on back.
Donna, USA
Hi Donna,
Mystic Topaz is produced by using a film optical treatment called 'physical vapor deposition'. The layer is only microns thick and is applied only to the pavilion. The guidelines for this stone state that the mountings should be polished before the stone is set, and that the stone should not be exposed to acids or abrasives, including abrasive polishing cloths. Ultra-sonic cleaners and steamcleaning can also damage the thin layer and it is suggested that Mystic Topaz be treated with the same care as a pearl. If the stone needs a cleaning, mild soap and water should be used. Given the above information, I would think that a tumbler loaded with stainless steel shot would be a bad idea.
Barry
Hi Barry,
I would like your opinion of Victoria Stone, a manmade stone no longer being produced. I wonder about the future value.
Teresa, USA
Hi Teresa,
From what I've read, Victoria Stone is hard to find. S. Imori, who developed it, never told anyone how he fused all the elements together in the stone and recrystallized them, so Victoria Stone has never been reproduced. If the interest in Victoria stone continues, and supplies diminish, the laws of supply and demand would dictate an increase in value, even for a synthetic. It has happened before with a synthetic, Linde Star Sapphire being a good example.
Barry
NEW FOR NOVEMBER,
2008
Dear Barry,
I have several
gemstones I'm interested in selling but I'm not absolutely sure what
they are or what they're worth. Where do I start?
Lorraine.....USA Hello Lorraine: I would think that the
first thing you should do is get your stones identified by a
certified gemologist. To become familiar with the gem values I
would suggest that you attend gem shows where you can see similar
gemstones and look at prices on websites with high standards and
credentials--after you've had the gemstones identified, of course.
Gemshows are fun AND they are educational. I would also
seriously study Barbara'sfree gemology information. It is in
your best interest to not get in a rush to sell your collection
because there's such a thing as "sellers' remorse" too!
Dear Barry,
What is a "malaya" garnet
and why are some malayas so much more expensive than others?
Tom.....Canada
Hello Tom:Malaya garnet will be the topic
of a future Gem of the Month---excellent question! In the late
1970's, garnets started showing up in parcels of rhodolites
(pyrope/almandine) that didn't share the color, refractive index,
specific gravity or absortption spectrum common to most
rhodolites. They were termed "malaya", a Swahili word for
"outcast", among other things. It was determined that malayas
are an intermediate pyrope/spessartine garnet. Basically,
prices will vary quite a bit for malayas depending on color and, to
some extent, rarity. The darker red/orange stones are less
attractive and less expensive, while the lighter pink/orange or
orange/pink stones can be fairly expensive, especially if they
possess a color shift. When I saw my first high quality,
lighter colored malaya at the 1978 Tucson Show, I really didn't
need to be told it was a malaya. It was extremely bright and
had a color I'd never seen in garnet. Dear Barry,
The stones in my rings get
dirty and dull. Do I need to buy a sonic cleaner to keep them
bright? Monica......USA
Hello Monica:I don't think you need to buy a
sonic cleaner if you have access to the pavilions (bottom parts) of
your stones. You should be aware that there are some stones that can
be ruined if placed in a sonic cleaner, like emeralds and glass
filled rubies. I have a sonic, but most of the time I use a
small round toothbrush my dentist gives me, because he thinks I'll
actually use it on my teeth. This brush is called a "shimy", although
any small soft brush will work, and I use a spray bottle of window
cleaner. After spraying the stone and the brush, I
thoroughly brush the stone, especially the pavilion. I then
twist a piece of paper towel and push it up against the pavilion to
wick up the window cleaner so there won't be any spots left on the
pavilion and, of course, I dry off the crown (top) of the stone with
the towel also. Be careful not to use the window cleaner, which
contains ammonia, on any type of pearl because it will permanently
damage the nacre. True horror story: I once saw a
"jeweler", who is no longer in business, dunk a pearl ring in an
ammonia based cleaner after a sizing job. The result
was stunning, to say the least.
The questions below have been submitted to and answered by the
previous owner of ACS, Barbara Smigel, GG:
NEW FOR
AUGUST/SEPTEMBERDear Barbara,
I ran across your site today
through my search engine, when looking for a stone called "spotted
chalcedony". I have been searching for it with no luck. I
am attaching a picture of it, and hoping you can tell me what it is,
or where I can find it. Apparently, it goes by a different
name. I just don't know. I love your site and want to take
advantage of your educational features. Thank you very much, I can't
wait to hear from you! Raoul, USA Hello Raoul,"Spotted Chalcedony" is not a
standard or accepted name in the gem industry -- in fact, the name is
a contradiction, as chalcedonies are not spotted. The gem
picture you sent, then, does not look like any true chalcedony that I
know of.
Chalcedony, in the gem market,
is any translucent, single color form of cryptocrystalline quartz.
Examples are blue chalcedony, chrysoprase and carnelian.
If the stones you have are indeed a form of quartz they might
more reasonably be called "brecciated jasper". That is the
geological term for when a matrix material solidifies into rock with
chunks of other preformed minerals in it (brecciation) -- this effect
can also be simulated by man, so my first concern would be if your
stones are natural or man-made.Unfortunately it is impossible
to determine the identity of a gem by simply looking at it (or worse
yet a photo of it) -- tests must always be done to determine
identity. If there is a GIA certified jeweler/gemologist in
your area, you could get it tested.Here's a link to my photo-essay
on chalcedony:Chalcedony
Essay Dear Barbara,
What is the difference
between A Sunset Sapphire and a Tanzanian Ruby?
Thanks!...Claire, USA. Hello Claire: The whole business of gem names
can be fraught with peril for the seasoned collector, and the new
enthusiast as well. I have never heard of "sunset" sapphire, but any
names like that are usually trade names -- it is OK with the FCC if a
seller wants to "romance the stone" by giving it a special name --
hence Rose D' France is used to improve the marketability of very
pale amethyst. As long as the gem in question actually IS sapphire
(either enhanced or unenhanced) the term sapphire can be given any
adjective the seller wants. A quick Google search on sunset sapphire
just turned up a couple of diffusion enhanced stones similar in color
to natural Padparashah sapphire. By law, if the gem is man made
sapphire, then that must be included in the name, so the ones you've
seen should
be natural origin
stones.Tanzanian, if used properly
with ruby should
simply mean origin, as opposed to Vietnamese, Burmese or some other
locale. But even there, exceptions apply -- it is common to use
the term "Siberian" in describing amethyst and "Persian" in
describing the color of fine amethyst and turquoise, respectively
even though the gems most likely come from newer, more available
deposits.My answer is predicated on the sellers being honest and
knowing and following the law -- unfortunately that is not always the
case. :-( Dear Barbara,
I have seen much Tashmarine
but really can't find any information on it. Can you help me? How
rare is this stone? Thank you for your time... Sean,
USAHello Sean,Tashmarine is a trade name for
a variety of diopside that is not dark green like chrome diopside,
but light green. My impression and personal opinion, as I have not
researched it thoroughly, is that it is a yet another case of a
marketer trying to "romance the stone". Sometimes when there are
deposits of a less saleable type of some popular gem, the developers
and marketers of the resource try to create excitement by giving it a
fancy, sometimes exotic name and promoting it highly -- often times
this fails as the material just isn't all that attractive, and
doesn't find a public. Other times, it works splendidly, as it did in
case of pale blue lapis from Chile with lots of white calcite --which
found a market as "denim lapis", or very light amethyst, which got a
niche as "Rose d' France" amethyst. Home shopping channels and
internet auctions sites can be very important in promoting a strategy
of this type. My impression is not so much that Tashmarine is rare,
but just that it is unknown to the general gem buying
public.Tashmarine, if you like the
color, should be in the value ball park of chrome diopside -- and
would have chrome diopsides drawbacks of cleavability and softness
making it OK for earrings and pendants, but a poor choice for rings.
I, personally, would not pay a premium for itHere's a link to my pictoral
essay on chrome diopside: Chrome
Diopside Essay Dear Barbara,
I was reading your G.O.M.
article on amethyst published in 2007. It notes that large
stones from Uruguay or Zambia can become too dark. My question
is, how do you know if an amethyst is too dark? I know that the
dark variety is most coveted. I assumed that a nice violet with
some areas too dark to see through was what you expected from the
high grade stuff, like your pictures of "Siberian" amethyst in the
article. Thank you for the time. Don...USAHello Don: Thank you for visiting my site.
I'm afraid my answer will be rather long winded, and ultimately
not satisfactory. (For the benefit of my other readers I'll include a
link to the essay to which you are referring).Amethyst
EssayGIA and other gemological
organizations have published color grading scales based on a standard
set of color descriptors. Hue, saturation and tone are those
most often used. Hue is the basic "color" of a gem -- its
spectral value (red, orange, yellow, green, blue, violet, etc),
saturation describes how much the basic hue is modified by "muddying"
amounts of brown or grey, and tone describes how light or dark it is.
The tones range from pale (almost colorless) to very dark
(looks black except with high intensity light). In general, the
most desirable gems fall into the category of medium to medium dark
in their tone. Some gem species cannot be evaluated this way as
all specimens are naturally light in color (think Morganite) or
naturally dark (ex = almandite garnet), but, for the majority of
species, a medium dark tone is ideal. Medium dark could be
described as "showing rich color in normal lighting, but not looking
black". Of course this also must be combined with strong
saturation to command top prices.There are several factors which
control how dark a gem is: among them are its individual
chemistry and physics, its size (bigger gems absorb more light and
are darker) and its cut (shallow, brilliant cuts and large tables
decrease "darkness", deep step cuts and small tables increase it.
Certain enhancements such as heating or irradiation can lighten
or darken tone. Add to this basic information, the concept of
"taste". I cannot tell YOU what is too dark -- except to say
what is "too dark" for me. If the stone looks black in most
lights, it is too dark for me, but some people may prefer a gem of
that tone. NEW FOR JULY
Dear Barbara,
What's the difference
between a gem, i.e., a diamond, being "heat treated" versus one
that's been "irradiated"?...Veronica, USA.Hello Veronica:Heat treating, if accurately
reported, refers only to heating a cut gem or its rough in a
"furnace" either in an oxygen-rich or oxygen poor environment. The
regimens for heat treating vary with the material and the desired
result. The color or clarity changes are almost always permanent and
derive from a chemical change that occurs in the makeup of the gem.
An example is blue, white or red zircon which starts out as natural
color orangey brown rough and depending on the regimen (temperature,
time, atmosphere) acquires the more marketable colors.
Irradiation refers to
subjecting a gemstone to high energy radiation or particles such that
it's chemistry remains the same, but its crystalline structure is
affected so as to change its properties of light absorption, hence
its color. There are various radiation treatments in use and often
the irradiation must be followed by heating to either stabilize the
color change or to create additional color change. Examples are blue
topaz which starts out as colorless rough, is irradiated to an
unstable brown and then heated to a stable blue. Another example is
salt waterpearls which can be irradiated to turn them from white to a
dark, silvery grey. In a few cases, some types of irradiated gems can
lose their new colors over time or with exposure to
sunlight.As long as they are disclosed
including care and durability factors, both types of treatment are
considered quite acceptable in the gem marketplace and have only
moderate effect on a gem's value as compared to an unenhanced
specimen. That cannot be said of certain, more invasive or more
fragile treatments such as glass filling, laser drilling or surface
coating which greatly affect the value of a gem. Dear Barbara,
Hi! I am from the
Philippines. May I know how to detect a "Diamond Hybrid" against real
diamond gemstone. Thank you....Josephine, The
PhilippinesHello Josephine:
Since a "Diamond Hybrid" has a
core of non-diamond with a thin diamond coating applied by some kind
of vapor deposition process, it is mostly not diamond. The simplest
and most direct test would be specific gravity -- usually the core of
such stones is CZ which is much heavier per unit than diamond,
sometimes it is white sapphire which is also heavier. Dear Barbara,
I came across your site
while doing some research for a question that has come up on the
formation of inclusions in Quartz crystals. I'm glad I found you,
because your site gives me an opportunity to discover minerals from a
scientific perspective. Thanks for making it
available.I work with crystals from a
metaphysical perspective. I have a retail business finding crystals
for people. I deal mostly with raw or polished points and tumbled
stones. There is a crystal I've been offering as a Titanium Gas
Phantom crystal - which is what it has been called by many, including
those I got them from.Someone recently got in
touch with me and informed me that it is impossible to have Titanium
Gas inclusions in a crystal because the Titanium changes into a gas
at very high temperatures - higher than the temps at which crystal
solidifies. One of my suppliers gave me a geological report which
shows that there are Titanium inclusions.Are you able to shed some
light on this subject. From a metaphysical perspective the stone is
valuable for its energetic properties rather than its physical
properties. But I am interested to know as much about a stone's
formation and inclusions ... and as well I want to be as honest as
possible in representing them to my
customers...Smadar....Canada. Hello Smadar:I appreciate your wanting to
accurately describe your wares to your customers, that is admirable,
and all too rare in gem commerce.Inclusions can be pre-existing
and engulfed by a developing crystal, or they can form within as it
crystalizes -- in some cases they can even form afterward due to
pressure or heat applied to the finished crystal. I am not expert
enough in gemstone inclusions to help you in more than the most
general way. These links will take you two essays, one on
magnification and the other on gem formation, both of which include
information on inclusions.http://www.bwsmigel.info/Lesson5/DE.Magnification.html
http://www.bwsmigel.info/Lesson10/DE.Gem.Formation.html
Although I personally I have
not run across any scientific evidence for any property or effect of
a gemstone or crystal, other than that explained by its physical and
chemical nature, I do understand the power of belief, and that many
people would disagree with me. Even skeptical types seem to enjoy the
fun of learning about this kind of gemstone lore, and it is good to
know that there is at least one practitioner within that field who is
attempting to verify some aspects of the information they
offer. Dear Barbara,
Hi there. In regards to your
Gemology course: do you offer a summer short course, or any short
courses for that matter?... Nathan, USA.Hello Nathan:I presume you are talking about
my official "for credit" Geology 115 course through CSN (College of
Southern Nevada), and in that case, unfortunately, the answer is no.
I do not teach during the summer at present. Many of
the normally 15 week courses at CSN, however, are taught in a
compressed format of 5 or 7 weeks during the summer
sessions.My free gemology course,
www.bwsmigel.info can be taken in any time frame that you wish
as there is no time-table. You could considerably shorten the
content by reading only the web lectures and skipping the
essays. NEW FOR JUNE
Dear Barbara,
Could you please tell me
what is the rarest gemstone? My friend said it was an
emerald...Monica, EnglandHello Monica:I'm afraid your friend is
mistaken. Although emerald is not the world's most common gem, it is
not as rare as dozens of other gems. It is difficult to say which
gemstone IS the rarest, as there is no hard and fast definition of
exactly what a gemstone is, and new sources being discovered or old
ones being depleted, can change the rarity of any gem.
In the first lesson of my free
gemology course, entitled "Basic Terms", there is a discussion of the
concept of rarity as it applies to gemstones. In particular, I make a
distinction between gems that have inherent rarity versus those that
have relative rarity. Within that lecture there is also a link to a
website that has a list of what that author considers to be the
world's 10 rarest gemstones along with his reasoning on
each.Here is a link to the lecture:
http://www.bwsmigel.info/Lessons1and2/DEBasicTerms.html
And one to the "10 Rarest"
list: http://www.curiousnotions.com/gemstones/index.asp
Dear Barbara,
I have a Paraiba Ice
(simulated) stone 2.58 ct 10X10mm Trillion. Can you help me get an
honest value of this stone?...Betty, OregonHello Betty,Generally with sythetic
simulated stones (which I believe yours to be), the value is in the
cutting and/or the jewelry mounting. The synthetic simulant stones
have little intrinsic value. The reason is that they have no rarity
-- they can be made in whatever quantity the market demands. There
are some exceptions, for example, in the case where the only method
for making a given synthetic is itself costly and time consuming (as
in the case of synthetic Alexandrite or CVD (Chemical Vapor
Deposition) synthetic diamonds), but the value even in these cases is
but a fraction of that of the natural product. So far as I know "ice"
stones are generally cubic zirconia, which can be made in almost any
color -- the current market value colorless CZ rough is less than 5
cents per carat, with colored forms a bit higher. Since the marketer is not
calling the stone a Paraiba tourmaline, but rather Paraiba "Ice", that falls under the
category of a trade name. A seller can call a stone anything they
want as long as they don't misrepresent it. Since the term Paraiba is
so strongly associated with very expensive and beautiful tourmalines,
they may be erring ethically to use it, but they are well within the
Law to do so. Dear Barbara,
I was given a ring that I
was told was ruby, but I don't know if it is. It is approx. 10 cts.
plus and is lightly included. It's a gent's ring: a square cusion cut
with a flat table. There are very faint lines on it that run the
shape of each facet-not circular. Someone told me that if it was
synthetic, they would run circular, he said my lines were created by
a grinding wheel. Also,I put it under a blacklight, and it glowed in
the most beautiful color. Where can I go for an honest
appraisal?...Douglas, New YorkHello Douglas,A 10 carat red, ruby-like stone
that glows in ultraviolet light is most likely a ruby, but almost
certainly a synthetic one. The chances of finding a Burmese (the kind
that glow) natural ruby of 10 carats that doesn't cost millions of
dollars is slim.Your friend is correct in
saying that curved lines are the sign of a sythetic, but that applies
only to the oldest and cheapest method of synthetic ruby manufacture
(flame fusion) which goes back to the early 20th Century.
Alternately, some newer synthetic rubies are grown by processes that
do not produce curved growth lines, but result in natural looking
color zoning and angular growth lines instead. On the off chance that somehow
you have acquired a fine natural stone worth a great deal of money,
or if your curiosity just must be satisfied, you should look for a
Certified Gemologist/Appraiser. A person needs to have BOTH
credentials to make a good call on gems/jewelry as most general
appaisers don't have specialized enough knowledge in gems, and most
gemologists do not have the expertise required to set a
value. Dear Barbara,
I am looking forward to
studying your website, and getting a better knowledge of my gem
collecting hobby. There is one aspect that I would like to
explore as well and that is gem cutting (lapidary?). Please
advise what is the best way to learn how to facet rough into
gems...Candace, USA Hello Candace,A good place to start is to
read my essay on Faceting: http://www.bwsmigel.info/GEOL.115.ESSAYS/Considering.Faceting.html
As it recommends, your best bet
is to find a mentor at a local gem or rock hounding club that can let
you do some hands-on trials. NEW FOR MAY
Dear Barbara,
What does the
gem-enhancement code "S" mean? I don't see it defined on your
code-glossary page, though perhaps I missed it. I saw it on some
ammolites on your site....Jim, New YorkHello Jim:The official code for the
process used on ammolite, and sometimes other gems like turquoise and
coral, is "I" for Impregnation, in common usage, however, the term
stabilization which I slipped up and used instead, (S) is identical.
The process of impregnation aka
stabilization, consists of infusing a colorless resin (usually under
a vacuum assist) into a porous gem to make it harder and more duable,
or easier to polish, or even as in the case of turquoise, to minimize
discoloration from wear. It falls into that category of "generally
accepted" within the industry (as long as it is disclosed), and does
not have a drastic effect on gem value. In the case of ammolite,
other than making a doublet or triplet, it is virtually the only way
that this delicate, but beautiful, gem can be used in jewelry. Thanks
for bringing that inconsistency on my site to my
attention. Dear Barbara,
I am writing from Singapore.
I am currently wearing a rutilated quartz pendant & a watermelon
tourmaline pendant. Can you enlighten me as yo how will these two
pendants help me in terms of everything in my life?...Ann,
Singapore. Hello Ann,Although I, personally, do not
subscribe to any mystical or metaphysical properties of gemstones,
having never seen any properly controlled scientific studies that
demonstrate them, there are many who
disagree with me. The history of gemstones is rich with lore of a
mystical and metaphysical kind, which I find enjoyable, not as fact,
but as fancy. To my way of thinking, the scientific and aesthetic
aspects of gemstones provide sufficient wonder and joy. You can
easily, however, find kindred spirits by entering "metaphysical +
gemstones" into Google or some other search engine. I hope you
continue to enjoy your gemstone jewelry. Dear Barbara,
I am considering taking your
free course to become certified and, plan to start a small business
(I'm retired and love rockhounding and days in the field). I was
viewing kits for gemology and ran across a website sellling gem and
lapidary equipment, and they have kits for around $ 1,000.00 and $
2.000.00 called "professional" gem kits. They claim everything I need
is there. Would you concur that that is pretty much enough for a
lapidary business start kit or would you have me consider some other
options you are familiar with. Thanks....Richard, USA.
Hello Richard,I'm glad that you are
interested in taking my free course, however, I must point out that
you do NOT receive any kind of certification for completing. I'm
simply making the information available to promote knowledge in
gemology to whomever is interested. If you want a credential you'll
need to take courses from an organization which awards a diploma or
certificate like: GIA, IGS or ISG.I have dealt with the website
you mention, and the equipment I've gotten there is first rate and
reasonably priced. Whether it is "all you need" would depend on what
you plan to do. Call and talk to the owner, who will be able to guide
you in the selection of equipment based on your needs.
NEW FOR
APRILDear Barbara,
You recently answered a
quesion for me, thank you, now I have another one for you. I also
purchased (in Tucson) a lovely Larimar ring, but don't know anything
about the stone except that it is a lovely turquoise colour. Is it
hard or soft? Natural colour? Only found in the Caribbean, as they
claimed? I found some info on a website (www.caribbeanlarimar.com),
but you never know how much is hype...Shirley, Canada
Hello Shirley,It just so happens that I wrote
a photo essay on Larimar pretty recently, so I'll share that with
you. If you have any additional quesitons -- feel free to follow
up.http://www.acstones.com/gemofmonth/2007/gemofmonth.04.07.html
Dear Barbara,
Is there a way to test
amethyst..I have a bracelet with amethyst set in 14k and someone is
interested in this bracelet and wants me to take this and have the
stones tested......I feel sure they are real because it came from an
estate...Darlene, USA Hello Darlene,It is relatively easy to
separate amethyst from natural and man made simulants, like glass,
purple laboratory sapphire, etc. What is difficult and rather
expensive and time consuming is to test natural vs synthetic
amethyst. If the piece is very old it might be glass which was very
popular in earlier years when amethyst was much rarer than it is now
-- simple tests that jeweler can do can easily detect glass.
The synthetic version has been
on the market for several decades and was initially relatively easy
to discriminate, but in the last twenty years a new manufacturing
process has made synthetic amethyst especially hard to detect without
a great deal of experience and expertise. You or your potential buyer
would have to pay a gemological lab to test the gems to rule out
modern synthetics -- I'm not sure the price of the item, would
justify the cost. Dear Barbara,
Hi, my name is Cindy, and I
saw a posting online with information you were giving to somebody
regarding a refractometer. I was hoping you might be able to
help me with a question. I am not a jeweler. I have a box
of items that belonged to a jeweler, including the Duplex II
refractometer. Thing is, it appears in good shape but the glass
portion on top, inset in the chrome, is yellowed. Is this
normal? I want to sell it but am afraid to list it if it is
defective; I have no idea of its age or handling. Do you
know if it is normal or not? Also in the box is a vintage
Leveridge Gauge setŠare these non-electronic type gauges still used
by jewelers?...Cindy, USA Hello Cindy,You might contact GIA
(www.gia.edu) and via serial number, they may be able to give you the
age of the item.Yes, Leveridge gauges are still
used, and as long as the glass hemicylinder of the Duplex II is not
cracked or scratched, the oxidized coating on it could be polished
away and it should be as good as new. Brand new ones are in the range
of $800, and they operate just the same as the older ones, so I think
you'd find a ready buyer for it, even if it was somewhat
vintage. NEW FOR
MARCHDear Barbara,
Recently I bought a
necklace, which looks very much like it's antique and made of amber.
Since it was a garage sale, and the price was just ridiculuous, I did
not hesitate to buy it. Is there any way to distinguish a real amber
from an imitation? The beads of the necklace are 2cm diameter size,
perfect spherical shape, have air bubbles and some other inclusions,
and are amber (honey) color. The only thing that makes me doubt that
it is real is that beads have some dark strips on the surface. The
clasp looks like it is made of silver I'd appreciate any information
on the real amber identification. Thank you..Tamara,
USA. Hello Tamara,Amber is most commonly imitated
by either plastic, or in some cases a material called "amberoid"
which consists of powder and trimmings from amber processing which
has been heated and pressed together. Since plastic is light, and
warm to the touch and has a hollow sound when tapped on a hard
surface and so does amber, it is difficult to distinguish the two
without destructive testing If you had access to a single, loose bead
and the right equipment you could do a specific gravity (density)
test which might help -- amber is usually lighter than the plastics
commonly used to imitate it. The dark markings are common to natural
amber so I wouldn't worry about them, unless they are uniform which
might indicate some kind of stamping or processing used to make the
beads. The test I'm going to suggest to you is technically
"destructive" in that you must ruin a bit of the material to perform
it, but it is reliable and you can confine the damage to a small,
inconspicuous spot.Take a substantial sized sewing
needle and heat it (wearing protective gloves) so that the tip is red
hot, apply the red hot tip to a small spot on the bead you are
testing, a small puff of smoke should be produced -- waft the smoke
toward your nose. If you smell a "piney" "resiny" or turpentine-like
smell, you have amber or amberoid -- if you get the chemically acrid
smell of burning plastic instead, then you have your answer. If you
have access to a 10x loupe and good lighting, check the beads for
internal uniformity and signs of "joins" between pieces which would
indicated amberoid, distinctive inclusions in the various beads, and
lack of "seams" would indicate real amber. I'd be interested to know
how your test turns out. Dear Barbara,
I am surprised by the fact
that my fingers turn black if I wear diamond rings in winters!!! If I
wear non-diamond rings like zirconia or other stones they are
perfectly ok!! The rings whether diamond or non-diamond are with
21carat gold. Can you tell me why does it happen??...Deepti,
IndiaHello Deepti,The skin surface varies in
acidity (pH) depending on gender, age, diet, stress, state of health,
hormone levels and other factors. The more acid the skin surface, the
more likely the copper in any alloy of gold will be to react and
create dark green to black sulfur compounds. The effect is generally
less with higher karat golds as there is less copper present. What
you are seeing is probably due to the fact that diamonds are
generally put in higher karat gold settings than CZs. It might also
be the setting itself where more metal is in direct contact with your
skin in the ones with CZs and less with diamonds. Although you say
all the settings are the same purity, I would doubt perhaps the
quality control on the CZ mounts.I know of no chemical or
physical phenomenon relating to the the gem itself that has anything
to do with these finger marks. One simple remedy you can use
is to paint the inside of the metal surface of the ring band with
clear lacquer (nail polish will work). This will not harm the gold or
show from the front, but will keep your skin out of direct contact
with the metal. You'll need to renew the coating
periodically. Dear Barbara,
Thank you for all the
information on your web site. I love gems and learning about
them. How do you tell if a ruby is from Burma or if it is from
Thailand? Is it true the way to tell a Burma ruby is to see if it
glows under a black light? How important is it for the value?
My husband purchased one for me for Christmas its almost 8 cts pear
shape. Thanks for helping... Jeanette, USA Hello Jeanette:Rubies that contain a
sufficient amount of chromium without any iron will fluoresce
brightly under UV light. In general rubies from Thailand or Vietnam
or Africa have iron in them which dampens the fluorescence, while
those from Burma have chromium alone. This is not a hard and fast
rule, though, as individual mine sites and even individual gem
deposits differ in their trace elements. Some of the most brightly
glowing rubies are the synthetic ones, as it is very easy to put an
ideal amount of chromium and exclude the iron under lab
conditions.Any large natural Burmese that
is relatively clean is highly valuable -- most would come with a
certificate indicating natural origin, any enhancements and perhaps
listing probable geographic origin. An 8 ct. stone is VERY large
indeed -- depending on the color and clarity such stones, if of
natural origin, could bring hundreds of thousands of dollars.
Dear Barbara,
Hello! I have a 2 ct marquis
diamond that has a very small chip on one of the tips (not visible
unless seen under magnification). Anyway, I was wondering if it were
possible for the diamond to be recut into a circle?..Melissa,
USAHello Melissa:Certainly diamonds can be
recut, but they can also be repaired -- if you were to recut this one
into a round, you'd lose a lot of weight though -- perhaps as much as
35 - 50% which would substantially alter the value of the stone. If
the chip is small why not just have it repaired, keep the marquis
shape and retain most of the stone's value?Depending on where you live a
jeweler may have a resident diamond cutter, but if not, most larger
shops have contacts with independent cutters who will quote you a
price on the repair or recut, and who will handle the shipping etc
for you.
NEW FOR
JANUARYDear Barbara,
My name is Jaume and I live
in Bangkok. I study in GIA, and I see you on the internet. I'm
interested to find some Coral because I'm learning also to cut, and
is a soft stone that I want to start to work. I want to know if with
your experience you can help me!!!! I hear that from China and
Indonesia is possible to get some coral. Any recommendation for get
rough coral? Well, wish you a happy new year...Jaume,
BangkokHello Jaume: I'm afraid I have
not purchased much coral rough and have no particular suppliers to
recommend. There are many types of corals -- stoney, spongey,
proteinaceous, and all of them can be dyed to a red color, so you
need to be careful. Perhaps this essay on coral will help you in your
selections.http://www.acstones.com/gemofmonth/2005/gemofmonth.02.05.html
Dear Barbara,
Hi! Can colorless topaz test
positive as being a diamond, with the copper probe?... Linda,
Australia.Hello Linda: I am not familiar with the
terminology "copper probe" test, but let me assume that you mean a
device that uses a probe to measure the thermal inertia and/or
electrical conductance of a gem. The standard diamond tester does the
first and the new generation diamond/Moissanite tester does both.
Topaz will test negative with either of these devices as its thermal
inertia is dramatically different from diamond. Dear Barbara,
What generic product can I
use to clean a pair of mystic topaz white gold earrings?...Linda,
USHello Linda:I would recommend a dishwashing
detergent and warm water mixture with a very soft brush -- although
topaz is, in general, a fairly hard stone, unlikely to be easily
scratched, the microthin metallic layer that has been deposited on it
to create the "mystic" effect is quite fragile. Let the earrings soak
a bit, then gently use the soft brush around the prongs and
underneath the settings -- rinse well with plain water and blot dry
(do not rub) with a soft cloth. Dear Barbara,
Can you tell me how I could
go about having a piece of jewellery made from Taaffeite? My interest
in the stone is partly sentimental - my maiden name was Taaffe - and
as such I am no expert. I notice that you advise that Tanzanite is
too soft for every day rings, and I have read elsewhere that
Taaffeite is similar to Tanzanite - what sort of jewellery would
Taaffeite lend itself to best? Many thanks... Emma,
UK.Hello Emma:I'm not sure in what way your
source is comparing Taaffeite to Tanzanite as I do not see much
similarity. Taaffeite, unlike Tanzanite, shows no cleavage so it is
tough, and it has a hardness of 8 - 8.5 (compared to Tanzanite's @
6.5). It has similar properties to spinel which is an excellent ring
stone -- I wouldn't mount any gem softer than H = 9 in a high prong
setting, and wear it 24/7/365 as an engagement ring, but for normal
use, there are no worries with Taaffeite. In general, bezel settings are
more protective than those with prongs, and if you have diamonds or
metal raised slightly higher than the Taaffeite you might even get
away with daily wear. Congratulations on owning one of the world's
rarest and most collectable gemstones!
NEW FOR
DECEMBERDear Barbara,
Could you give me any
information on iris or rainbow rhinestones..or what rainbow quartz
lookslike?...Brenda,
Florida Hello Brenda:I'm not sure of that
terminology, so I will give you my best guesses. In today's market
and over the last several decades, a "rhinestone" is usually glass
with some kind of foil or paint applied to the back surface that
increases reflectivity, although a century ago, they were made of
colorless quartz that was foil-backed. Iris quartz is a type of agate
with micro cleavages that create bands of iridescence. Rainbow quartz
could be similar to what today is called "Aqua Aura" quartz which has
a thin metal vapor deposited on it to cause iridescence.
Dear Barbara,
Is platinum more malleable
than gold? I know white gold is harder, and gold is malleable, In
reading I just can't find anything out about platinum being
malleable...Elaine, USA Hello Elaine: Yes, platinum is known for both
its durability and its malleability. Those intricate Edwardian
filigree designs in platinum showcase that property. My jeweler, who
works with all the precious metals says platinum moves "like butter".
On the other side, working platinum requires special high temperature
soldering and melting techniques and it is horrendously expensive due
both to its inherent cost, and to the fact that it is so dense that
it takes a greater weight of platinum to create any design, than
would be required in gold. Dear Barbara,
Hello. I just
discovered your website and I'm very excited. I've been looking
for what my grandmother called a smokey topaz stone. My grandmother
always wore this huge, beautiful "smokey topaz" ring that, since she
passed on, my mother wears. My sister's husband recently bought
her one as a way to honor grandmother as well, and I would also like
to find one. For some reason I can't seem to find any stones
called "smokey" ?? Going through your site makes me wonder if
there is even a topaz called "smokey"? My grandmother's is
yellowish/brown... on the lighter side. My sister's is more brownish.
Can you please enlighten me as to the real name of such a topaz?
I greatly appreciate your help, and really enjoyed your
website. Thank you, Christine...USA Hello Christine:
Thanks for visiting the site,
and for your question and kind words. This is one I've answered
before, but it comes up so often that it bears occasionally
repeating. There is no gemstone called "smokey topaz". That term was
used (and in some areas still is) to mean smokey quartz. The
confusion probably initially arose as a translation lapse. In Brazil
where most of the smokey quartz is mined, the term ''topazios" means
yellow. So packets of smokey toned yellowish quartz like that in your
grandmother's ring could have been imported with that terminology,
and US dealers simply mis-translated. The "misnomer" thrived in the
market place for another reason. Topaz is a rarer and more expensive
stone than quartz, so by calling a stone "smokey topaz" rather than
smokey quartz, more money could be charged for it. If you search my
site and internet in general for "smokey quartz" you'll find a range
of affordable pecimens in a variety of tones and hues.
Dear Barbara,
I love amethyst and have
several pieces. I was told by a gentleman that you could tell whether
or not it was genuine by holding it to your cheek and feeling if it
is "cold" Do you know what he is talking about? I have several pieces
of imitation amethyst, and cannot tell the difference between it and
the ring I had made from an amethyst quartz....Patty,
USA. Hello Patty:What he is probably referring
to is a property called "thermal inertia", the rate at which
different materials transfer heat. In general, crystalline materials
have low thermal inertia and therefore feel cool to the touch at most
room temperatures, glass is a bit warmer, but unless you are quite
experienced, the difference is not that noticeable -- plastic is
quite warm to the touch. If your gem is cold it could be a
crystalline gem like amethyst, glass or even synthetic amethyst
(which is just like nature's crystal), so I think the only case where
his test would work reliably would be the case of a plastic gem
imitation.
NEW FOR
NOVEMBERDear Barbara,
I recently purchased a
Tanzanite ring from Tiffany's and wore it three times, and it already
has a scratch. It was sent in to get resized, could something have
happened when it was sized? Or did it get scratched from being
cleaned at Tiffany's? Or did I do something? My husband and I are so
confused. And is there a way to fix the scratch?...Gina,
California.Hello Gina:Sadly, your story does not
surprise me. Tanzanite is a very poor ring stone, it is both soft,
and cleaves easily. Especially if the ring is worn daily, and is in a
high mounting, scratches and chips are inevitable. Tanzanite is best
reserved for occasional wear, in protectively set rings or
better,yet, as earrings and pendants. You can have a jeweler get it
repolished for you but the original problem will still be there -- my
advice would be to have the gem reset in a pendant or the ring
setting redesigned to be protective and to wear the ring carefully. I
have a friend who does repair work for jewelers who told me that he
could make a good living simply from repolishing and recutting
Tanzanites that had been damaged in rings.To me, the way the commercial
jewelry community pushes Tanzanite as a ring stone is
unconscionable.Dear Barbara,
What do you know about the
colored diamonds sold in Thailand? Are they all irradiated
diamonds? Say, a cognac colored diamond, is that an irradiated
diamond? Also they say most of the rubies now have lead glass
fillings. Is there a difference between residues in the ruby,
say moderate in factures and minor in cavities? Is that
considered normal as a result of the heating process. What is
the difference between the two (lead glass fillings, and
residues)?...Shirley, USA.Hello Shirley:I'm afraid that since I do not
deal in diamonds I know little of a specific nature. Of course,
cognac colored diamonds do occur naturally, but so far as I know the
vast majority in the marketplace today are created from off color
whites through irradiation and then heating. Personally, I would
assume any yellow to brown diamond to be enhanced without a
certificate from a well known lab certifying natural color.
As far as rubies and their
fillers, your question gets right to the heart of what diminishes
value in an enhanced stone. Routine enhancements, like simple heating
and minor amounts of silica or glass-like material that migrates into
tiny fissures during heating detract very little from a ruby's value.
Glass infilling, however is in that category (along with laser
drilling and diffusion coloring) as to be an "exotic" treatment which
greatly diminishes value. With the infilling process large surface
and interior cavities are filled with molten glass and then when the
stone is faceted it looks many grades better in clarity than it did
before -- such areas can be detected with a microscope or even by a
trained eye (due to luster and hardness differences). The glass makes
the ruby much less durable as it can be etched by jeweler's solutions
and melted by torch heat and scratched easily, not to mention that a
customer who pays for 2 ct of ruby might be paying ruby price for .5
ct of glass along with it. So the short answer is pretty much,
residues are OK, fillers are not.Dear Barbara,
What is Sunrise topaz? Is it
a natural stone or is it colorless topaz which has been heat-treated
or dyed? ...Tamara, USA.
Hello Tamara:Diffused topazes have been
given all sorts of names -- like "Sunset" to reflect their lovely,
but skin deep color, and they are all just trade names. The treatment
is not simple heating nor is it dyeing. Under incredibly high
temperatures the cut topaz gems (probably colorless) have been
subjected to near melting which makes the normally impervious surface
open up slightly - a chemical which bonds with the topaz mineral and
gives it color, penetrates to a microthin layer making the stone
appear to be that color all the way through. There nothing wrong with
diffusion treated stones, they can be quite pretty. And as long as
the diffusion is disclosed to the buyer (along with proper care
instructions), and the price is appropriate everyone is happy. In
this case the appropriate price is just slightly higher than that of
white topaz. To answer your question, then, yes, it is natural stone
(natural-origin topaz, not synthetic), but it has been
enhanced to create an unnatural, surface-only
color.Dear Barbara,
I love your site. I have no
formal training but I am a "Gemstone Junkie" I recently obtained a
Certified Natural Taaffeite .46 ct with a pale pink color. I was
wondering about wholesale prices on this gem. I can't seem to find
much info out there on actual value....Emily, Nevada.
Hello Emily:Thank you for visiting my site
and for your kind compliment. With the rarest of gems, like
Taaffeite, there are simply no established price ranges. It's
literally a case of "the gem is worth what the highest bidder will
pay for it". (Like with rare paintings, coins, stamps or antique
autos). I'm sorry, I know that sounds like a cop out -- but that is
the way it is.
NEW FOR
OCTOBERDear Barbara,
I have good digital
equipment and skills in photography, but am unable to capture the
true color and fire of gemstones & jewelry. What is the
secret?...Gaylene, USA.Hello Gaylene:I thank you for the implied
compliment on my photos. I wish I had the secret. I've tried many
configurations over the years. Presently I use a Sony Mavica digital
camera with an attached macro lens. I shoot against a photo-grey
neutral background with three 100W GE Reveal lights: one overhead,
and one from each side. I diffuse the lights with cheesecloth. I do
not use a tripod although I should -- I just shoot several shots of
each gem, and almost always (by luck) one is in pretty sharp focus. I
edit the images for color in Photoshop by using the "color cast"
instruction -- that's why I use the photo-grey background -- PS looks
at the image with the pointer on the grey background, and it "says"
this background is not neutral grey but slightly reddish, so it
automatically subtracts that much reddish cast from the whole image
including the gem --> giving me near perfect color correction in
one click. I couldn't get along without it. That's all I know and
it's not much. Dear Barbara,
I recently purchased a ring
containing a lovely 7.44 carat Russian demantoid garnet. Upon
inspection, a local jeweler informed me that the stone had "horsetail
inclusions". Could you elaborate upon this aspect of the stone, and
provide some general information about demantoid garnets....Joseph,
USA.Hello Joseph: What you have is a true
treasure. The horsetail inclusions are a definitive sign of Russian
origin for the stone -- and that is the top of the line, like
Colombia for an emerald or Burma for a ruby.The size is enormous --
anything over 1 carat goes at a premium price. As far as information
on dematoids in general, I'm sure you know their prestigious place in
jewelry history, and the fact that until recently the Russian mines
were no longer being worked. They are part of the andradite species
within the garnet group and as such are distinguished by being a
little softer, but far more brilliant and dispersive than other
garnets. Their polish luster can approach "adamantine" (diamond-like)
which along with their dispersion gives them the name
"demantoid".I am giving you two links where
you can read up on the meaning and significance of your horsetails:
the first is rather long -- it's a lesson in my gemology course on
inclusions and using the microscope, so just scroll down to the
appropriate part which is close to the beginning. The second is an
essay on Included Quartzes which does mention demantoids and their
special, value raising inclusions.http://www.bwsmigel.info/Lesson5/DE.Magnification.html
http://www.bwsmigel.info/GEOL.115.ESSAYS/Gemology.Included.Quartz.html
Dear Barbara,
I have received from my mom
a ring she had been given by her late husband. I have no idea where
he got it, nor does she, he came home one night and gave it to her.
She wore it constantly for approximately 30 years, it's in a
tiffany-type setting. the stone itself is a round cut, 10 mm across.
She had thought at first that it was an amethyst, since in daylight
it is a rich violet color, however, in incandescent light, it turns a
really striking hot pink. I know that there are pink tourmalines
which can show a color shift, and I know that there are color change
sapphires, which as their name implies, will change color with
changes in light sources. From what I've recently read, it could
appear that this might be 'alexandrium', which is a treated glass,
and therefore - garbage. However, it was worn constantly, for 30
years, and there is no surface scratching, which I would have thought
would occur with glass. I guess what i'm looking for is some
reassurance that this might actually be worth owning, and possibly
resetting, since the setting, itself is UGLY, while it's in 14Kt
gold, the prongs are wide, and it's not pretty. I'd like to have it
reset, but not if it's garbage. If it is, then I'll break the ring
down and sell the gold and small diamond side stones...Cathryn, New
YorkHello Cathryn:Your gem does sound like
Alexandrium, but it is not glass -- that was a trade name for
synthetic color change sapphire, which explains its hardness and
toughness. It was very popular about 40 years ago when it first hit
the market and for some time thereafter. I understand what you are
asking, but whether a piece is valuable to you or "garbage" is very
much of an individual value judgment. If you think the stone is
pretty and like the color change feature, you might want to keep it
and have it reset, especially if it is something your mother valued
and passed on to you. Most jeweler's will give you credit for the
gold in a setting that they melt down to make a new one, which would
hold the cost down. But, in truth, as a gem, Alexandrium it is not
worth very much in the "marketplace". Dear Barbara,
I have been blessed to work
at the Matilda Pfeiffer Museum in Piggott, Arkansas. One of the
attractions here is the personal mineral collection of over 1400
specimens. I am not a mineralologist or gemologist. I am
learning about them everyday though. One of the projects we are
working on is to assemble a calendar for 2008. Last year's
calendar was photos of the grounds and wildlife
here. This year I would love to make the calendar using the
birthstone minerals. We will use photos of the rough
mineral specimens from Mrs. Pfeiffer's
collection. My question is what mineral from the garnet
group is actually used as the January birthstone? Is is a
particular variety of andradite or grossular? The jewelry
industry seems to use whatever terminology sounds best and not
necessarily the correct mineral terms. The marcasite jewelry,
is it really marcasite or is it pyrite? From what I have
read marcasite isn't really stable, is that correct?...Teresa,
ArkansasHello Teresa:Thanks for visiting my site.
Your question is interesting. It sounds like you have a wonderful job
-- what beauty you see daily! The birthstones, as we consider
them today, are actually an arbitrary group assembled from a mix of
tradition and marketing needs. (For example the addition of citrine
to November as precious topaz became less familiar than blue, and the
addition of Tanzanite to December were market driven and of recent
origin).January: garnet, is pretty
traditional and hasn't been "messed with" by the addition of
alternate groups, except that now rather than the traditional pyrope
and almandine choices, people are encouraged to substitute
spessartine or grossular (especially Tsavorite) if the red-brown
color of traditional "garnets" do not please them. So, basically,
there is no officially sanctioned list and you can pretty much use
whatever you think makes the most beautiful or interesting photos. I
hope this doesn't throw cold water on your project, because it sounds
like fun.Here's a link to some photos
and information on birthstones that I prepared for my students:
http://www.acstones.com/birthstone.asp
As far as your quesiton on
marcasite, you are correct that what is invariably called marcasite
in jewelry is in fact pyrite which is more available and more stable
than marcasite. Here's a link to an essay I wrote on pyrite as a gem
that you might find interesting.http://www.acstones.com/gemofmonth/2004/gemofmonth8.04.html
NEW FOR JULY
Dear Barbara,
I just love smokey Topaz and
Quartz. How do you tell the difference, and which one is better/more
valuable/stronger??...Rochelle, USA Hello Rochelle:Actually there is no smokey
"topaz", what is sometimes called that, is just plain old smokey
quartz. This misnomer has persisted over the years despite the gem
community's efforts to correct it. True topaz is harder but more
easily cleavable and generally more valuable than quartz -- some
smokey quartz is naturally colored, but most is produced from
colorless quartz by irradiation processes. It is a modestly priced
gemstone, but beautiful nonetheless. Dear Barbara,
I am currently enrolled in
GIAs GG distant education course, and I've been doing research on gem
identification tools/kits. Of course I started with GIA ($$$$)! I am
leaning toward ordering from pretty rock.com however, I am treading
in uncharted waters as I know nothing about good, best or better
equipment.I might add that I am not in
the jewelry business, I enrolled in the course due to my love of
gemstones. Any help you can provide will be greatly
appreciated....Sharon, NevadaHello Sharon:I'm not sure from your email
what equipment you already have so I'll just run down my
own"essentials" list. You certainly don't need all these items right
away, but taken collectively, they can just about solve any gem
identification task. (The exception being those which require
high-tech lab equipment.)10X loupe10X Darkfield Loupe (I use
GIA's model daily): this is my work horse for day to day grading and
IDGem Microscope with immersion
cell (I use a B & L GIA Model)Refractometer -- I have GIA's
but I've heard good things about the one sold through Pretty Rock and
I know the owners who are honest folks, who give good service and
have excellent prices.Polariscope -- again I usually
use GIAs desk model, but I also have the mini one that fits over a
mag lite from Pretty Rock and it comes in handy at shows.
Dichroscope (GIA's)
Specific Gravity Hydrostatic
Weighing set up -- this was purchased from Mineralab.com -- so much
more precise than heavy liquids, this often makes the difference
between something I can and can't identify.I do not use a spectroscope --
just never got the hang of it.I also recommend: Gemology
Tools a comprehensive Gem ID computer program from Bill Wise.
www.gemologytools.com Dear Barbara,
In the early 90's I saw a
unique ring in Vogue magazine. It was an amethyst. The ring was
unique because the stone was the whole ring. It was probably an 3/4
inch wide and about 1/4 inch thick. I have looked online for similar
rings, but I do not know what to call something like that. I have
seen onyx bands, but this was much wider. I would love one in garnet,
but it is probably too soft. Please let me know what this kind of
ring would be called...Kasey, Texas. Hello Kasey:That kind of thing is
technically called a "hololith" --- because of how tough they are,
these items are usually made of aggregate minerals like jade,
chalcedony or jasper. Band rings, bangles and interlocking rings are
all in this category. It's not the hardness
(resistance to scratching) of a gem that's so important for this use,
it's the toughness (resistance to breaking) -- and neither garnet nor
amethyst are really tough enough.
NEW FOR JUNE
Dear Barbara,
Respected madam, I want to
learn gemology online because I don't have that much money to pay, so
please help me. Whether I can learn free online course of gemology in
that way, or that will help me in making my career? Please suggest
me...Nisha, IndiaHello Nisha:You are welcome to take my free
online course (www.bwsmigel.info) -- the only cost to you (and it is
optional) would be purchasing the two recommended books. It will give
you an entry level scientific understanding of the field of gemology,
which would be of practical help to you in a successful future career
in the field. However, you will not
receive any credential or diploma from my class. Such credentials are
often necessary in the business world. There are two other online
gemology courses/programs (each of which has a relatively small fee
compared to the big schools) that do give
certificates: The International Gem Society (www.gemsociety.org) and the The International School of
Gemology (www.schoolofgemology.com). Neither of these is as well known nor
their credentials as widely recognized as those from GIA in the USA,
or Gem A in Great Britian, but those schools are VERY expensive. I
can personally vouch for the rigor and comprehensiveness of IGS and
ISG as I have taken courses from both, and found them to be first
rate.Dear Barbara,
I notice on Ebay that many
gemstone pieces are described as 'authentic'. Is that an official
term, and if so, what does it mean?...Margie, USAHello Margie:There is no legally accepted
meaning for the term "authentic" as used in describing gems or
jewelry, although it implies
not fake. The Federal Communications Commission (FCC) does not speak
to that term, nor "genuine", although it does set the parameters for
the use of the word "natural". My pet peeve word for gems and jewelry
advertising is "real" (As opposed to what? Imaginary?).
Dear Barbara,
I have found a cone
shaped,clear, smooth, deep green heavy stone[for its size], which is
about 3"by 2.5" at the base and narrows to about 1" at top .It is
opaque without any air bubbles. Could this be volcanic glass or a
green garnet? It is still rough, and there is no gemology lab nearby
. I'm in The Rift valley Kenya where Tsavorites /green garnets are
mined albeit at the coast...Peter, Kenya.Hello Peter:I'm afraid that without a
picture or a sample of material there is little I can tell you. Do
you see angular features like crystal face etching on it, or is it
totally smooth? Have you examined it microscopically or at least at
10x for interior bubbles? It could be glass (although natural glass
is rarely deep green), ceramic, tourmaline or a number of other
materials. Perhaps it would be worth your while to send it to a lab
for examination.(Follow-up from
Peter):Hi Barbara, Wow that was
fast! thanks for giving me those useful leads, I'll try and get a
microscope and examine this piece though if I may ask,[1] What
is 10x on the microscope? [2] And if the stone I have
is very smooth is it glass? [3] How would a gemstone
react when subjected to heat of approximately 120
degrees? Because that's what I did with smaller pieces
of the same material and I observed that it turned red hot but on
cooling it still had its green color [the smaller pieces are about
5mm x 3mm x2mm and are a yellowish green ] and they didn't
break . Sorry about the many questions it's not very easy to get
a gemology lab around here though I've booked a session with a local
lab to use their microscope. Lastly I've noticed some
slightly visible linear curves on the material that look like they're
not on the inside . Thank you in advance. Regards,
Peter Hello again, Peter:
The curved lines sound like
conchoidal fracture marks which are typical of both natural and
man-made glass as well as many gemstones. 10x means a magnification
of 10 times larger than real life. If you have a 10x loupe you can
use that instead of a microscope. Although angular markings are signs
of natural origins, their absense tells nothing, as rounding can
occur by alluvial action or even wind abrasion, or by human
fashioning (molding, polishing). I do not know about the color
change on heating -- 120 degrees (either C or F) is not very hot,
that is strange -- could be a luminescent effect. One more point --
if the material is opaque it would have relatively low gem value even
if it turned out to be tourmaline, garnet, obsidian or some other
natural stone.Dear Barbara,
When faceting a gem, how
does one know, as one goes round the gem making facets, that one will
have enough space left over to make the last facet? For example, if
you start faceting at 12 o'clock, and make a facet for each "hour",
isn't it likely that as you make the last facet (11 to 12 o'clock)
you find that there isn't enough room (or, on the other hand, too
much room) left in order to make the last facet exactly the same size
as the others--in other words you run out of gem material (or have
gem material left over)? With a perfectly circular gem I understand
that this might not be a problem, since one can calculate angles, and
the size of each facet. However, most gems are not perfectly
circular...Christoper, USAHello Christoper:
I'll answer your question first
as it applies to modern "custom" faceting, and follow up with a
comment on traditional, so-called, "native" cutting.Faceting machines control three
things for the cutter: depth of cut, angle of cut, and radial
placement of facets. The modern highly engineered machine uses a
selection of "index" gears with precisely spaced teeth. Let's say
your goal is to put 12 equal sized facets around the perimeter of the
stone (a round) -- if the gear has 96 teeth then you cut a facet
every eighth tooth, and they automatically end up equal (that is if
the cutter gone to the same depth, and the angle set on the machine
hasn't been changed). If the outline is not round, perhaps oval or
pear shaped, then the same twelve index settings would be used, but
each facet would have to be cut to a slightly different depth and/or
angle to make them meet up (the cutter is watching the process under
magnification and much of it is "look, cut a little, look some more,
cut a little," etc. Faceting diagrams are generally used, and they
give a "cookbook" plan for the order and cutting sequence of facets
in regards to both angle and depth that serves as a guide to the
cutter.Native cutters, on the other
hand, who use just a grinding wheel, or even a simple jamb peg
machine, have to do much more complicated calculating and visualizing
in their head in order to make things come out right, and the
resulting facets are almost never perfectly symmetrical, some will be
smaller or larger, and they usually do not "meet" precisely.
Nonetheless, my hat is off to them as it takes years of practice, and
lots of talent, to be able to do a good job of cutting that way,
whereas most people with a little dedication and training can do a
good job with a modern machine.If you'd like to see some
pictures of what I'm trying to describe, go to my free gemology
course, Lesson 7 "Gem Fashioning" and scroll down to the section on
faceting: there are pictures of index gears and faceting machines,
etc.Here's a link: http://www.bwsmigel.info/Lesson7/DE.Gem.Fashioning.html
NEW FOR MAY
Dear Barbara,
I've recently purchased a
peridot ring set in sterling silver, and I am curious to know if the
stone is a real one or merely a fake like crystal. Is there any
'testing' I can carry out, or clues that will tell me one way or
another?...Tammy, Vancouver, BCHello Tammie: If you have a good 10x
magnifier you could look for visible signs of natural peridot.
Crystalline inclusions (angular, with high relief), would be
reassuring as most natural peridots have some internal material. You
also could look through the table at various angles and examine the
rear facet edges with your magnifier to see if you observed any
"facet doubling" (where the back facet edge looks like two close
lines rather than one single one) -- peridot is highly birefringent,
and often shows this characteristic, especially at some angles and in
larger stones. One the other hand, bubbles (rounded high relief
inclusions) and swirls, are signs of glass (crystal). Glass would
never show facet doubling. Dear Barbara,
I have a ruby ring that is
over 60 yrs old. How do I tell if the ruby is real?..Angela,
USAHello Angela: You are right to consider the
possibility of a synthetic or simulant. Many people simply assume
that synthetics are a product of modern technology, and that a piece
with any age on it is sure to be of natural origin. Synthetic rubies
have been in commerce since about 1900. A ruby of that age, if
synthetic, would have been made by the flame fusion process. In good
magnification and diffused light, you may be able to see either
curved growth lines (striae) or bubbles, either of which would
indicate synthetic. Angular or fingerprint inclusions on the other
hand wouldn't be seen in this type of in synthetic, and are
indicative of natural. There is also the possibility that the gem
could be glass or some other simulant other than a ruby of any kind.
Take the piece to a jeweler/gemologist for a professional
opinion. Dear Barbara,
How can you tell the
difference between Paraiba and apatite? I purchased a pair of earings
from Brazil (1 ct ) the color is pool blue. When looking at the stone
directly, you see a middle of translucent almost non-color. When
looking upside down there is a non-color, but from a side or angle
you have the blue of a Paraiba?? Deborah, USA.Hello Deborah: By Paraiba I assume you mean
naturally colored tourmaline that contains copper (the original
specimens of which came from Brazil) -- apatite, also a natural gem,
does come in a color similar to that of the Brazilian Paraiba stones,
but is a quite different mineral. Notably it has lower refractive
index, luster, and is much softer and more fragile.From your description it sounds
like you could have a doublet or a coated stone. It is also possible
the stone is highly pleochroic, or badly color zoned. Unfortunately
without seeing the stone in person and doing some observations and
tests, there is little else I can tell you. Your best bet is to take
it to a jeweler with some gemological training, who can evaluate the
piece under magnification and/or do a refractive index
test. Dear Barbara,
I am currently taking a
correspondence course from the University of Wisconsin. It is
actually a course in physics, and presently we are dealing with the
difference between reflected light and refracted light. I am also
studying your on-line gemology class. One of the areas I am
most interested in is the section in your gem course dealing with
darkfield microscopy. I have several stones that I found in
North Carolina that under a 60 power microscope are flawless.
Unfortunately, they are a 10 on the tone and saturation scales.
I have talked to many facetors about how to cut a stone that is so
dark, it does not show up well. Do you have any ideas?
Love to hear from you, thanks, Mike...USA. Hello Mike: A stone with a tone of 10 is
one which looks black under all normal lighting conditions -- some
color may show when the piece is illuminated from behind with a
strong light. Saturation, by the way, is not graded on a 0 - 10 scale
like tone, and doesn't refer to how light or dark the hue, instead it
describes the "purity" of the hue. By definition white, grey and
black stones have no saturation. I hate to sound discouraging,
but there is no way to cut a transparent stone of tone 10 to lighten
it sufficiently to result in a brilliant faceted gem. It should
simply be cut like a cabochon as one would cut a black onyx or
turquoise, alternately you could slice it very thin and cut tablets
with faceted edges. Sad to say my reject box is full of pieces of
facet rough that are clean, but just too dark to yield a brilliant
stone.(Follow up from
Mike)Barbara,Thank you for the
information. This is pretty much what I have been told by Phil
Stonebrook. He is a member of our facetors' guild. I do not know if
you know of him but he won the Masters 2 years ago. He said basically
that stones that dark are usually a waste of time. However he is
working on something that he thinks??? might help. He believes if you
make the stone as shallow as possible without going below the
critical angle and giving it a larger table than normal with a larger
girdle this may allow a greater play of light inside the stone. So
far I have not heard back from him but I will keep you posted. Again,
thanks, MikeHello again,
Mike: Perhaps that would work with a
stone that is a little too
dark -- but as you describe yours, it sounds beyond that kind of
help. When very dark almandite garnets were popular in jewelry in the
late 1800's and early 1900's, cabs cut from it were often hollowed
out on the back to let it light -- maybe you could do a cab this way
and the thin shell over the concaved back would show color. It would
take a lot of skill and be very hard work though. NEW FOR
APRILDear Barbara,
Which is better a ruby ring
or an opal ring? Which is the better stone? Which costs
more?...Bonnie, USAHello Bonnie: You ask a very
difficult question of which the first part can be answered very
simply: better for what type of ring use? Ruby is much more durable
than opal so for every day use ruby would be the better choice. Opal
can be used in a ring as long as it is worn with care and only on
occasion. Which costs more is much harder to answer, because "it
depends" both rubies and opals come in a quality/cost range from a
few dollars/carat for low grade material to specimens of museum
quality which might go for $10,000/ct or more. Ruby is usually
considered to be the most expensive colored stone -- but that is only
for top specimens, and there are some black opals which come very
close to top ruby per carat prices. Dear Barbara,
Thank you for your
reply. I recently purchased an opal ring for around
$300.00. I was concerned about getting one because I've heard
they are a soft stone and easy to damage. I wanted to wear the ring
not just have it sit in the jewlery box. I've been told to clean it
once a month with oil. What are your recommendations on caring for
the stone?...Bonnie, USA (follow up question). Hello again, Bonnie:
A lot depends on whether you
have a solid opal or a doublet or triplet, and how it is set (bezels
are more protective than prongs). Doublets have a firm non-opal base
and are somewhat stronger than most solids, triplets have both a firm
base and a scratch and chip resistant colorless top and can usually
be worn daily without fear. Assuming you have a delicate, solid opal,
I still say: by all means wear your opal, but not 24/7/365. Wear it
for the day then put it in the jewelry box, and wear something else
for a day or two, then go back. Always remove the ring or wear gloves
if you are using any harsh chemicals or doing hard physical
labor.Under no circumstances should
you put oil on your opal. Opal is porous and the oil will seep into
its tiny pores and oxidize and turn yellow over time. Simply use
diluted dishwashing detergent and lukewarm water with a soft brush,
then dry with a non-abrasive cloth and your opal will shine.
Dear Barbara,
Hi, I am new to the "gem
world", and would like to know what "AB Quality" means. Any
help would be appreciated...Jennifer, OregonHello Jennifer:
Unfortunately there are no set
terms for gem "quality" as far as colored stones are concerned. There
IS a rigorous and well defined system for grading diamonds that is
near universal (GIA's). In that system diamonds are graded according
to color, clarity and cut -- but that system does not use the term
AB. Colored stones are also often quality graded by GIA, however the
standards are less exacting and more flexible -- again no AB. I think
what you have is some dealer or individual who is using their own, or
a locally known system. You would have to ask them to define what
they mean by that label.If they are not following any
of the major systems used (GIA, EGL, AGTA), etc. then they may be
just making up whatever words they want. Just speculating: possibly
in their "system" A is the best, B is only good, so an AB would be
not as good as A, but better than a B. The trouble here is that we
have no externally recognized criteria to use -- it's just their
opinion right or wrong. Dear Barbara (Barry),
(This question is being
answered by a guest expert, Barry Bridgestock)I have a 6.5 mm gemstone and
would like to have it set in a ring soon. I have read that "half
sizes" are not available in snap-tite ring castings, so I think a
6.5mm gemstone would fit in a 6mm snap-tite casting. But, when it
comes to setting it in, for example, a diamond semi-mount, what size
should the gemstone setting be?? Would a 6.5mm stone fit a 6mm or 7mm
setting and be secure, or would it be wiser to find a 6.5mm
setting?Also, could you please
explain the difference between color shift and color change in
gemstones? When it comes to color change garnets, is the change
similar to Alexandrite, for example: I have seen on the gem TV shows
Alexandrite that has a 90% color change, or is the color change more
noticeable in the color change garnet? I have myself confused now,
surely imagine I've confused you as well ...Jan, USA.
Hello Jan: Mountings for 6.5 rounds are
available from Tripps, Rio Grande and Stuller. To order from Stuller
you have to be in the jewelry trade and have a resale number. Tripps
and Rio Grande both have online catalogs at www.tripps.com, and
www.riogrande.com. If you only have a choice between a 6.0 and
a 7.0, the 7.0 is your best bet. Quite often the 7.0 mounting
will be just a bit smaller than a true 7.0 due to
shrinkage.According to an article on
color change garnets in Gems & Gemology (Winter, 1984), color
change occurs with different TYPES of lighting, such as regular
incandescent light bulbs vs. natural or fluorescent lighting. Color
shift occurs when a stone's appearance changes because of the AMOUNT
of light involved. Don't feel bad about being confused about
this. It took me a long time last year to finally find definitions
for these terms. Some very rare color change
garnets cango from blue to pink, but most color change garnets don't
have the radical color change of a top quality Alexandrite. An
Alexandrite with a change from a pure green to a pure red would have
what would be termed a 100% color change because they are opposite
each other on the color wheel (that's my theory, anyway). For
garnets, a change from pink to gold or tan to pink is more typical. I
did see one garnet rough for sale several years ago that went from a
rich blue to red. It was priced at $450/ct. in the rough! I've also
seen quite a few Alexandrites that went from ugly to uglier.
(Kindly answered by master
cutter and color change garnet fancier, Barry
Bridgestock)
NEW FOR
MARCHDear Barbara,
Hi. I have a gorgeous 5.75
carat cz that looks absolutely real. It is set in sterling and
although it looks great, I hate the fact of having to clean the
silver and I am thinking of taking the stone out and placing it with
a 14 carat white gold setting. I know that cz's are not valuable. I
would like to know if it's worth doing so, and if a 5.75 carat cz is
the same as a real diamond equivalent? I was thinking of purchasing a
real 5 carat diamond but looking at the prices at various jewelry
stores one would have to hit the lottery to afford such a ring.
Should I go to a jeweler and buy a good setting to give it an even
more real appearance? Also, will my cz change even if it's in a
gorgeous expensive setting in time? How long does it take for a cz to
lose luster? I wear it daily...Diane, USA. Hello Diane: You are correct in recognizing
that CZ has no intrinsic value, (the rough costs about 5 cents a
carat), but that doesn't mean it isn't beautiful. If you love the
stone and hate dealing with the frequent tarnishing of silver, I say
by all means put it in a new setting. You could use white gold, or
some of the newer sterling silver alloys which are virtually tarnish
free, and much less expensive than gold. Ask your jeweler about
them.CZ is 8.5 on the hardness scale
which is considerably softer than diamond, and a little softer than
sapphire but a lot harder than most gems. How long it will look good
depends on how rough you are with it -- but if you are relatively
careful with it, it should last a long, long time.CZ's are heavier per unit than
are diamonds, but most sellers don't go by the actual weight of the
CZ, they go by the "diamond equivalent" weight, so my guess is that
your CZ is the same size as a diamond of that carat weight but
actually weighs more. Dear Barbara,
Thank you for posting your
gemology course and the general gemstone information on your site.
I've read tons of information on demantoid garnet, some of which
states that the darker green material is more valuable but less
dispersive. What I would like to know is when it comes to hue, tone,
and saturation according to GIA, which of the two is more valuable: a
green to slightly yellowish-green hue, dark tone, strong saturation
yG 7/4 SI-2 or a green to slightly yellowish-green hue, medium tone,
strong saturation yG 4-5/4 SI-1??The color of the first stone
resembles a Tsavorite, and the second stone is the color of a
Colombian emerald with medium tone and moderately strong
saturation....Jan, UK Hello Jan,Thanks for visiting my sites
and for you kind compliment. You pose a question that I cannot fully
answer, however. I am not trained in appraising, and even if I were,
I believe demantoids fall into that category of rare collector pieces
for which there is no firmly set scale of value.In general terms, however dark
tone a negative factor. Whatever their actual color, dark stones tend
to look black in poor lighting. Medium dark is ideal -- one of your
stones is lighter than that, and the other is darker, so neither has
the best color. As far as color trumping dispersion, again, I think
one cannot say for sure. Certainly a light or overly yellow stone
would be lower valued even if it had high dispersion, but a darker
one, completely lacking in this property would also be less desirable
than a slightly lighter one with it.Although colored stones are not
generally clarity graded by using SI (which is diamond terminology),
I take it to mean that the first stone is visibly included while the
second is eyeclean. Here, the nature of the inclusion would matter a
great deal: horsetails are OK if visible, anything else would hurt
value, and the horsetails are better when they are seen only with a
loupe.To sum up: I think a top
quality demantoid would have Russian provenance, be close to pure
spectral green (almost no yellow), medium dark, with at least some
dispersion visible in good light, and with clear horsetails visible
at 10x but otherwise eyeclean. Dear Barbara,
I recently read that most
blue Topazes are irradiated to produce the blue colour. I have a
light blue rectangle cut yellow gold ring (with two tiny diamonds set
into the band) that was purchased in Rio de Janiero, Brasil in 2003.
I'm now overly worried my ring could be radioactive, or was back
then. I did not speak Portuguese at the time but my BF (now husband)
does and I don't ever remember the person at the jewelry store
mentioning the stone being irradiated. I've had the ring repaired
once (the stone was loose), resized (after losing 45 lbs) and cleaned
repeatedly.My question is, how
stringent are the Brasilian regulations regarding the sale of
irradiated gemstones? Do I need to worry that my topaz might not have
"cooled off" long enough before it was sold to me?...Lalania,
? Hello Lalania,No worries at all. The
regulations regarding holding times are carefully adhered to and
double checked all around the world. There are different times of and
types of radiation used to produce the different blue shades: London
Blue requires a substantial cooling period, sky blue (your color),
hardly any at all.Enjoy your ring, you get far
more radiation exposure from the sky and the rocks of the Earth's
crust (called "background radiation") than from your topaz.
:-) Dear Barbara,
I am looking at a 3 carat
round brilliant cut diamond solitaire. It seems very clear and
sparkly. The color looks like L or M. I can seewhat look like a few
feathers and a little carbon around the upper edge with a loupe. The
main thing is that when I look down the middleof it - with the 10 X
loupe - I can see what looks to be a circle around the perimeter of
the pavilion that looks burnt or something. It looks sort of like a
hole. What could that be? I turned it upside down to make sure that
the tip was still on the bottom of the diamond and it was. Also, when
I held a white cloth behind the diamond., I could see the white color
of the cloth through the diamond...Jena, USA. Hello Jena,Since you say the culet (point)
is still there, what comes to mind immediately is that your diamond
could be either horribly badly cut so that it has a large "window"
(very unlikely) or that it is doublet with a diamond top glued or
fused to glass or some material with a low refractive index. It could
even be completely glass or some other type of diamond simulant. No
way would a good diamond have a "read-through" effect such that you
could see cloth behind it. My advice would be to go to a reputable
jeweler and have them use their "diamond tester" on it. Make sure
they test the crown, and the bottom at several places to rule out a
doublet. If they verify it as a diamond, you might also ask them
about getting it recut to eliminate the window.
NEW FOR
FEBRUARYDear Barbara,
What is hessonite garnet and
how valuable is the stone?...PamHello Pam,Hessonite is a variety name for
brownish orange grossular garnets which get their color from
manganese and iron and it is sometimes called "cinnamon stone".
Grossulars as a species come in a wide range of color varieties from
the rare colorless form to yellow, the orangey hessonites, and
through shades of light to dark green to black. The most valuable
type of grossular is Tsavorite which is medium dark to dark green.
Hessonites are relatively low on the value scale. They have
characteristic swirly/bubbly inclusions (known as treacle) which make
the overall appearance of most pieces a little sleepy. They make
relatively good jewelry stones with good toughness and a hardness of
7.25.Depending on the depth of
color, clarity and size somewhere between $20 to $100 per carat might
be a reasonable price, compared to fine Tsavorites which might fetch
$1000 per carat. Dear Barbara,
I got a pair of earrings and
I would like to know if they are genuine Moissanite. Is there any
place in Las Vegas Nv. that I can get an appraisal? Thank You
Patricia...Las Vegas Hello Patricia,Only one company makes the
diamond simulant Moissanite: Charles and Covard, so if you see their
logo that is a good sign. Any competent jeweler should be able to
tell you, as Moissanite passes the thermal conductivity test for
diamond simulants, but fails the electrical conductivity test.
Jewelers and even pawn shops, regardless of the city you live in have
the tools to do these tests, but here in Vegas, try John Fish, Christensen's, Huntington's,
etc....Dear Barbara,
I have a question about
green amethysts vs. green quartz. I see both out in the
marketplace. What is the difference? Is an amethyst part of the
quartz family? Are they one and the same?...Stephanie,
USAHello Stephanie,
There is no such thing as green
amethyst: gemologically amethyst is defined as purple quartz.
Quartz is a gem species
encompassing a number of quite different looking gems: amethyst,
citrine, rose quartz, rock crystal, chalcedony, agate, jasper,
aventurine, tiger'seye, etc. All of these have the chemical formula
SiO2 and the structural pattern inside the
crystal referred to as trigonal, and share many optical and physical
properties. They differ in outward appearance because of trace
elements or inclusions present. or because of the size and pattern of
the individual crystals making up the gem.When most amethyst is heated to
a certain temperature, the purple turns to gold/orange and you get
citrine, but some amethyst with unusual trace chemistry turns green.
Such stones are referred to as "greened amethyst" referring to the
heat induced change. Nature sometimes provides the heat, so in rare
cases this green quartz called prasiolite is found naturally.
Some types of colorless rock
crystal quartz can be irradiated to a greenish yellow color and have
been given the trade name "oro verde" quartz. Dear Barbara:
I recently bought a
Tanzanite stone on ebay from "-----------"...he has a 1500 rating
with 100% positive feedback....well it is a gorgeous stone...I then
brought it to a well known jewelry store, and had them send it away
to their gemologist/jeweler to make it into a necklace for my
girlfriend....I got a phone call telling me it was a fake....the guy
has been working for this outfit for over 17 years and says he deals
with all kinds of diamonds and gemstones and said when he saw it
under the microscope, he could just tell...now the ebay dealer says
he guarantees it's real....says he'd put aything on it that it's
real.....so I'm stuck, I do not know who to believe....the dealer
told me to take it to a reputable gemologist.....What should I do
here?...Sean, USAHelo Sean,I'm sorry you had such a bad
experience -- things like that make it so much harder for the rest of
us internet merchants to do business. I do not know of any conclusive
test that will identify "fake" Tanzanite, visually with a microscope,
although there are other standard tests such as reading the
refractive index, using a dicroscope, or doing a specific gravity
test, that would be conclusive. There are some quite visually
convincing simulants out there, but none of them pass the RI & SG
and pleochroism tests as Tanzanite. See if you can get a written
report from the jewelry store guy detailing what tests (if any) other
than microscopic examination he did, and what the results were. If
they won't provide that, then what you need is an official
identification. AGTA, GIA, etc. provide that service -- I would ask
the ebay dealer to send it to AGTA or GIA on your behalf for an ID.
(The good news is that you'll know for sure what you have, the bad
news is that it will cost about $75 - $100 and take several
weeks).NEW FOR
DECEMBER/JANUARYDear Barbara,
I, as well as the bulk of
the world, am fascinated by Diamonds. The hardest natural substance
known to man, so brilliant, so much so-called "fire", HAS to be the
most rare and valuable on Earth, right? That was a Rhetorical
question by the way: for I know the answer. But really, what makes a
Diamond SO FRIGGIN' EXPENSIVE??, when there are so many other gems so
much more beautiful than a plain ol' diamond ( Yes diamond without a
capitol D.) I feel that diamonds are over-rated just the same way as
Ferarris and Lamborghinis. A Ferarri is beautiful in style and form
just as a diamond is. But what about comparing an old Camaro with a
Iolite? And then comparing the latter with diamond /Ferarri?! The
difference, I think, is the "snob-effect". I love Ferarris, and
diamonds. But, the stereotype clearly tells me that I probably will
never own a Ferarri or an exquisite diamond until I have a casino on
The Las Vegas Strip. I just wonder why diamonds are so expensive, so
sought-after, when they are not really at all truely "rare" NOR are
they the most beautiful gem of all the world. In my eyes anyways.
Thanks for your time...Ryan, NV Hello Ryan, All gems are rare and
beautiful, in fact, that is part of the definition of a gem. As to
the special status that is accorded to diamonds, there's no "one size
fits all" answer. Part of diamonds' appeal is the
uniqueness of the luster/hardness/dispersion combination which no
other natural gem can precisely match. Part is historical with
romantic and legendary diamonds and diamond jewelry forming a part of
our collective consciousness. A large part, in my opinion, is due to
a carefully regulated market where demand is fueled by intensive and
emotion laden advertising (think of the "a diamond is forever" &
"the right hand ring" campaigns), and where supply is largely
controlled by a single player. The present diamond market is
currently threatened by two main forces: the breakdown of the near
monopoly on gem rough which no longer involves over 80% of the
supply, and the introduction of difficult to detect synthetic
diamonds. BTW, it's not the jewelers who are getting rich, as
diamonds, many tell me, are one of their lowest profit
items. Dear Barbara,
In 1983, I was given a tiger
claw set in gold while I was staying in Guam. It has lived with
me since in Arizona. I would like to start wearing it
again. The claw has fallen out of the setting and seems quite
dry. I did a google search for tiger claw and care info and
found your wonderful website. I wonder if you could just
tell me how to care for this (should and can I buy keratin product
for it? lanolin? Olive oil? Just wearing next to skin?) and also,
would it do damage to the claw if I use something like Super Glue to
set it back in the gold? I didn't want to just take
it to any old jeweler because of the unique and sacred properties of
this item...Kathleen, AZ Hello Kathleen,If you've read my essay on
unusual organics, I'm afraid you know pretty much all that I know
about care of something as fragile as a tiger claw. http://www.bwsmigel.info/GEOL.115.ESSAYS/Gemology.Unusual.Organics.html
With the humidity so low in
Arizona, I expect that is why the claw shrunken and come out of the
setting. I wouldn't use super glue to reattach it, but rather 5
minute epoxy which would be more elastic and cushioning for the
piece. When you aren't wearing it you should keep it either vacuum
sealed in its box (if you have one of those vacuum food sealers) or
alternately in a container with moth crystals -- these will protect
it from dermestid beetles. Do not get it wet, as that would speed
bacterial/fungal decomposition. I don't recommend any oils as
they no not hydrate and can cause discoloration, but the least likely
to be harmful would be pure mineral oil. I think if it were mine I'd
consider coating it with a light application of polyurethane lacquer
(semi-gloss or matte), and I would wear it only rarely. Sadly, such
items are ephemeral and all we can do is to try to prolong their
limited existence as best we can. Dear Barbara,
Yesterday I purchased a pink
sapphire lab created ring with, I think, 10 or 14K white gold. it was
from *****'s Jewelers. It is a triangle and under it is 10 square
shaped lab created sapphires on the band. There also are a few little
diamonds on the side. Is $267.00 a good deal? Also I shouldn"t have
any problems wearing this every day should I?... Kimberly,
NC Hello Kimberly,I can answer one of your
questions easily. Sapphire is very hard and very tough and makes a
good companion stone to diamond in an everyday ring -- and white gold
is noted for its strength as well. All you need to clean the stones
is detergent and a toothbrush, and you can use a jewelry polishing
cloth on the metal to keep it shiny. This piece should look beautiful
for many years.As far as whether you got a
good deal, though, there are too many variables to give you a
definite answer (for example, the karat level of the gold, its
weight, the clarity and caratweight of the diamonds, etc.), and I
have no direct training in doing appraisals. The lab sapphires have
very little intrinsic value, so the "worth" of the piece would mostly
be set by the gold and diamonds. Off the top of my head, it doesn't
sound outrageous for a retail price at today's over $600/oz gold
prices. I think you did OK. :-) Dear Barbara,
When cutting a Ruby
gemstone, How can one determine the grain? assuming the rough is six
sided and flat on both ends, are there any books covering reading the
grain?..Jim, FL Hello Jim,Unlike diamond and especially
kyanite, corundum does not have significant hardness differences in
different crystal directions that can complicate cutting. Usually
it's these hardness directions, requiring different strategies for
successful cutting, that are referred to as the "grain" in gem
cutting -- similar to the use in woodcutting. So I don't think you
need to worry about it.On the other hand, all corundum
gems (sapphire and ruby) have pleochroism with a subtle but important color difference when
viewed down the C axis as opposed to the A or B axis. Perhaps this is
what you are referring to: Thinking of a pencil, the length and width
are the A and B and the depth is the C axis. So as you are looking
through those flat hex shaped ends you are seeing the C axis color.
If you prefer that to the color you see when looking through the long
sides (A/B) then use the flat side for your table and that color will
predominate face up, otherwise orient the gem with the table towards
the long side.If you haven't yet read Glen
and Martha Vargas' book "Faceting for Amateurs", it has some good
material on orientation of rough.
NEW FOR
NOVEMBERDear Barbara,
A few years ago I purchased
a number of lovely large pieces of Peruvian blue opal in Tucson. When
I showed them to my friends at the rock shop, they almost fell over,
and gasped at what beautiful chalcedony
I had. So what, exactly, is Peruvian blue opal. Is it the same thing
as chalcedony, and why did they react like that?...Gail,
ORHello Gail,Thanks for your question, it's
a good one. Opal, whether with play of color (precious) or without
(common)--like your Pervuian material, is made of ultra-microscopic
spheres of a solidified gel-like form of silica (SiO2) called cristobalite. It is considered an
amorphous material (without crystal organization)
and has a hardness between 5 and 6 and poor toughness. Chalcedony
(along with agate and jasper) are also forms of silica
(SiO2), but in this case it is organized into
microscopic quartz crystals intermeshed into a form
known as an aggregate. Such gems have hardness of 7 and are very
tough. To further explore the issue, amethyst, rose quartz,
tiger'seye and rock crystal are also silica, but in this case,
organized into macroscopic "single crystals", they have a hardness of 7, but
are not as tough as their aggregate cousins. Chemically, then, these
gems are all very similar, but the physical arrangement of their
atoms is quite different, accounting for their different hardnesses,
refractive indices, colors, transparency and phenomena.
Now, back to your friends'
reactions. A very rare and expensive form of chalcedony that is
colored blue to blue green by microscopic chrysocolla inclusions is
called "chrysocolla chalcedony". Superficially, good blue opal looks
a lot like it. Both are in the same color range, with similar
translucence and the same glassy luster, but chalcedony is much
harder and more durable than opal. Your friends, I think, mistook
your blue opal (which is itself a relatively expensive gem) for the
very expensive gem, chrysocolla chalcedony, which rarely
comes in good quality pieces larger than 2 - 3 cts.Dear Barbara,
A diamond is crystalized
carbon. What, then, is crystalized tin? Is it a rare colored stone? I
found some in Bolivia and I can't find any information about it, can
you please help me?...Carlos, BoliviaHello Carlos,Although carbon, gold, silver,
sulfur, platinum and mercury do occur
in a crystalized "pure" state, tin does not. Tin is always found in
nature bonded to other elements, such as oxygen, sulfur, iron etc.
The only gemstone I know of that contains tin is cassiterite which is
tin oxide SnO2 and
which does occur in Boliva. It is a rare collector stone, usually
reddish brown, and has some value if it is transparent and free of
inclusions. There is small demand for it, however. Other minerals
such as stannite and cylindrite also contain tin but are not useful
as gemstones. Dear Barbara,
Have you ever heard of a
Namibian tourmaline, blue-green, called neuchwauben?...Peggy,
USAHello Peggy,Neu Schwaben is the name of a
particular mine in Namibia where beautiful blue-green colors have
been found. So that term is just being used as a place name for where
the tourmaline was mined. Several of the blue-green tourmalines that
have been cut by Barry Bridgestock on my site, have come from that
locale. Dear Barbara,
First of all, thank you for
taking my question - just recently I inherited a ring and had it
appraised by a local Graduate Gemologist, and wanted to run it by
you. Her written appraisal was :
"Ladies custom
designed 14-karat yellow gold fashion ring set with 1 blue topaz - in
a 4 prong basket head.topaznaturalemerald,
facetedlength 24.69mm; width
19.95mm; depth 11.45mmdepth % 57.4
clarity:fI
primary color:
bluesecondary color:
greensymmetry:
goodcolor intensity:
mediumtransparency:
transparenttone: medium
est. weight: 49.91
carat"(I will leave out the ring
stuff) it is stamped 14k and ACD
She appraised it at $1,400
(insurance value)
I am touched my grandmother
has left this keepsake to me and just want to make sure I can afford
to actually wear it. I was considering having it converted to a
pendant; but want to preserve the ring setting also. Thank you for
your time and expertise... Wendy, TXHello Wendy,I'm delighted to take your
question. As per usual, of course, I cannot make any valid judgments
about a stone I haven't seen and tested, but just let me make a
couple of "off the top of my head" comments.The appraisal looks like it was
thoroughly and professionally done. Insurance value is always set on
the high side due to the difficulty of sourcing a particular size,
shape and setting for a piece of jewelry. Given that, the value seems
like it's in the right ball park.The one thing I would point out
is that the appraisal fails to note whether the stone is enhanced
(treated) or not. The term "natural" only applies to whether a stone
is from Mother Earth or made in a lab (natural vs synthetic). Many
natural stones are enhanced by various processes like dyeing,
irradiating, heating, coating, etc. I am fairly sure that your blue
topaz is irradiated. These were produced starting in the early 70's
from natural white topaz which is available in large, clean pieces.
Unenhanced blue topazes do exist, but they are rare, generally pale
and rather small, and a 49 ct. one would be worth much much more than
the value given to your ring.Without enhancements we
wouldn't have Tanzanite, or black onyx or several other well known
and loved gems, so saying your topaz is enhanced is not to run it down. In my opinion, however, the
appraisal should have indicated the gem's enhancement
status.Your thought about converting
it to a pendant would be wise if you want to wear it frequently, as
topaz although hard, is fragile, due to its tendency to cleave. A
good custom jeweler should be able to dismount the gem, remake the
ring setting into a pendant and remount it for you -- keeping the
character of the setting virtually the same. Congratulations on
receiving this beautiful piece with both monetary and sentimental
value.
NEW FOR
OCTOBER:Dear Barbara,
I am interested in pursuing
a career in gemology, but I want to get some information about this
field before spending the time and money. I would be very
grateful to you if you could shed some light on this subject. I am 40
years old. I have a graduate degree from India in Business. I have
worked as a school administrator in India. I owned my own skin
care business here in the US. I would like to change my field as
I am no longer enjoying what I do. I have always been fascinated with
gemstones. As India is a land known for its gemstones and diamond
cutting, I want to get into this field.I would like to do a course
in Gemology. Where is the best place that I can get good training and
certification? Is GIA the best???? What are the job
prospects like in this field? Please, please reply.... Sujatha,
India. Hello Sujatha,Gemology is a growing and
rewarding field, although it is one in which there is a lot of
competition. First of all, do not let your age worry you -- I started
my successful gemstone business ten years ago when I was 50. The fact
that you have a degree in business along with your life experiences
make you much more likely to succeed than a younger, less experienced
person. May I suggest that you start
your examination of the field of gemology by taking a quick overall
look at my free internet gemology course: http://www.bwsmigel.info
This class will not lead to a credential or any employment
opportunities, but will give you a full overview of the most
important aspects of the field of gemology from a scientific, rather
than a retail or artistic, viewpoint.As far as schools there are
many good ones, and these days on-line opportunities for instruction
abound. The International Gem Society and the International School of
Gemology both have inexpensive courses which lead to credentials --
however, the downside is that these worthy institutions do not yet
have the world recognition of GIA or some of the more established
schools.Visit this link to Gemology on
Line http://gemologyonline.com/Forum/phpBB2/index.php and note the
comments comparing the world's three most well known credentialling
gemology schools. Dear Barbara,
I have found your site very
helpful. I wonder if you could give me some advice regarding
emeralds. I am very drawn to this stone and would love to purchase an
emerald ring, however several people have told me that emeralds are
fragile, and not suitable as an engagement ring. Is this true?
....Pam, UKHello Pam:The fragility of emeralds
depends a lot on how included they are. A specimen with no fractures
inside (rare) would have the beryl family's hardness of 7.5 - 8 and
be relatively tough. Most emeralds, though, have some internal
fractures which are then filled with oil to make them less vivisble.
This diminishes the toughness somewhat, and decreases their stability
to temperature and solvents. So, the folks who are giving you advice
are, unfortunately, correct that emerald is not a good choice for a
24/7/365 ring. I know of no bright green gemstone tough enough for
that application. :-( Use emerald in occasional rings or a daily wear
pendant or earrings only. The best colored stone choice for an
engagement ring is sapphire (tough and with hardness 9) -- they don't
really come in a vivid emerald-like green, but they are available in
lots of other pretty colors. Dear Barbara,
I would like to know if it
is possible to dye natural rock crystal quartz, and if so, how to do
it so that the colors do not fade or wash off. I am interested in
achieving fairly bright primary type colors....Lynn,
USA.Hello Lynn,The short answer to your
question is that it cannot be done. See below for long
explanation!Unfortunately it is not
possible to dye a clean piece of rock crystal quartz because it is an
inpenetrable solid single crystal -- well, it IS possible, but only
by first creating a myriad of tiny fractures in the quartz which
destroy its clarity. Dye can only enter a monocrystalline material
like quartz through cracks and fissures. This ancient process is
called "quench crackling" and involves heating the quartz or other
gem material to a high temperature, and then immediately dousing it
with cold liquid. The resulting, fractured, porous material will then
take up dye in its cracks which from a distance will give an overall
appearance of color. In the pictures below you can see what a dyed
quench crackled rock crystal pebble looks like, and how the color is
actually only in the cracks.You CAN successfully dye
aggregate forms of quartz like agate, jasper and
chalcedony, because they are NOT made of a single giant crystal, but
instead of a multitude of submicroscopic crystals with micro-spaces
between them, whereby dye can be taken up. Black onyx is an example
of a dyed quartz aggregate.
[From a distance the quartz
pebble looks pink, under magnification it can be see to be pink in
the cracks and colorless elsewhere] It IS possible to change the
color of rock crystal, in fact gem treaters do it all the time, by
not by dyeing. They use combinations of irradiation or high
temperature processing that change the internal chemistry of trace
elements, or structural features in the crystal. This is how "Lemon
quartz" is made from rock crystal, or colorless quartz is turned into
smokey quartz.Another color changing
possibility is to coat the rock crystal with a paint or metallic
vapor, but such coatings are very fragile, and the metallic ones
create iridescent effects, and require high tech equipment. The
picture below is of a vapor coated rock crystal quartz crystal, this
material is sold under the tradename Aqua Aura Quartz.
["Aqua Aura" vapor coated
quartz crystal]Sorry to be the bearer of bad
news. Dear Barbara,
Recently I took a diamond
ring to a jeweler and he used something about the size of a little
penlight and touched the end of it to my stone to determine if it was
real or CZ. I believe if it's fake it doesn't make a sound, but if
real, it emits a beep. What is this tool called and where could I
purchase one? Approximately how much is one? Thank you
much.....Lanette, USAHello Lanette:Generically known as "Diamond
Testers", they are sold by jewelry supply houses like www.tripps.com
or gemological instrument suppliers like www.prettyrock.com, and
there are various trade names for the different brands. They cost @
$100 - $200. The older, less expensive, versions use a "thermal
conductivity" test. That is, the device reads how well the stone
conducts applied heat away -- diamonds read quite differently from
their simulants, like glass, white spinel, white sapphire, YAG and
CZ. These worked great until Moissanite was invented and introduced
as a diamond simulant a few years ago. Moissanite will pass the old
style test as diamond, so the newer models use both a thermal
conductivity to separate diamond from CZ and other simulants, and
then an electrical conductivity test to distinguish diamond which
does not conduct, from Moissanite that does. Most
of the models I've seen beep when the probe accidentally touches the
metal of a setting. What these devices will NOT do is to identify a
true synthetic
diamond, or determine whether a natural diamond has been enhanced.
Those discriminations require more expertise and additional
equipment. Your jeweler probably has the newer version which is
available from the same venues as the older thermal tester. Pawn
shops couldn't stay in business without them! :-)
NEW FOR
SEPTEMBER:Dear Barbara,
What is the difference
between high zircon and low zircon? And what are the colors that low
zircon comes in? And the colors for high zircon?....Diane,
CaliforniaHello Diane,Before the modern days of
gemology, miners and gem traders noticed that the luster, and other
properties of various color zircons differed, sometimes dramatically.
As it became possible to measure characteristics like refractive
index, this observation was further supported. Among zircons, the
great majority of stones have near adamantine luster when polished,
and a refractive index so high (1.93 - 1.98) as to be "over the
limits" of the standard refractometer (as is diamond). A few zircons,
though, almost invariably those that are green, have a glassy luster
and a lower refractive index. The term "low" (or metamict) zircon had
long been in use for these, and "high" zircon for the more common
type. Zircon sometimes contains
impurities of radioactive minerals -- over long periods of time, as
these decay, the radiation damages the internal crystal structure of
the zircon causing the gem's properties to change. In extreme cases,
all crystalline structure is lost, resulting in a type of natural
glass -- such stones no longer show the properties of crystalline
zircons, so they are "low".The majority of mined zircon
rough occurs in a range of yellow brown to orangey brown colors. Most
of the cut zircons on the market, especially the blues, whites,
yellows and reds have been produced from these brownish ones by
various heating processes.Color in gemstones, in general,
can be caused by the atoms of which they are made (either their own
chemical formula -- or by trace levels of impurities). Heating often
changes the chemical state of atoms from one ion to another, thereby
changing color. A second attribute which causes color in gems is
defects in the crystal lattice -- these can occur naturally as with
the green metamict zircons, or be produced on purpose by irradiation,
as in the case of color enhanced diamonds, and some other irradiated
gems.So, in a nutshell: low zircons
are glassy and green due to natural crystal breakdown from radiation,
all other colors are either natural, or produced by deliberate
heating. Dear Barbara,
I've got a question which I
hope you can enlighten me on. I came across "black rhodium" as a
material used for rings on a website I visited. To see them, visit
Perlini Silver and, under "Collections", click on "black". There are
rings which are made of black rhodium.However, when I tried to
search on the net for such a material, there is almost no information
about black rhodium. In fact the most I could find was regarding
rhodium on Wikipedia which states that: "A rare silvery-white hard
transition metal, rhodium is a member of the platinum group, is found
in platinum ores and is used in alloys with platinum and as a
catalyst. It is the most expensive precious metal."
Have you come across this
material?....Ivan, SingaporeHello Ivan,Yes, I have seen "black
rhodium" used in some ring settings, especially in bezels around
stones, and I took a look at the "black collection" at Perlini's
website. Although I do not know for sure, but I expect it is a
rhodium plating
(the pure stuff would be very expensive), which is then treated to
darken it. Perlini is a silver jewelry company, after all, and
ordinary white rhodium is commonly used to plate sterling silver
jewelry to prevent it from tarnishing. Most metals can be given a
colored
patina by some sort of
chemical or electro-chemical treatment. Examples are the dark
"antiquing" of silver done with "liver of sulfur", and the
electro-chemical process used to make a multicolored iridescent
patina on titanium. That would be my best guess.
:-) Dear Barbara,
I am a new gemstone
enthusiast and was recently searching on ebay and came across several
very large, Asian based, gemstone companies selling enormous numbers
of stones both on ebay and through their own huge websites. Can you
make any general comments on these type of companies and their
wares?....Susan, British Colombia Hello Susan,I am quite familiar with
several of the companies you are referring to: here are my
impressions based on the fact that I have been observing them, and
interacting with them, and their customers, virtually since they
opened up.1) The ones that have stayed in
business over the long term are a reputable firms.2) Most have guarantees and
return policies, so that you can get your money back if you don't
like the goods. In some cases this process takes a pretty long time,
in other cases they work through US return centers and are quick. A
general rule that would apply not only to gems, but to
any internet purchase is not to buy anything
that you can't return.3) For the most part they sell
what would be termed native cut, and "commercial" cut gems. Most of
these have some deficiency in shape, proportion, faceting meets or
cutting angles which lead to a "window" (an area of non-brilliance in
the center), an ungainly outline shape, a bellied pavilion, and/or a
flat crown. Custom/precision cut gems are simply more expensive,
regardless of whether you buy them in Thailand, the US, or Africa --
on the net, or at a show.4) The colors of the gems that
are offered are usually either light, dark, highly zoned, or lack
saturation compared to higher value specimens of the same species.
High color grade stones are simply more expensive, regardless of
whether you buy them...., etc, etc.5) The quality control
departments of at least one of the biggest of these companies has had
lapses that I know of (two different customers of mine, over the
years, have sent me gems to identify for them which they purchased as
one thing from this source, and which turned out, upon testing, to be
something less valuable. This is understandable, though, in the large
scale operation they run, and is very unlikely to be deliberate.
Garnet and spinel, for example, overlap in color and luster, and
without testing each one individually, errors can occur.
6) I believe most of the
"surviving" sites have improved in recent years, but in the early
days, customers often complained that they would see a "generic"
picture, and the gem they actually got was similar to, but not the
exact one in the photo. Personally, I find that some of the gem
descriptions on these sites get to be comical after a while (all are
"screaming" color or "blinding" brilliance, etc -- as if they have a
"mix and match" set of adjectives, that their employes just grab and
stick randomly in the boxes.)7) Value-wise the gems are
worth about what you are paying for them -- if you purchase a $50
ruby, you are not
getting a great bargain on a $500 stone, you are getting a ruby worth
$50. A listed "retail" price means little to nothing -- I could list
retail prices of 5X-10X, or more, than I am charging for the stones
on my site, and I'd be perfectly correct if these same stones were
being sold, retail, at Tiffany's or on Rodeo Drive.8) I do credit one of the
largest of these companies for recently starting a campaign to
educate their consumers - they have some really good essays, and
pictures on their site, and an informative newsletter you can
subscribe to. Also, they have been kind and generous to me, in
letting me use images from their site for my gemology
teaching.If all of this sounds very
negative, I don't mean it to, many of their items look pretty good
once mounted, and are probably somewhat cheaper than you'd get for
comparable goods in the US given labor costs, etc. And every once in
a while they do come up
with a pretty good stone for a very good price. I think, like most
new collectors, you will go through a stage of wildly enthusiastic
buying, but as you learn more about cut and color you will probably
tend to buy less from such sources and concentrate on fewer but
better cut and higher color grade stones. I have boxes of this type
of lower quality gems that I bought in my own early collecting days.
All of us do. It's almost a necessary growth process.(For a set of related
comments on TV shopping channels and their gems, you might scroll
down on this "Ask Barbara" page to the very first
question.) Dear Barbara,
I have a strand of Green
Gold faceted pear topaz beads. Is this the same as Lemon topaz? My
understanding is that the Green Gold topaz is more valuable than the
so-called Lemon, however, now I'm wondering if they're just the same
thing....Lauren, USA. Hello Lauren,Unless you are talking about
one of the new, yellow, diffusion colored topazes, with which I am not very familiar, I know
of no "Lemon" topaz or "Green Gold" topaz. On the other hand, those
terms are frequently used for irradiation induced
colored forms of quartz.
As you are suspecting, I think
there is no real difference between them, it's just a matter of what
the seller wants to call them, in other words, both are
trade names for enhanced quartz, neither of those
terms is a valid gemological variety name.If there is any value
difference between either
of these two forms of quartz, it is minor - both are worth only a bit
more than the colorless quartz from which they are obtained.
NEW FOR
AUGUST:Dear Barbara,
My husband gave me a
Tanzanite ring for my 60th birthday. The cut is a marquis. It has a
beautiful blue/purple color. However, when I look at the stone from
the bottom, it has no color! Is this normal? The ring was purchased
from a reputable jewlry store....Terry, St. Louis,
Missouri.Hello Terry,Yours is a very interesting
question. I've thought about it a bit, and can see three
possibilities. My usual disclaimer of not being able to make any
definitive answer without seeing and testing the gem applies,
however.
1) Many stones are
colored unevenly (called color zoning). The color we see when we look
at a faceted stone from the top may not be its color throughout. The
facets cause light to bounce around inside the stone before it exits
to your eye and tends to blend the differently colored areas of the
stone into a single color. I have seen some pieces of rough that are
very light, but when faceted skillfully, because there is a darker
area right at the culet (pointed bottom) where most of the reflection
occurs, they look much darker as cut stones. It is possible that your
stone was highly color zoned and well cut to compensate for it. By
turning the stone over you are minimizing reflections and color
blending and color zoning would be more visible. I have seen this
phenomenon most strongly in amethyst and citrine and also in sunstone
and sapphire. I am not familiar with extreme color zoning occurring
in Tanzanite, but it is possible.2) Both Tanzanite and iolite
are gems which look different colors from different angles
(pleochroic). With Tanzanite the two colors are generally blue and
purple. With iolite there are three: a blue-violet color (very
similar to Tanzanite color) a grey blue, and a light straw yellow
(near colorless). Tanzanite and iolite can sometimes be confused if
they are not closely examined. Perhaps the stone is an iolite and
when you turn it over and view the bottom you are looking at the near
colorless axis.
3) One type of simulated or
imitation gemstone is called a doublet. In a doublet the top and
bottom of a gem are made of different materials. One of the
characteristic features of some doublets is that the top is brightly
colored and the bottom is colorless. When these are made to deceive
they are generally put in closed settings so the back cannot be
observed, but they can be found in prong settings as well.
My suggestion would be to take
the ring back to the store where your husband got it and ask to speak
to the jeweler or owner (not just a sales clerk). Show him/her the
piece and explain your reservations about it -- you might also show
them this note. Even if the stone is not what you expected it to be,
it might be an honest mistake on their part. The people who supplied
them, or those further back in the chain who supplied the supplier,
may be at fault. A reputable firm will stand good for their product,
no matter who was at fault.If you end up keeping the ring,
let me add that Tanzanite is not a highly durable ring stone. You
should reserve the ring for occasional wear as this gem is rather
soft and somewhat cleavable. If you want to wear it daily you might
consider having the jeweler reset it as a pendant. BTW, I would be
very curious to know what you find out from the jeweler.
Dear Barbara,
I'm I able to test a blue
chalcedony with a Jadeite Filter? If so what color should it be thru
the filter? Secondly is a blue chalcedony Quartz?.. Jimmy,
CanadaHello Jimmy,So far as I can determine, a
jadeite filter will not detect
dye in chalcedony -- it is specific to chromium and, in general, that
would not be the dyeing agent. Although a great deal of chalcedony on
today's market is dyed (especially in "sea foam" colors and darker
blues), there's still a lot of natural around. One old fashioned, but
often useful, method is to examine the surface of the stone under
high magnification -- in some pieces dye will show up as
concentrations of darker color in minute fissures and
pits.In addition to worrying about
dye -- chalcedony can be simulated quite convincingly with glass, and
recently I have seen some translucent cubic zircona cabochons that
were a dead ringer for fine blue chalcedony!Yes, chalcedony is a type of
quartz. It has the same chemical formula (SiO2) and the same trigonal crystal structure as amethyst
or any other quartz, but its crystals are ultra-microscopically small
and randomly oriented. Such a material is referred to as an
aggregate. So in a nutshell, chalcedony is an aggregate form of the
mineral quartz (as are agate and jasper). Dear Barbara,
What's all this hoopla
about imperial garnets? I see so many that are from Tanzania or
from Madagascar. They all look different. What makes an imperial
garnet? There seems to be some type of color shift or color
change involved... Diane, CaliforniaHello Diane,So far as I know, there is no
official variety "Imperial" garnet -- it's just a trade name with no
defined meaning. It's a case of "romancing the stone".
To my knowledge there are only
three recognized gems with Imperial as part of their variety names:
Imperial topaz, Imperial jasper and Imperial jade -- even with these
long established gem names, great liberties are taken by sellers who
give lesser materials these names to justify prices. With a trade name, just about
anything goes. This is well and good -- it's free enterprise,
capitalism, Mom, and apple pie, as long as
the seller acknowledges that the name is made up.I do this on my website by
using a name in quotes: so if I call some unusual serpentine that has
golden pyrite patches "Oro Verde" serpentine, or a piece of antique
glass purpled by the sun, "Desert amethyst", the quotes are meant to
make it clear that this is simply a descriptive or marketing term,
not a taxonomic one.In the case of "Imperial
garnet" one seller may use it to designate a piece with a slight
color shift, while another may use it to indicate a particularly
vivid color of grossular or Spessartite. Dear Barbara,
I bought a turquoise/silver
bracelet from a Native American woman at a jewelery table in Oregon
and paid $100 for it - one year later, the turquoise color changed on
part of the stone. It looked like it got wet and became discolored. I
was frustrated and feel like I was conned. I forgot what mine she
said it was from. Anyway, I took it upon myself and took the stone
out of the bracelet and put in on my electric stove burner and the
stone turned black, it burnt - was this the wax or was it a turquoise
mixture - anyway it was a lesson for me not to throw money was like
that again! Question: real or fake turquoise - I like turquoise but
am reluctant to buy anymore. Thank you...Kim, USA.
Hello Kim,I'm sorry you had such a bad
experience with your turquoise jewelry, and all the questions and
concerns you raise are reasonable.Very often I have the
unpleasant task of explaining to someone why they were "taken" when
they bought something. Although I cannot say anything for sure
without having seen and tested the turquoise, I think in your case
the news may be good.In general, turquoise is quite
porous and it absorbs skin oils, lotions, sunscreens, household
chemicals and even pollutants from the air. With time, this makes an
often-worn piece change color, usually to a browner, darker tone.
When turquoise has black or brown matrix running through it, those
seams are places where absorption and differences in the density of
turquoise patches occur. It would not be unusual for a piece of
natural turquoise to do what you describe.In fact, waxing the surface, as
is usually done with fine "Persian Grade" turquoise helps to retard
such absorption. So waxing is not necessarily a bad thing. Turquoise
is also a heat sensitive stone, and will definitely darken or blacken
at high temperature. I doubt your piece was plastic or resin as it
would have smelled absolutely awful as it blackened.There are many grades of
natural turquoise some of which are more porous than others. Very
porous types are usually "stabilized" with a plastic resin which is
drawn into the pores with a vacuum. Such turquoise would still be
considered of natural origin, but should be sold as
"enhanced".A synthetic form of turquoise
is manufactured with and without matrix and is sold by some of the
larger wholesalers that supply jewelers. (Even some Native American
jewelers use it for less expensive pieces.)Turquoise simulants such as
pieces made of ground up turquoise with dye molded in epoxy, glass,
and ceramic or plastic imitiations are also available on the market.
If they are properly advertised they would be called "faux"
turquoise, but too often they may be passed off as the real thing in
which case they would qualify as fakes.Here's a link to my essay on
turquoise where you can see pictures and read a little more about
it.http://www.acstones.com/gemofmonth/2006/gemofmonth.01.06.html
In the short run it is best to
buy from established firms that offer a money-back
guarantee.
NEW FOR
JULY:Dear Barbara,
What is the difference
between beryl and chrysoberyl? And if there is a difference, why does
chrysoberyl have the word beryl in it?...Diane,
CaliforniaHello Diane:Beryl and chrysoberyl, although
similar sounding, are two completely different minerals, the reason
that "beryl" appears in both their names is due to the fact that the
element beryllium is part of each of their chemical formulas. (There
are other, lesser known beryllium containing gems such as phenakite,
hambergite, taaffeite and tugtupite whose names do not so easily give
away their elemental components).What makes each of the world's
minerals unique is the number and kind of atoms in its chemical
formula, and how those atoms are arranged in its crystal structure.
There are more than 3000 named minerals!Beryls (varieties: emerald,
aqua, Morganite, helidor, etc) are: Be3Al2(SiO2)3 --
chemically classed as "beryllium, aluminum silcates,
and those atoms are put together according to the hexagonal crystal system building plan. They have a hardness
of 7 (the color differences between the varieties are due to trace
amounts of different elements such as chromium, vanadium, iron and
manganese.)Chrysoberyl (varieties:
chyrsoberyl and Alexandrite) are: Be4Al2O4 --
chemically classed as beryllium aluminum oxides,
and those atoms are put together according to the orthorhombic crystal system plan. They have a hardness of
8.5These two mineral have many
other physical, chemical and optical differences such as their
birefringence, dispersion, luster, specific gravity, etc. Also they
are found in different types of rock deposits in different parts of
the world. Great question!! Thanks. Dear Barbara,
If I want to determine if a
glassy mineral in my hands is a diamond, what simple test might help
me?...Marie, USA.Hello Marie:From what you ask, I will
assume that you have an uncut mineral specimen and not a faceted
gemstone. I"ll take your question to be, then: Let's say we go out
gem digging and find a "glassy" piece of material -- could it be a
diamond? You don't say where this was found, so for the sake of
simplicity we'll be in "diamond country". Actually, even without
fancy equipment there are a few tests we could do that might
help.1) Natural diamond crystals can
come in many shapes but some of those shapes are fairly common and
recognizable, like cubes and octahedrons -- do a google image search
on diamond crystals, and see if any of the shapes look like what
you've got.2) You can do a crude hardness
test with a tempered steel file -- if the specimen cannot be
scratched with it, then it is harder than 8 and could possibly be a
diamond ( it could also be a white topaz or a white
sapphire)3. Diamonds are notoriously
grease loving. Put a thin layer of petroleum jelly on a piece of
cardboard and gently lay the specimen on it and turn it upside down.
If the piece sticks pretty tight it could be diamond (size and weight
of the piece may make this test unreliable), if it falls off quite
easily then it is probably not a diamond.4. If the piece has any shiny
faces, look at the luster -- the luster of an unpolished diamond is
quite distinctive -- sort of like a greasy/metallic shine, not at all
like the glassy luster of quartzes, topaz and most other
gems.Beyond this you'd have to do
specific gravity determinations or other tests that require
gemological equipment.Dear Barbara,
What separates green
grossular garnet from tsavorite garnet? In other words, what makes a
green grossular tsavorite? And what makes other green grossulars not
tsavorite?...Diane, CaliforniaHello Diane:Tsavorite is defined as green
grossular garnet, colored by vanadium, and of medium to dark color.
If the grossular garnet gets its green color from an element other
than vanadium (very rare) or, as is more commonly the case, is
lighter than medium green, it is just called green grossular.
Sometimes "mint green" or "Merelani Mint" is used as a trade name for
such stones.It's kind of like the nebulous
and movable dividing line between pink sapphire and ruby, and between
green beryl and emerald -- it's primarily a color thing -- and there
is no hard and fast definition. I've seen people sell "Tsavorite"
that I would call green grossular, and "ruby" that I would call pink
sapphire. I guess in this case we can modify the old joke about pink
sapphire/ruby to: "Whether a stone is a Tsavorite or a green
grossular, depends on whether you are the seller or the
buyer". Dear Barbara,
I was at a jewelry store
today and was looking at rubies. The ruby is my birthstone and I have
3 rings and a necklace that have pretty, red, eye-catching rubies in
them. Most of the rubies at the store I was at were a dull, almost
purplish color. When I said something about them looking plastic the
girl said that that is what "real" rubies look like, and that
synthetic rubies have the red, watery color. I've looked around
online and everything I've found said that only a gemologist can tell
the difference between real and synthetic, and that the redder a ruby
the more prized it is. Could you please clarify? Can an ordinary
person tell the difference?...Whitney, USA.Hello Whitney,Rubies are the most valuable
gemstone next to diamond. Their price is controlled by color (a
medium dark red with a very slight purplish cast is ideal), their
clarity, and their size. Rarity is directly related to price. Rubies
of fine color that are completely transparent, and without visible
flaws are very rare
and therefore very expensive -- in sizes over a carat -- thousands of
dollars per carat, and even larger ones, say 5 cts in size, are more
expensive than comparable size/quality diamonds.I tell you this so you will
understand that the natural rubies you see in most jewelry stores
that are being sold at anything like reasonable prices are what's
known as "commercial quality", not "gem" quality. They are
translucent rather than transparent (due to many microscopic
inclusions), their color is inferior: usually brownish or too purple
or too dark or too light, and they may have visible inclusions.
Although it sounds to me like the clerk at the store was being a bit
rude and somewhat condescending, what she said was basically
true.Synthetic rubies, of perfect
color and clarity can be made in any quantity desired, so they lack
the rarity, and therefore
the value, of gem quality
natural stones. They are
rubies, though, and have all the chemical, optical and physical
properties of natural ones.If what you are looking for is
a fantastic colored, clean, ruby at a minimal price, and the fact
that it was made in a laboratory doesn't bother you, then enjoy the
synthetics. If on the other hand you long for a natural stone and
don't have unlimited funds, you may have to choose a jewelry piece
with a cluster of good but tiny natural rubies, or if you want bigger
size, settle for stones which have less transparency or less than
ideal color.Yes, It is generally true that
it takes gemological knowledge and equipment to absolutely
discriminate a synthetic from a natural stone. A reputable firm will
always tell you the truth in their advertising and store labeling,
and when you ask, if a gem is natural or synthetic in origin and
whether it has been treated or enhanced in any way.PS. Ruby is my birthstone
too!If you'd like to know more
about our birthstone, you might enjoy viewing this pictorial essay on
ruby:http://www.acstones.com/gemofmonth/2001/gemofmonth.7.01.html
NEW FOR
JUNE:Dear Barbara,
I am a recent fan of your
website. It is very refreshing to get clear, honest, information from
a qualified gemologist who is willing to share with amateur
collectors such as myself. I have collected several types of quartz,
and am particularly fascinated by rutilated quartz. I understand that
quartz with the golden rutile needles is called rutilated quartz, and
that quartz with black or dark needles is called tourmalinated
quartz. My question is, how do these needles form inside the quartz
crystals? I am going to do a presentation to a school science class
on quartz, and would like to be able to explain the phenomenon of the
needles.... Joelle, USAHello Joelle:Thanks for visiting my site and
for the kind words. Quartz is a gem which forms by precipitation from
a liquid solution, in the case of rutile which has similar formation,
the scenario goes like this: In an underground cavity a water
solution which contains the ingredients for both quartz (silicon and
oxygen) and rutile (titanium and oxygen) begins to cool. Rutile
crystallizes first as needle-like crystals, and then as the
temperature of the solution continues to lower, quartz crystallizes
around it encasing the already formed rutile. With tourmaline, which
generally forms from cooling magma, we can, instead, picture a cavity
containing pre-formed tourmaline crystals which is later invaded by a
solution, which then forms the quartz around the tourmaline needles.
Tourmalinated quartz is much less common than rutilated.
Dear Barbara,
I've purchased some
inexpensive black onyx jewelry created in Thailand but sold by a
vendor in the U.S. to sell on my website, and I've also purchased a
bracelet at a jewelry show in Las Vegas and I'm wondering how you can
tell fake black onyx from the real thing? I'm concerned that it might
be easy to fake, and that what I have could be epoxy or some other
substance. Some of the jewelry is flush with the setting and looks
too perfect....Sandy, USA. Hello Sandy:You are correct to assume that
black onyx can be, and has been, simulated by many materials.
Although the real deal is pretty inexpensive as gems go, glass and
plastic are cheaper -- so there is money to be made in
deception.My first question might be: is
the jewelry set in sterling or karat gold? if so, the gems are more
likely to be genuine. Plastic will feel noticeably warmer to the
touch than either black onyx or glass imitations. If you can
sacrifice a piece, you might whack it with a hammer it until it
breaks, then examine the broken surfaces. Both real black onyx and
glass will break with a shell-like fracture pattern that has a shiny
surface-- plastic will have a dull granular looking fracture that is
irregular. On the thin edges of the broken pieces use a strong light
and a magnifier, and see if you can see either some bubbles or
translucence, in which case, it is probably glass -- true black onyx
would never have bubbles, and should be opaque even in thin
areas. Dear Barbara,
Years ago I found a pearl in
an oyster my mother had made for our supper. A jeweler told me that
the pearl no longer had any value once it had been heated. I just
would like to confirm or deny this information. Could you
help?...Faye, USA. Hello Faye:Your jeweler was partially
right, but he didn't go quite far enough. There are many different
species of mollusks that are loosely called "oysters" and all of them
are capable of making solid objects in response to an irritant that
enters their bodies. Not all of these solids are classed as pearls.
That term is limited to those which are made of nacre (the
"pearl-like" surface on gem pearls). Other types without nacre are
called "calcareous concretions" and most are not beautiful or
valuable in any way (although the queen conch snail, giant baler
snail, and the scallop all produce concretions of beauty and value).
The species of oysters that are harvested for food do not make "gem"
pearls, nor are their concretions valuable -- so whether the piece
had been cooked or not the "pearl" from one of those would have been
a chalky dull thing. Natural and cultured gem (nacreous) pearls from
inedible "pearl oysters" are formed from combinations of a mineral
(aragonite and/or calcite) and mollusk protein (chonchiolin). Protein
is easily damaged by heat and so, if by chance, a gem pearl were
boiled in soup or fried in oil--> (perhaps your pearl earring fell
into the stew pot) it would surely be ruined. Dear Barbara:
I am planning on buying a
graduation gift for my 15 year old granddaughter, and was looking
into a strand of 16 inch cultured pearls for her. I have been to a
large dep't store who had a big sale (50% off) as well as several
jewelers. Prices have varied from $1000 to $150 for cultured which
leaves me scratching my head as to the large difference. The
"jewelers" also mentioned the sizes govern the price. Is there a way
for the average consumer to identify the "real Mccoy"? or am I at the
mercy of the seller?...Bob, Florida. Hello Bob:I don't want to inundate you
with so much information that you're swamped, so I'll try to be as
brief as possible -- but buying pearls wisely is not a simple
matter.In today's world of department
store and shopping mall jewelry stores "50% off" is the norm. Their
profit margins are the same as they ever were. Pay no attention to
that: once you've determined the size, type and quality of pearls you
want, then you can do some price-comparison
shopping.You say that you want to make
sure you are getting the "real McCoy", not plastic, shell or glass
imitations, and that part is easy. Any reputable vendor (store,
established internet site, etc) has to abide by the Federal Trade
Commission rulings on advertising, and must therefore use words like
"imitation" "simulated" or "faux" in their descriptions of simulants.
(Look for a label, a printed sign or advertisement, don't just take a
salesperson's word for it). The term to require is "cultured" if you
want a "real" pearl. Items sold at swamp meets or through individuals
advertising in newspapers are MUCH more likely to be misadvertised,
either intentionally or not, so make sure you are doing business with
someone who is going to be around in the next several years, and who
offers a guarantee of satisfaction.As far as the range of prices
you quote, this is to be expected, as the value of pearls varies due
to a number of factors. In a nutshell: cultured pearls of the type
you are thinking of getting for your granddaughter come in two major
types: freshwater, and saltwater (often called Akoyas). Quality/price
factors are determined primarily by the amount of time spent in
culturing the pearl, the longer it stays in the mollusk the thicker
the "nacre" (pearly luster) and the higher quality the pearl-- so the
more it will cost. The size is controlled by the species of mollusk
and size of the bead (in saltwater types) that is used. The larger
the starting bead the bigger the pearl and again, the more expensive.
Beware: you can find 8 mm rounds that have poor quality nacre because
they were not cultured very long, and 6 mm ones of superb quality
because more time was taken in growing them. My advice would be to go
for first for higher quality, and make size a secondary
consideration. Thick nacre layers increase both beauty and
durability, which can be an important factor when
buying for a young person.A freshwater pearl is created
by simply putting a piece of the tissue from one mollusk into the
mantle of another. They grow quickly and many can be harvested from
one animal. They come from various areas, but primarily from China.
Naturally, they range in color from white to cream to tan, pinkish
and silver but they can be dyed just about any color. If you want
natural color pearls be sure to indicate that to the seller and have
them state "natural color" on the receipt. Freshwater pearls are not
yet produced in the perfect roundness of saltwater types, but they
are very close and usually have wonderful luster -- best of all they
are inexpensive. $100 - $150 should buy you a 16" strand of good
quality 6 - 7 mm freshwater cultured pearls. Saltwater pearls, (those
which start out with a bead) grow slowly and usually only one pearl
is harvested per animal, so they are more costly than freshwater --
the most admired, painstakingly cared for, (and expensive) of these
is the Mikimoto
brand, and a 16" strand of 6 -7 mm rounds could cost you $1000. Other
companies sell saltwater pearls produced to less demanding standards,
so you might find $200 - $500 strands of Akoyas. with other brand
names.One other type I didn't mention
is the tropical, Tahitian or South Seas pearl, these large exotically
colored (black, gold, silver) are very expensive and probably not the
best choice for a young girl.Pearls are delicate and require
gentle wear and periodic re-stringing, so with a recepient of age 15,
my personal recommendation would be to go with freshwater pearls
which look wonderful, but require relatively low investment. If she
follows in the footsteps of most women, as she matures, she'll
acquire a wardrobe of different types of pearls, but she'll always
treasure that first classic strand.Two good books on the subject
are: Renee Newman's Pearl
Buyer's Guide, 4th Ed. and
The Pearl
Book: The Definitive Buying Guide, 3rd Ed. by
Antoinette Matlins (both
are available through amazon.com and other internet
vendors)NEW FOR MAY:
Dear Barbara,
My 5 year old daughter loves
rocks, loves collecting them. She likes to sneak them to bed or in
her backpack to preschool. She found this big hand-sized rock in the
water at the beach, I let her take it home, and it's still one of her
favorite rocks. She was fascinated by a show, I think on Discovery
Channel recently, that talked about Jade, fixing it up and such. I
would love to see how far her interest goes with this. Do you have a
recommendation/starting point for children interested in
geology?...Andrea, USA.Hello Andrea,You are to be commended for
wanting to encourage your daughter's interest. Most of the great
artists, scientists, and athletes in the world had parents who did
the same.A great point to start is to
get a book. Even though much of the content will be over her head for
a while yet, The
Smithsonian Handbook of Gemstones and another from the same source on Rocks and Minerals are picture-filled books that she can grow
with. Search Amazon.com or one of the other internet booksellers
under their juvenile category for kids' books on rocks and geology,
too.If you live in, or near, a good
sized city you probably have a Natural History Museum, which will let
her see rocks, minerals, fossils, and objects made from them at first
hand.The International Gem Society
www.gemsociety.org has a section called " Gemology for Kids"
and the magazine "Rock and Gem" available at larger newsstands, has a
page in each month's issue devoted to young readers.The simplest activities
involving rocks are collecting and tumbling. At her age she could
arrange her collection by color, size, place collected or whatever
she wants -- later as her interest matures she could get into the
scientific part of it. Try the internet auctions and search for ready
made "rock collections". A small beginner collection might thrill
her, and she could add to it, rather than start from scratch.
Tumbling rocks is time
consuming (takes several weeks) and somewhat noisy and messy, but
kids love it, and the smooth, shiny products can be used to decorate
flower pots or aquaria, or glued into bellcap settings for keychains
or pendants. Again, the internet auctions and bookstores are good
sources for "rock tumblers" and books on the subject,
respectively. Dear Barbara,
Hello, I received a
beautiful ring with a big blue zircon stone in it. The stone
sustained some slight damage on the side...I must have hit something
and the stone chipped at the edge taking along with it a chunk of
stone from beneath the edge. Can this be repaired or
smoothed?...Frances, USAHello Frances,Blue zircons although
relatively hard as gemstones go (~ 7.5), are somewhat brittle due to
the effects of repeated heat treating required to achieve the blue
color. This leaves them prone to facet edge abrasion and even
chipping.Yes, the stone can be repaired.
The question would be how much of the stone would have to be removed
to accomplish it, and what would that do to the gem's overall size
and shape. Depending on the size and location of the chip, it might
be possible to simply place an extra facet or two to cover it, or it
might be necessary to recut the entire crown and/or pavilion.
Recutting, even when done skillfully usually reduces the diameter of
the gem. It is possible that it would end up too small for that
particular ring setting.In general blue zircons in
rings should have protective settings (bezel settings are preferable
to prongs) and they should be worn occasionally, not 24/7. If you
have the stone repaired and wish to wear it daily, you might consider
having it reset into a pendant mount which would be safer for
it. Dear Barbara,
What does it mean when they
say a gemstone is "coated"? Saw a pink sapphire ring advertised as
"coated" and price was too reasonable to be true??? Thanks...Lydia,
USAHello Lydia,A coated gem has a layer of
paint, lacquer, or more often these days, a thin layer of metal
created by vapor deposition on its surface. I am not aware of any
cases where the coating process in use on sapphires (but there's
always a first time). At present quartz and topaz are the most
commonly coated gems.Coatings are the most fragile
of all gem treatments as they are only a micro-layer and scratch or
chip off easily. I can't really see the point of doing that to
sapphire (the second hardest gem), as there are other enhancements
that can change color without making the gem so much more fragile.
Perhaps the term "coating" is actually meant to designate diffusion
which is a heat treating method that can penetrate the surface of an
otherwise poorly colored sapphire to give it a thin layer of rich
color. Such stones are generally quite inexpensive compared to
naturally colored ones.You might also consider that
the "sapphire" if that is what it is, could be synthetic sapphire.
Huge quantities of synthetic sapphire in a variety of colors are made
and sold at prices from dirt cheap to nearly that of natural origin,
(depending on the seller, the synthesizing process, and the size and
color.) Dear Barbara,
(Note: this is actually a
discussion comment posted by one of the students in my on-line
gemology course, that I wanted to share with you)http://www.diamondhybrid.com/products/princess/princess.php This website sells the
"Diamond Hybrid" and it is clearly a synthetic gem, yet their use of
"GIA Grading Reports" and "Gemex" make it seem as though this is
really a diamond. It's a little deceptive and I can see where the
average person, who has not taken a gemology class would be confused
and perhaps think this is a naturally occurring diamond...Luis S.,
Las Vegas, NVHello Luis:I've had occasion to interact
with these folks previously, and although it does not say it anywhere
on their website, a call to a technical person at their factory
confirmed that the "core" is cubic zirconia. This jives with their
promotion of the gem as "as hard as sapphire" and singly refractive.
Diamond HybridTM is actually a type of diffused or coated
stone that has a micro-thin layer of what's called "amorphous
diamond" embedded in the surface. Similar technology is used to make
diamond coated surgical instruments, and for other some high tech
cutting tools. You are correct in your
recognition that the comments on the website are deceptive: GIA does
not grade synthetic or simulant gems with their "Diamond Cut
Grade/Report" -- nor do they issue a brilliance report on a cutting
style (like the princess cut) -- just individual diamonds.
These "gems" are quite
expensive compared to CZ and, to each his own, but I've seen one
close up and cannot imagine why anyone would want to pay that much
for a diamond simulant.
NEW FOR
APRIL:Dear Barbara,
What is the safest way to
remove pearls from a setting (post only setting), so they can be put
on a new setting? I would like to place the pearls on a platinum
post. My wife has some beautiful pearls that we purchased some time
ago. When we purchased them, we asked the jeweler to use 18K gold
posts because the 14K posts tend to bother her. When he put the posts
on, it appears that he just clipped the old posts and soldered on 18K
posts. The solder bothers her ears as much as the 14K gold...Mike,
North Carolina.Hello Mike:I'm amazed that the jeweler was
able to protect the pearls adequately from the heat of the soldering
process! Generally, those posts are secured with an epoxy adhesive
which can be removed by soaking in a non-acid (acetone based)
solvent, then the entire back assembly would be replaced and
re-epoxyed.In the meantime, here's a
simple "work around" for her metal allergy that should give her
immediate relief: carefully paint the metal and solder on the back of
the earring with several thin coats of clear nail polish. Once dry,
this will form a protective, unobtrusive, and fairly long lasting
barrier. The nail polish can be renewed periodically, if desired, and
would be eventually be removed by the same solvent the jeweler uses
to de-glue the post. Dear Barbara,
How worried must one REALLY
be about thermal shock when wearing semi-precious stones such as
topazes, quartzes or amethysts outdoors in cold weather? For example,
if I wore bezel-set blue topaz stud earrings outside to run some
errands and it's 28 degrees outside, could I crack them simply by
walking into my heated apartment?...Brookes, USA.Hello Brookes:Don't worry at all. Those gems
have been through a
lot worse in the natural
environment when they were formed and mined, and later at the hands
of the lapidary when they were cut and polished.Thermal shock would be a factor
with MUCH greater temperature changes than those. For example, if you
heated the stones in an oven at 500 degrees and then threw them into
ice water, there might be a problem, or if a jeweler used a torch to
resize or repair the jewelry without using a protective gel on the
stones.By the way (no extra charge)
:-) the term "semi-precious" is rarely used by gemologists these
days. It is akin to "damning with faint praise", and not reflective
of the true value picture in the marketplace. There are rare or high
grade quartzes, amethysts, tourmalines, garnets, feldspars, and other
" non-big four" gems that are much more valuable than medium to lower
grade pieces of what used to be called the "precious gems" (diamond,
ruby, sapphire, emerald). The preferred term now for all species from
agate to zircon is just "gemstones". Dear Barbara,
I know that a well-cut stone
should not display a window. I think I have read on your site that if
you can read newsprint through a stone, it is windowed and thus not
cut correctly. I'm wondering if it is considered windowing if the
type is distorted. Is a stone considered windowed if you can see
anything at all through it? What about the color of your finger
through a light stone?Also, I have a few topaz
stones that I have bought that were called untreated blue. It's true
they are light blue, but they were advertised as untreated. In
reading your answers to other questions I noticed that you do not
list blue as a natural color for topaz. Can it be natural, or have I
been fooled?...Julie, USA.Hello Julie:Let me start with the color
question: there are light
blue topazes in Nature, but they are rather uncommon. It takes a
specific combination and timing of heat and irradiation to make a
topaz blue, and in the types of deposits where topaz is found those
rarely occur. I cannot say for sure whether you were "taken" or not,
and I know of no ordinary gemological test that will tell. Unless you
obtained your specimens from a reputable dealer who specializes in
rarities, and they gave you a written guarantee, I'd bet that the
stones are enhanced. The dealer may not be the bad guy, though, as
most are not trained in gemology, and they take the word of their
trusted suppliers who take the word of their suppliers....etc, etc.
The true provenance of many gems gets lost somewhere along the
way.In regards to windowing: A well
cut stone should reflect so much light from its pavilion that nothing
is seen behind it, neither distorted print, nor flesh color. This
statement presumes however that you are looking through the stone
with your eye directly above the table and it is not tilted at all.
Tilting the stone even slightly will change the angles of light
hitting the pavilion facets and it may window.Each type of gem has its own
range of "tilt" brilliance. The lower the refractive index the less
tilting it takes to window the stone. Let's compare two stones:
diamond with a very high RI, and quartz with a rather low one. If
both are cut to perfection, you will be able to tilt the diamond
quite a lot without windowing, but the quartz only a little. Topaz
has a high RI (not as high as diamond, but up there) so a well cut
stone should not window easily from tilting -- from your description
it sounds like yours have been cut to sub-optimal angles, and
therefore are either windowed face up, or with slight tilting.
(Another important factor is
cleanliness -- a layer of skin oil, soap scum, or hand lotion on the
surface of a gem can substantially lower its RI -- diamonds are
notoriously grease loving and it takes frequent scrubbing to keep
them clean!)One more point: We say cut
"properly "or "to perfection", but we should keep in mind that there
can be other goals in cutting a stone besides brilliance. In some
times and/or places, windowed stones have actually been preferred
because they maximize the weight, and usually the face up size, of a
piece.You should take into
consideration that if your windowed stones were recut, to "correct"
angles for maximum brilliance, you could lose up to 40%, or even
more, of the carat weight, depending on how badly windowed they
are. Dear Barbara,
I've just had a ring valued,
and was told it was an antique synthetic spinel diamond ring. What is
meant by synthetic spinel?...Jo, ?Hello Jo:Around 1920 the natural
gemstone, spinel, was first successfully synthesized in a colorless
form (many colors of this gem occur in Nature, but white is not one
of them). It was very shortly thereafter put to use as an inexpensive
simulant for diamond. This is analogous to the way cubic zirconia
(CZ) which wasn't invented until the 1970's is used today. White
synthetic spinel is still manufactured, but as it has little
dispersion (fire), it is not very convincing as a diamond simulant
compared to CZ, and now the latest contender Moissanite, which have
higher dispersion, so its use is minimal.I think your appraiser is
saying that the ring which is antique (or vintage, perhaps, would be
more correct, as the term "antique jewelry" is usually reserved for
pieces 100 years old or more) has synthetic spinels in it to
simulate diamonds. NEW FOR
MARCH:Dear Barbara,
I have been looking at your
website. Very nice. The editor of our rock club bulletin included it
in the latest issue. I have a question for you. If I were to take a
stone to a jeweler who says he is a gemologist, is it necessary for
him or her to keep the stone overnight or a couple of days to
determine what the stone is? I am especially concerned as the stone
could possibly be fairly valuable. It is quite unusual in that it is
marquis cut, however it is quite tall and has no faceted edges. It is
red in color much like garnet and very clear. Thanks so much for your
help in advance...DD, USAHello DD,Thanks for visiting my site and
for your kind words.I can't think of any common
tests, off hand, that require an overnight time frame, but the
combined time for a number of individual tests may add up to a couple
of hours. If the jeweler has a diploma from GIA or other recognized
school of gemology you might check to see it. Just saying you are a gemologist doesn't make you one.
Many jewelers and gemologists
do what is called a "take-in" sheet with weights, measurements and an
inclusion plot on it so that you can be assured that the stone you
get back is the one you gave them, and the jeweler is also protected
against false claims to the contrary.It might be wise to have the
jeweler "clear the schedule" so that he/she can do the tests without
being constantly interrupted by other customers to minimize the time
frame (but be aware that that might also increase the professional
fee for the identification). Dear Barbara,
I have been seeing some
stones set in jewelry labeled "green amethyst". They're in the
Ross-Simons catalogue. You can see it online as well. What's your
take on that?...Annie, Las Vegas, NVHello Annie:There is no such thing as green
amethyst gemologically. The definition of amethyst is in its purple
color. Sellers sometimes take liberties with gemological naming
conventions to "romance the stone": other similar examples include
"white aqua" for Goshenite, and "red emerald" for red beryl.
Prasiolite quartz is a green variety that occurs naturally but
rarely. Some amethyst from a few mines in South America can, due to
its unique chemistry, be heated to a green color and is sold as
prasiolite (occasionally it is called "greened
amethyst)". QVC sells the heated type and calls it prasiolite, but it
sounds like this company is calling it green amethyst instead -->
pure advertising blather! Dear Barbara,
I really like your
site...here is my question: Is Peruvian Opal really an Opal or is it
just some other stone that is called Opal (like "New Jade" is really
Serpentine)?...Petra, Los Angeles, CA.Hello Petra:Yes, Peruvian opal is real
opal. It is usually blue and may be opaque or translucent. Some
pieces have dendrites of black manganese oxide in them. Less common,
but also attractive, are the pale to medium pink opals from Peru. I
recently ran across some extraordinary pieces that were a mint green
in color.The Peruvian material is what
is referred to as "common opal" because it does not have color play
like the "precious opal" that comes from Australia and other
areas.You are quite right to be on
alert when you see an adjective in front of a gem species name,
though, as a lot of them like your example "New Jade", "Swiss Lapis"
(dyed howlite) and others are trade names or misnomers for simulants,
rather than true variety names.Dear Barbara,
I have what was a beautiful
amethyst, about 2.5 carat, emerald cut. It became cloudy all over,
and no one has an answer. Given the hardness of 7, what could I have
done to it? My husband plans to replace it, and I don't want to
repeat my error. It is in a platinum and diamond setting. Thanks for
your help....Ann, USAHello Ann,Although it is hard to make a
judgment without seeing the piece, there are two main possibilities
that come to mind, based on different scenarios.1) If, by cloudy, you mean the
stone went from transparent to translucent -- then the only thing I
can think of is "crazing". When a gem is heated and cooled rapidly
the thermal expansion and contraction (especially if there are
inclusions) can create a network of stress fractures that give the
stone a cloudy look. Did you take the piece to the jeweler for repair
recently? Diamonds and platinum are practically heatproof, but
amethyst is not. A jeweler's torch could supply enough heat for
crazing if the stone were not properly shielded.2) The other alternative would
be that the cloudy appearance is confined to the surface, and just
represents accumulated wear and tear which caused the amethyst to
lose its polish and become dull and "frosted" looking. There is no
commonly used cleaning solution that would "etch" the surface,
although Lava soap, Comet cleanser and some other household products
that contain abrasive particles could do damage over time. Amethyst,
at hardness 7, cannot be worn daily in a ring or bracelet setting
without, over time, getting dull and scratched.When you replace the stone take
care, if it is in a ring or bracelet, to wear it just occasionally
and advise any jeweler working on it to remove the stone during the
torch work and reset it afterward. For 24/7 wear, especially in a
ring or bracelet, it is best to stick with gems that are either
exceptionally tough like jade, or have hardness 8 or above like
chrysoberyl, corundum and diamond.
NEW FOR
FEBRUARY:Dear Barbara,
I have heard from numerous
people that blue green obsidian is real & then on the other hand
it is fake (man-made glass). Have you heard of this ? Is it REAL OR
FAKE? MAHALO NUI LOA, ...LINDA,HAWAII Hello Linda,As far as I know there is no
natural transparent blue-green obsidian, although a lot of "volcanic
glass" of that color is sold, in the form of carvings, in rock shops.
This is, as you say, just plain old man-made glass. There is however,
some opaque obsidian from the American southwest and Mexico that has
a blue green iridescence, called rainbow obsidian or velvet obsidian,
as seen in the attached photo, and it is a natural stone.
Dear Barbara,
Can you tell me what a ring
is made of. It's stamped 14K Pat-P. Thanks...Pam, US
Hello Pam,It means that the piece is
14/24ths gold. Another way to think of it is 57.5% gold. The rest can
be silver, copper, nickel or other metals depending on the color and
characteristics of the alloy. Except for the US, most of the rest of
the world uses parts per thousand as the quality mark for gold, in
this case that would be 575. The Patent Pending mark, might be for
the design of the ring, or possibly for the special nature of the
gold alloy. Dear Barbara,
Hello, Great site! Just
wondering if you can tell me what some markings mean on a pearl
necklace I picked up at a garage sale. An elderly lady had died and
the family just wanted to get rid of everything in the garage sale.
The pearl necklace has 105 pearls about pea size, with a gold
slide-lock clasp that is in the shape of a football, on the side of
the clasp the numbers 14/20 and then a design "similar" to a Y or
fancy T shape. Could you tell me what those markings mean? ...Cindy,
US Hello Cindy,The marking is to indicate that
the material is what is called either "rolled gold" or "gold filled".
14 refers to 14k gold, and 20 means that 1/20th (5%) of the wire or
sheet it was made from, consisted of 14k, either roll-bonded on in a
layer, or in some cases electroplated, the rest is base metal
(usually brass). The fancy Y (has what looks like an = sign through
the top, and is part of the mark. Although it is possible the pearls
are cultured, they are probably imitations, as cultured pearls are
usually set with 14k or better -- especially the older
ones.You can do a quick tooth test
on the pearls: Run a pearl over the edges of your bottom teeth -- if
it feels slightly gritty = cultured pearl, if smooth =
imitation. Dear Barbara,
I WAS RESEARCHING A COUPLE
PIECES OF JEWELRY THAT I INHERITED. I HAVE TWO PIECES OF JEWELRY THAT
WERE ORIGINALLY FROM HELZBERG, THE PAPERWORK IS WITH THEM. IT SAYS
THEY ARE "ROYAL AZEL". THE PRICE ON THE PAPER WORK IS PRETTY HIGH SO
I WAS ASSUMING THEY WERE A RARE GEM. CAN YOU TELL ME IF YOU KNOW
ANYTHING ABOUT THE ROYAL AZEL AND WHAT THESE PIECES MIGHT BE WORTH? I
HAVE A NECKLACE THAT IS ABOUT 1 1/2 INCHES TRIANGLE SET IN 14K GOLD
WITH ONE DIAMOND AND A RING THAT IS A ROUND STONE WITH THREE
DIAMONDS. THANK YOU FOR ANY HELP YOU COULD GIVE ME....??,
Denver
Hello,"Royal Azel" was a trade name
for high quality sugilite circa 1990s, that has since fallen out of
fashion. The material is now generally just called gel sugilite or
gem sugilite. Sugilite is not an extremely rare gem, but it is, in
its highest grades, quite expensive for a non-transparent material.
(Ballpark on retail @ $15-50/ct.)Since the value of jewelry is
determined by a number of interacting factors: age, metal content,
workmanship, stone quality, etc. I cannot tell you what these worth
-- if you think the value is considerable I'd suggest you go to a
certified gemologist/appraiser and get a value. (The pieces cannot be
very old, though, as sugilite wasn't a factor in the gem market until
about 20 - 25 years ago.)Here's a link to an essay I
wrote on sugilite that might interest you.http://www.acstones.com/gemofmonth/2005/gemofmonth.11.05.html
Dear Barbara,
What type of mounting would
I need for an antique cut stone...mine cut or cushion cut
looking...Alice, US Hello Alice,In general a rectangular or
emerald cut prong type mounting can be used (in some cases an oval
will work) -- but any of these would have to be adjusted by a jeweler
or metalsmith to fit properly. In the case of a very short antique
cut (almost square) a square or even a round prong setting could be
adjusted. If you want a bezel setting though, you'd need to get one
custom made for the stone.
NEW FOR
JANUARY:Dear Barbara,
Thanks for the wonderful
answers to gem questions. I saw your many answers about cut stones,
and they give some clues, but I wonder about my collection of star
sapphires, which I bought in Chanthaburi, Thailand. One lot which I
bought is navy with a star that is so brilliant it can even be seen
under fluorescent light. There is no star present when I put the
stone in a darkened place, so I am sure this is a refractive star.
But I have been told a brilliant star may be the sign of a synthetic
stone. I have photos of them online at http://howeird.com/gallery/Sapphires/index_3.html ...Howard, California.Hello Howard,Thanks for the kind compliments
and for sending the link to the photos. I must include my usual
disclaimer that without physically testing a gem I cannot make an
identification, but the photos you sent are pretty informative.
Background: Star sapphires come
in four degrees of "alteration".
1) Natural origin,
unenhanced: these are untreated in any way, and except for cutting
into cabochons, just as Nature made them. 2) Natural origin, enhanced
with heat: the rutile that makes the star by reflection (not
refraction, BTW) is a separate mineral which can exist in sapphire in
a dissolved state or precipitated as needle-like crystals. Some
pieces which contain rutile have it in both forms. Treating such
stones with a very specific heating/cooling regimen causes some of
the dissolved rutile to form crystals (by a process known as
exsolution). This enhances the star.3) Natural origin, enhanced by
diffusion: some stones have too little rutile to form a strong star.
These can be made into star stones by super high temperature heating
in the presence of powdered rutile (titanium oxide). At close to the
melting point of the sapphire, some of the rutile migrates into the
surface layers and precipitates upon cooling. Such a piece can be cut
into a star stone.
4) Synthetic origin: these are
man-made "from scratch". Powdered aluminum oxide and rutile are
melted and cool into sapphire crystals containing enough rutile to
form a strong star.
In terms of value, 1 and 2 are
relatively close in cost (lab certified natural, unenhanced stones go
for about a 20% premium) -- but because over 90% of sapphires and
rubies found in the marketplace are heated, it's actually prudent to
assume that all corundum gems have been heated in some way. 3 and 4
are also close in value and at least one or two orders of magnitude
less valuable than 1 or 2.Now, as far as telling them
apart. In your photos, the brown and gold and light grey blue pieces
look obviously natural -- the bright blues most likely are not. Some
of the signs of group 3 and 4 are legs which are very straight and
evenly bright. Another is that the star shows up strongly in less
than ideal lighting conditions. Diffused pieces, especially, (which I
cannot tell from the photo, but which you should be able to see in
person) give the appearance of the star being "on the surface" rather
than coming from inside the gem. In general, I get suspicious when I
see any group of "natural" stones that are so uniform in color and
optical phenomena as yours. The vast majority of natural blue
sapphires are more of a blue grey color, and lighter than yours. Also
the intensity of the star tends to vary from stone to stone in any
group.If you got those stones in the
70's it's a little early for them to have been diffused, but I don't
rule it out. It is not
too early for them to be
synthetic, though. (The Russians are supreme in the production of the
synthetic gems, but the Thai's have long been #1 in enhancement --
using new treatments often not "discovered" by the rest of the market
until long after they were invented).To sum up, I'd say that on the
basis of the photos, it is likely that your navy blue stones are
either synthetic or diffusion enhanced, but the others appear to be
natural and unenhanced.Dear Barbara,
I have several small clear
quartz crystal clusters that are delicate and I would like to seal
them. Do you know of any products that I could use to coat and bond
the crystals without a cloudy finish....MJ, USAHello MJ:If any pieces are loose or
detached a tiny drop of superglue will secure them. For an overall
sealant, try gloss or semi-gloss polyurethane spray varnish. As with
any such project, try it on a piece you aren't crazy about first and
do several very thin coats rather than a single heavy one.
Dear Barbara,
I am trying to make some
jewelry and I want to use some pieces of black coral, but I would
like to know which would be the easiest way to cut and polish this
coral in cabochons. I am new in this and I don't know if Ishould buy
a machine to do this; I just want to keep it simple....Victoria,
USA. Hello Victoria,Black coral is made of a
hair-like protein material, and is sensitive to heat, but it polishes
to a gorgeous shiny black with minimal effort.Use a small jewelry saw to
gently cut the pieces into the size and shape you want. Begin to work
them (dry) with 600 grit sandpaper (by hand is fine). Be sure to wear
a dust mask and take it slowly, so that heat doesn't build up. Once
the pieces are smooth, use 1200 grit sandpaper to make them even
smoother. Do not use water as this causes the material to swell and
it may crack.The last stage is to polish
them with "Zam" which is a metal polish that jewelers use (it is
green and comes in a stick). You might be able to do this by hand
with a soft cloth, but the polish will be much easier to get with a
"buff" on some type of rotary tool. I would recommend a "Dremel" type
which you can get inexpensively and which has a lot of other uses.
Remember to go slow, and not let heat build up, and wear your dust
mask, and keep the coral dry, and you soon should have "patent
leather" shiny black pieces. Dear Barbara,
In the fall you posted
information on an internet gemology course that you were teaching,
and I lost the web address. Could you give it to me again? Thank
you...Jeff, Florida.Hello Jeff: This page will take you to a no
charge, not-for-credit version, but if you want to register for
credit, there is also a link to the college website for that.
Registration is going on now, and the course starts Janurary 23rd for
Spring, 2006.http://www.bwsmigel.info/home.html
NEW FOR
DECEMBER:Dear Barbara,
I have collected several
'coral' pieces, mostly antique items. I have tried to do the test
with the lemon juice but it wasn't always conclusive. I have now a
bead necklace which is individually knotted with a 14 kt gold clasp
and the beads are an off white, some have pink swirls through them
and I am wondering if it's glass or coral (I bought them as glass
because the lady thought they are too heavy for coral). Which one is
heavier, cooler etc. Coral or glass? Thanks for your help....Ines,
AustraliaHello Ines:Without seeing the pieces I can
only give generalities. Calcareous corals have a glassy luster on the
surface if they are polished properly, so the polish luster is not a
way to separate them from glass. Generally glass is heavier than
coral, and coral is
somewhat cooler to the touch, but neither difference is so extreme as
to be obvious, especially if you are not intimately familiar with
both in bead form.I would expect lemon juice to
be inconclusive as it is not really a strong enough acid to give a
noticeable reaction. Dilute hydrochloric is what gemologists use, and
since it will dissolve the coral (with bubbling) leaving a mark, you
must use just a tiny drop in an inconspicuous spot and observe the
reaction with a loupe.I'd say the most helpful and
least destructive test is to use a 10x loupe and good strong light.
Glass at the edges of the bead holes, where the knots are, may show
tiny conchoidal (shell like) fractures that have a glassy luster, or
at the thin edges you may be able to see bubbles and or swirls. If
the beads are coral any fractures will not be conchoidal and will
have a dull luster. You might also be able to see pores, striations
or other evidence that this is an organic material with a complex
inner anatomy. I'd be interested to know what you find
out.Dear
Barbara, Is it true the new
birthstone for June besides Pearl is also Tanzanite. I keep getting
conflicting reports. Thank you in advance for your reply...Sabina,
from ?Hello Sabina: I don't mean to sound flippant,
but quite honestly the whole birthstone thing is totally made up
anyway, so any group that wants to do so, can develop their own list.
There is a duly elected group from the jewelry
industry who is in charge of the "official" list used in the US and
Europe. This group has recently added Tanzanite as an alternate
December birthstone, along with the traditional
turquoise, blue zircon and the relatively new alternate, blue topaz.
This makes December the month with the widest variety of birthstone
choices. To my knowledge there is no well known system in the US
and/or Europe that uses Tanzanite for any other month. The
traditional alternates for June (other than pearl) are moonstone and
Alexandrite.There are however other equally
worthy systems, based on day of the week, hour of day, non-Western
astrological & mythic traditions, etc. etc. My feeling is, if you
like a stone, and want a special connection with it, if you search
diligently, you find some system that will call it
"yours".If you haven't visited my
Birthstone page, here's a link:http://www.acstones.com/birthstone.asp
Dear Barbara,
There are a number of
jewellery chains in Australia that sell "Created" Mystic Topaz
jewellery. Is this different from the Mystic Topaz you described in
one of yor earlier responses? In other words is Mystic Topaz a
"natural" stone that has been given a special coating? Or is the
entire stone synthetic?...Linda, Melbourne Australia
Hello Linda,Synthetic topaz has been manufactured for research and industrial
purposes, but I know of none in the gem marketplace. The reason is
that the colorless natural material is still much, much, less
expensive.What your chain stores are
undoubtedly doing is misusing the word "synthetic". A synthetic gem
has the same chemical and crystal structure as the natural
counterpart. The term they should be using is "enhanced".
Enhanced gems are natural or
synthetic gems which have had additional treatments that change their
appearance or durability. Most likely these retailers are selling
natural
origin colorless topaz
which has been enhanced by coating it with a thin metallic layer.
This layer creates the iridescent effect on the gems given various
trade names, most commonly Mystic Topaz.Retailers often also misuse the
term synthetic, when they should say "simulant". A simulant gem, is
one that looks like another, and is used in its place, but is not the
same material, for example yellow cubic zirconia is sometimes sold as
a simulant for scarce and expensive natural yellow topaz (the
official November birthstone). I've seen several cases where these
stones have been called "synthetic topaz" which they are
not. Dear Barbara,
Can you help me? I work in a
store where we just got some sterling silver designer jewelry in that
has some set stones which they called caramel cats eye. The buyer
said it is a very rare stone...but I always understood cats eye to be
a very cheap manmade stone. They even feel very light weight and look
cheap. What exactly is cat's eye?...Lisa, USAHello Lisa,Long before humans began making
synthetic and simulated cat'seye stones, Mother Nature has been
making real ones. There are many different species of gems which come
in cat'seye varieties but all of them are relatively rare. A cat'seye
is simply a stone that has bundles of parallel reflective inclusions
inside such that when the stone is cut in a domed cabochon, the
reflected light is concentrated as a line on the surface.
I'm including a link to my
essay on Cat'seye stones so you can see some pictures of the "real
thing". Although some species are fairly light in weight (for example
cat'seye opal), none are really cheap, and you rarely see a natural
cat'seye stone set in silver.On the other hand man-made
cat'seyes are very common and very inexpensive in the marketplace.
They can be made of glass or plastic or even a type of ceramic
material. One good way to spot them is that the "eye" is extremely
bold, and often the colors are flashy or even gaudy in comparison to
natural stones.http://www.acstones.com/gemofmonth/1999/gemofmonth3.99.html
NEW FOR
NOVEMBER:Dear Barbara,
When I was in a gem shop in
Hatton Garden this summer the sales guy noticed the turquoise
enhancer I bought from you last year - he was very complimentary, BTW
- and tried to interest me in an expensive string of turquoise beads
to hang it from. I said I couldn't buy one because having a tendency
to eczema I had to wear greasy skin creams. He agreed, but then also
said that because of this I couldn't wear pearls, coral, or any other
organic material. This seems a bit harsh! Also, I have had a couple
of FW pearl necklaces for several years that look fine to me. I
always wipe them down after taking them off, but this is all I can do
as I do need to wear the moisturisers, especially in the winter. What
do you think? Are pearls really that sensitive? And coral?? Some
potential purchases could be very expensive, so I'd like to clear
this one up, and make sure I do understand the limitations on these
gems....Denise, London, England Hello Denise: I do think your jeweler was a
bit too harsh in his assessment of the damage to be done to pearls by
your skin creams. After all, skin itself has oils --- and this is not
to mention the oily makeup bases that are often worn. Your
precautions of wiping the strands down with a damp cloth should be
quite sufficient to ensure a long life for your pearls.
Hard corals (the calcium
carbonate types) which take a good polish, should react the same as
pearls, but I would imagine the proteinoid types like black and gold
to be more absorptive and therefore more sensitive. I expect he
overstated the case with turquoise as well -- especially if it has a
protective paraffin wax coat. (You can apply this yourself by simply
melting some colorless paraffin and brushing a very thin layer on the
turquoise piece then polishing all of it off again after it
solidifies. The micro layer that remains will seal the small pores
that can pick up stains. (Safety demands that paraffin be melted slowly in a
double boiler type set-up, as it is quite flammable).
I it would probably be a good
idea, in general, to make sure that your skin creams are well rubbed
in, and if you feel a greasy residue, perhaps blotted. Other than
that, feel free to enjoy the organic gems. Dear Barbara,
I have a ring that I take in
every 6 months to have it checked and every time it looks so much
cleaner in the jewelry store than it does anywhere else. I only wear
one other piece of jewelry, which is my grandmother's wedding ring.
It is very small and has tiny chips of diamonds in it. It looks so
good in those lights too. Is this an optical phenomenon? ...Pam, Las
Vegas Hello Pam:I think we can all relate to
this, but it isn't an optical phenomenon (like a cat'seye or
shiller), its just optimal lighting, and nice clean gems and jewelry.
Lighting a jewelry store is a
very serious and highly engineered aspect of the business. Different
sorts of lights are used in different areas of the shop to show each
display to it's best advantage. Even a bigger part of it,
especially with diamond jewelry is that the jewelry that is returned
to you has just been freshly cleaned and the settings lightly
repolished. As we wear them all gems
quickly acquire a layer of crud (technical term) :-) like dead skin
cells, sweat salts, skin oils, food residue, cosmetics, suspended
particulates from the air, etc. All precious metals are relatively
soft and develop a fine surface network of scratches from contact
with other surfaces. Both these things lead to a dull looking piece
of jewelry. Diamonds in particular are
"lipophilic" which means that grease sticks to them very tenaciously.
Jewelers often use steam and or ultrasonics to blast off this greasy
layer. (Careful jewelers would not clean colored stones this way).
For a few hours or days after
visiting the jeweler our jewelry looks pristine, but then the grime
and scratches start to build up again. :-( Dear Barbara,
I was in your Intro To
Gemology class in the fall 2004 semester. I have a question for
you. Moissanite is lab created, correct? Is it DR and
diamond is SR? I am asking because the company I am working for
has a couple of sales people that are selling Moissanite as J color
IF clarity lab grown diamonds. This is not legal is it?
Any answers you can give me, I would appreciate. Thank you in
advance, (Name withheld)...USAHello:What they are doing
is
absolutely illegal!
Moissanite is a newly introduced diamond simulant made of silicon
carbide. It is NOT a synthetic diamond and no reputable firm would
sell it as one. AGTA and GIA won't grade synthetic diamonds for
clarity or color, but EGL does. Even EGL doesn't grade Moissanite!
Although it would be acceptable to say something like "if this were a
diamond, the color would be J and the clarity would be IF" --the way
the staff is doing it now is fraud.Yes, it is DR (doubly
refractive) with high birefringence and must be cut carefully on an
optic axis so that the doubled facets don't show through the table.
Diamonds are SR (singly refractive). A polariscope would give a
typical DR reaction. You can use your loupe to verify the DR status
of Moissanite. Turn the gem at a 45 degree angle and few the back
facets through the side, you'll see doubling. It may be subtle in
tiny gems but with .5 ct or more you should see it easily. Diamonds
never show doubled facets no matter which way you turn
them.Diamonds do not conduct
electricity (except for natural and synthetic blue ones) and
Moissanite does --> so the use of a "new generation" diamond
tester will easily separate Moissanite from CZ and other simulants.
(The older types use thermal properties which will not discriminate
this newest mimic). Your store may already have one of these, but if
not, it would be a good investment as a salesperson doesn't have to
know any gemology in order to use one.By the way, I think Charles and
Colvard company who are the sole manufacturers would be upset to hear
of someone misrepresenting their perfectly legitimate product in this
way. NEW FOR
OCTOBER:Dear Barbara,
What is your opinion of
Moissanite and white sapphire as diamond simulants?...Gracce, The
NetherlandsHello Gracce,Moissanite is a much
advertised, recently introduced, synthetic material. It is harder
than any of the other diamond simulants and rather expensive. It
usually also has a slightly yellowish color. I have nothing against
it, as long as it is advertised and sold as a simulant, and not as
synthetic diamond or natural diamond. They can be quite pretty. In my
book, however, CZ (cubic zirconia) is just as pretty at about 5-10%
of the price.White or colorless sapphire is
also a hard gem, and it can be natural or synthetic. It is nicely
brilliant but lacks the dispersion (tiny specks of color) seen in
diamond, CZ, or Moissanite. Again, as long as it is advertised
correctly I'm all for it. Synthetic white sapphire stones should be
very cheap, natural stones, especially larger ones are rather
pricey.Since you asked my opinion,
I'll volunteer that my own personal favorite diamond simulant is
white zircon, which, although softer than sapphire, is also a natural
gem (heat treated), has a near diamond-like luster, and has very
close to as much dispersion and brilliance as a diamond.
Dear Barbara,
I have tried to read
everything possible to distinguish the difference between Tanzanite
and iolite, and the information in most of the gem books, doesn't
really give you an answer. I know that I have some Tanzanite and
iolite gemstones, but I would like to be sure that the stones that I
think are Tanzanites, truly are Tanzanites and not iolites. Do you
have a way of telling the difference? Thank you very much for your
time...Clare, USAHello Clare,There are gemological tests
like refractive index and specific gravity which can give you a
definite answer, but it should be pretty easy for
you to tell the difference if you pay careful attention to the colors
you see. If they are unmounted stones, turn them upside down (so as
to minimize reflections) and in good light, slowly turn them 45
degrees at a time. Note the color at each turn. With Tanzanite you
should see only shades of blue and violet, with iolite the changes
should be more dramatic as you will see blue-violet, a greyish color
and at some point the colors should fade to a noticeably lighter
shade. In the face up view, no matter how you turn the Tanzanite you
should not see any significant greyness, but with the iolite it
should be there at some angles. You can do the same kind of test with
mounted stones, but it's a little harder to see the differences, just
turn the ring or pendant bottom up and go through the same series of
observations.I've heard some dealers and
home shopping hosts promoting iolite as virtually indistinguisible
from Tanzanite, but I do not agree, I always see some grey, even in
the best iolites and I find iolite's color to vary more dramatically
with direction than Tanzanite. Each has its virtues: Iolite is a
tougher, harder and less expensive stone -- Tanzanite is softer, and
more fragile (should never be used in rings!) but to my eye, at least
in good quality, it is a more beautifully colored gem.
Here's are links to my essays
on iolite and Tanzanite for further information:
http://www.acstones.com/gemofmonth/1998/gemofmonth9.98.html
http://www.acstones.com/gemofmonth/1999/gemofmonth2.99.html
Dear Barbara,
Recently I came across a
medium orangy red stone, presumably Mexcian opal that was domed on
top and faceted under.Its properties were: R.I.
spot reading 1.46, Flourescence: Inert. Under 60x magnification,
small isolated gas bubbles and color zoning and also a small area of
dye-like looking concentration can be seen. The girdle was smooth. My
main concern was that under the polariscope, when I rotate the stone,
it shows snake-like bands.My question is, could this
be natural or glass then? I hear only snake-like banding shows in
plastic or glass. My instinct says its natural-- I am so confused
with this stone...Rahlia, Hong KongHello Rahlia,The snaky bands you see are
called "anomalous double refraction" and are typical of Mexican opal.
The fact that it doesn't fluoresce is also consistent with Mexican
opal, whereas many plastics would. The RI is a bit
high, but as it is just a "spot reading" I wouldn't be too concerned,
since such readings only give an RI range. Color zoning, even that which
might appear dye-like is not unusual in these sorts of opals. The
only thing that gives me pause is the bubbles: There shouldn't be
any! Check them under the microscope with a polarizing lens, if they
are actually rounded small crystals rather than bubbles, they should
flash, dark and light, as you turn the lens, bubbles wouldn't do
that.Synthetic fire opal, which is a
possibility, has been produced by the Kyocera company, but to my
knowledge, has not yet entered the market in any significant
quantities.Dear Barbara,
I was fascinated to read the
question and answer session here. It's not too often someone is as
helpful or honest. Thank you. I am a novice, learning slowly; my
passion is colored gem stones. Recently, I purchased a
Nambian demantoid garnet-- it is 90 points for $100. The color is
gorgeous medium, the dispersion is magnificant in my opinion. Prior
to this I purchased a 40 pointer for the same price. Can you tell me
why there was such a difference in price? The quality appears the
same and both are very clean. One more thing: Are they valuable? I am
crazy for this stone and just had to possess one.Russian demantoi is out of
my reach and I've only seen it in the museum. Can these gems be an
investment for my children? Will they appreciate over time? Thank you
again for your time and your column....Patty, New York
Hello Patty,It's nice to know that you
enjoying reading my "column". :-)Prices for the less common gem
species are not standardized. Very small differences in clarity and
color can affect price dramatically, as can fluctuations in supply.
Also, just like you, the gem dealer you buy from has to pay different
prices from his/her different sources, and so might not have
consistent prices.You are correct in noting that
Russian origin gems, at least at present, are the epitome of value
for this particular species. Small pieces with good color and nice
horsetail inclusions, are available, though, at least from some
dealers at less than "museum" prices.I never
recommend gems as an investment, as there are just too many
uncontrolled factors influencing their value up and down: mine
depletions, new discoveries, political issues disrupting or enabling
supplies, changes in fashion, etc. I cannot tell you (or myself)
whether most gems will appreciate with time, or the reverse.
In my opinion, we all should
just buy the gems that we like, at prices we can afford to pay, and
then simply enjoy them. A wonderful endorsement for the purchases
you've made of these Namibian demantoids, is your comment that you
are "crazy for them". If, on top of that, they should appreciate in
value, that's just the icing on the cake.
NEW FOR
SEPTEMBER:Dear Barbara,
I inherited an aquamarine
ring from my mother-in-law that she had since the late 1930's. She
bought it in Brazil. I had the ring appraised by a gemologist and he
wasn't quite sure that it was an aquamarine stone until I mentioned
how old it was. Do you think I should get another opinion? Thank you
for your time...Gloria, USA Hello Gloria,Thanks for visiting my site and
for your interesting question. I am wondering why the gemologist was unsure the stone was an aqua. The
standard physical & optical tests such as refractive index,
microscopic examination, specific gravity, optic character, optic
figure, etc., should have been quite enough to identify it. Some
tests cannot be done on mounted stones, though, which may have
restricted the amount of information available.I've also pondered why the date
was significant. Perhaps the gemologist DID identify the stone as
aqua, but thought it might be synthetic. Since beryls had not yet
been synthesized in the 30's that could have cinched it for
him.Before synthetic stones were
available, imitations like foiled glass and certain doublets were
used as aqua simulants. In my collection of antique jewelry I have a
1910 gentleman's stickpin with a center "aquamarine" stone that is
actually a garnet and glass doublet. The bottom is light blue glass
which provides the proper color and a very thin, glued-on, top is
made from a slice of garnet which gives durability. As you can see,
it looks very realistic at a casual glance, but testing and
microscopic examination quickly reveals it for the clever imitation
it is.
If the gemologist/appaiser has
credentials from a recognized organization like GIA, they have
probably done their job correctly, but if you want to double check
the results, I'd suggest you have a good jeweler dismount the stone
and have the gemologist (or another one if you don't have much
confidence in this one) check it again. Dear Barbara,
What exactly is a Diamonique
stone made out of? I can't seem to get an answer, especially from
QVC. They keep talking about the rough but don't give any indication
of what it is. Please help...Valerie, USA Hello Valerie,"Diamonique" is a QVC
trademarked brand name for the man-made material known as cubic
zirconia. HSN sells it under the brand name "Absolute". There are
several large factories which make it and the marketers can either
call it cubic zirconia, or give it their own special trade
name.This sort of "branding" happens
in the grocery business with say, mayonnaise or peanut butter:
different brands, same basic stuff in the jar. If you're in the
market for cubic zirconia, just as with mayo, the "generic" form is
cheaper than those with special labels. As QVC and HSN advertise,
they have their own internal quality control process over the generic
rough they buy, only allowing those pieces that meet certain
standards to be sold under their house brands.CZ is a diamond simulant that
has no counterpart in Nature, with a hardness of 8.5 and more
dispersion than diamond, it is also significantly more dense than
diamond (weighs more per unit). For this reason the shopping channels
sell their CZ by diamond weight equivalent size: you order a "1 ct"
CZ piece and actually get a 1.65 ct. stone which is
the same
size as a 1 ct diamond
would be. Ever since the process for
making it was first perfected in the 1976, it has become the diamond
simulant of choice, and millions if not billions of carats of it are
produced yearly. Rough CZ is so inexpensive that virtually all the
value of the jewelry item comes from the cutting of the stone and the
setting in which it is placed -- the cz itself has no "intrinsic
value". Dear Barbara,
We found some raw/rough
gemstones and would like to know how we can polish them
ourselves. Any great ideas? .....Connor, USA
Hello Connor,The simplest way to go is to
tumble them. You need equipment to do it and it takes several weeks,
but it is relatively inexpensive, and requires no great lapidary
skill. To make cabs or faceted stones requires expensive equipment
and some training. Go online and search for " rock tumblers" and
"books on tumbling rocks". There are several inexpensive machines and
good instruction books available. If tumbling whets your appetite
for more serious lapidary pursuits, you might visit a local Rock and
Gem club meeting. There, you can ask members whether they have a
"shop" or classes (most do) where new members can be tutored by older
ones in the arts of cabbing, jewelry making, beading, and
faceting. Dear Barbara,
I was wondering what the
difference is between an amethyst and a rose of france?I just
purchased what is supposed to be a rose of france but it is dark
purple like an amethyst. Thanks for your time....Kristina,
USA. Hello Kristina:Rose d' France is a trade name
that was invented a few years ago as a marketing tool in order to
sell very pale amethyst. This comes under the heading of "romancing
the stone". Your seller made an error in calling dark purple quartz
by that name. Usually Rose d' France is quite a bit less expensive
than darker stones, so if you paid a low price you might have gotten
a bargain (unless the stone is so dark as to look black and then it's
not worth much at all). NEW FOR AUGUST:Dear Barbara,
I hope this isn't a dumb
question, but it seems difficult to get a straight answer on a
question I have regarding clear quartz. I found some excellent
quality clear quartz and am curious if there is any kind of market
for this stuff. It is completely clear...some of it is really
beautiful, of course, also I have alot of it that is either small or
heavily fractured, for which I know there is no market. But the good
pieces seem like they would warrant some demand. Is it worth
getting the good pieces cut and shaped? Or should I do as one jeweler
siggested and just toss them in the garbage? Thank-You for your
Time...Thomas, USA Hello,I think your question is
actually a very thoughtful and thought-provoking one. What is
beautiful? What relationship does beauty have to value?
Think of flowers for a moment:
a rare orchid and a daisy from a field, might have equal claims to
beauty on purely aesthetic grounds, and in fact you might find some
who preferred the lines and color of the daisy to the exotic shapes
and markings of the orchid. But which can be sold for more money and
why?In the gem world,
rarity is the prime value setter, and as lovely
as clean rock crystal quartz may be, it is very common (as gems go).
There is some value to it, but so low that a great many pieces would
have to be sold to earn just a little money. This is where the
jeweler is coming from -- to him, it's only worth throwing in the
trash. If you like the appearance of the material, and are willing to
pay to have one or more pieces made up into jewelry or for specimens,
you should go for it, but in reality, there is but a tiny market for
such products. You might enjoy reading my
essay on rock crystal quartz (colorless quartz):http://www.acstones.com/gemofmonth/2004/gemofmonth11.04.html linked here. Dear Babara,
I would like to receive your
views on the legal and ethical aspects of colour enhancement of
sapphire by radiation...Samantha, Africa.Hello Samantha,Thanks for visiting my site and
for your question. In my view the answer is VERY simple. There is
nothing legally or ethically wrong with selling or producing any gem
with any enhancement as
long as full disclosure is made (especially in regards to stability
of the treatment), and the
customer is paying an appropriate price for the type of goods
offered. For a while there were some irradiated yellow sapphires in
the market which faded in heat or light, but it is rare to see these
today.In regards to irradiation, the
only special consideration is that the treated gems be monitored for
residual radiation, and if present, held for the appropriate "cooling
off" period to reach safe levels before sale. Dear Barbara,
I am hoping you will have
some answers. How does one tell the difference between a gemstone and
mere glass, especially if the purported gemstone is green and brown
in color? What are the tests that can be carried out to verify their
authenticity. How much should about 500 grams green gemstone
cost?...James, ??? Hello James,It is pretty easy to
discriminate glass from real gems -- what is not easy is to tell a natural gem from a synthetic of
the same species. You could have real gems, synthetics or a simulant
like glass.There are two simple ways and
one not-so-simple one to tell gems from glass: the first you can do
with just a magnifier -- a loupe or microscope. Focus on the interior
of the stones -- if they are glass they should have at least some
bubbles (rounded or oblong inclusions that look hollow) or swirls. If
they are a crystalline material like quartz, for example. they would
have more angular solid looking inclusions such as tiny included
crystals.Based on its thermal inertia,
glass doesn't feel doesn't feel as cool as most crystalline gems to
the touch, although it is not noticeably warm to the touch like
plastic. This property is easy to misread, depending on room
temperture, the settings the gems are in, and your own level of
experience in testing it.If you scroll down through this
"Ask Barbara" page and look for my answer to Carmen in November, I
describe how to make a home made polariscope with which you can test
your stones. If they stay dark under "crossed filters" as you turn
them, they are glass, if they blink from dark to light they are
crystalline and therefore not glass.If they are crystalline, you
then need to determine the species and whether they are natural or
synthetic. Tests like specific gravity, refractive index, and
reaction to ultraviolet light can be done to tell one species from
another. Usually only high power microscopic examination can disclose
a synthetic, and sometimes that is inconclusive and the item must be
sent to a big laboratory for analysis with high tech equipment. Gem
identification is not a game for sissies! ;-)As far as value -- the answer
could be from pennies to millions of dollars depending on what they
are: green glass or finest emeralds, peridots, tourmalines,
synthetics, etc. If they are natural stones, the value could vary by
orders of magnitude depending on nuances of their color, clarity and
size.Your best bet is to take the
stones to a gemologist or jeweler/appraiser in your area for tests --
it's the only way to understand what you have and what they might be
worth. NEW FOR JULY '05:Dear Barbara,
I'm just a beginner in the
gemstone realm and will probably sound really stupid with this
question. You list the carat weight of the stones in your
descriptions, but on some there is ~ before the number. Could
you please help me out with the meaning of this?! Thanx...???,
USHello,Thanks for your question, which
is not a stupid one at all. In fact, it was stupid of me not to define a symbol used in my descriptions! My
highly accurate carat scale only reads up to 50 ct, so when I have a
larger piece I weigh it on a less sensitive scale that reads in
grams, then I convert the grams to carats by multiplying by 5.
Because this is only an estimate, I use the symbol ~ to mean
"approximately". Sorry for the confusion. While I'm at it, I'll
mention that ct. tw. seen on some pairs and lots and some jewelry
containing multiple stones stands for "carat total weight" and refers
to the weight of all the gems combined. Thanks for pointing out my
omission. :-)Dear Barbara,
Thanks for this page. I am a
Bangladeshi. I was born in 1979 on late November, on Friday, on day
time from 11:00 to 14:00 pm. So my question is which stone is
appropriate for me? What are my characteristics in astrology
sign?...???Hello,Well, according to the European
"birthstone" system, yellow topaz would be your birthstone, as it is
for all born at any time during the month of November. I believe,
though, that there are several other non-European birthstone systems
which might be more detailed, by year, and/or date within the month,
or hour of the day, and therefore more appropriate for your needs.
I'm sorry to say I'm not familiar with them in any detail.
Also, I have no expertise in
astrology, but I'm sure a little internet time spent using some of
the search engines with input phrases like "gemstones + astrology" or
"birthstones + astrology" will bring you access to many folks who are
well versed in that field. Dear Barbara,
Greetings, I have some odd
questions and I'm hoping you could help me find some answers. I
recently stumbled across your website as I have been researching the
topic of obsidian glass. I am curious about obsidian glass, I know it
is formed somehow out of the lava or ash from volcanos, and I
remember seeing it as a little kid when my dad took me hiking.
You see, I'm interested in
purchasing a fairly large order of obsidian glass, I remember the
unique qualities that it has and how it changes from pitch black to
almost a hazy translucent colour, and I hope to use this in my art. I
want to own my own art gallery, and I have decided to make it very
unique by making the entire front side of the building out of
obsidian glass, now I'm curious if this is even possible? I've only
seen obsidian in small fragments, but my question is, near a volcano
(dormant or active) can obsidian be harvested in large pieces? For
instance, 20ft x 10ft x 1ft deep pieces? or maybe larger, and then be
milled down to smaller sizes? Or is it only in fragmented parts? I
have never seen any so large but that is roughly what I would like to
do, I would appreciate any input in this matter. thank you for your
time, and I hope to hear back from you soon....Leif,
USA. Hello Leif,Volcanic glass forms when the
lava from an eruption cools so quickly that normal crystallization
doesn't occur. When the lava cools more slowly rocks like basalt are
formed instead. I've seen obsidian carvings about the size of dinner
plates but not much larger. I do not know for sure whether there are
huge pieces, but the requirements of formation (the quick cooling)
logically argue against them. Perhaps you could use smaller pieces in
a kind of mosaic pattern, like stained glass rather than huge
sheets.Try "Bob's Rock Shop"
http://www.rockhounds.com for further information -- it is one of the
premier "rockhound" sites on the net, just bursting with information
on minerals, their properties, and places where they can be collected
or purchased.NEW FOR JUNE '05:Dear Barbara,
What makes a stone, such as
Tanzanite, usually enhanced to give it the desired blue/violet color,
so expensive? Is rarity the only reason? Or is there something in the
grade of zoisite material that influences the final color of the
treated stone which leads to the increased expense for darker color?
What about Blue Topaz, also usually enhanced? Thank you....Rita,
Chicago, IL.Hello Rita,You ask a very good question --
at first it does seem illogical that two blue, treated gems should
vary so greatly in their price per carat. Before I get to your
specific question, though, let me treat your more general
one:In the world of gems, rarity is
always a factor in value but it is not the
only factor. Some extremely rare gems are relatively inexpensive (ex.
Clinohumite) while some relatively more abundant gems (like diamond)
are quite expensive. Popularity is also an important factor. In some
cases extreme rarity actually hurts the overall value of a gem
species. In such cases they are virtually unknown outside a small
group of collectors and do not benefit from the boost in value that
aggressive marketing can create. A gem is likely to be quite valuable
if it is both
relatively rare and quite
popular and/or well known -- examples would be fine ruby (the world's
most expensive colored stone), Alexandrite, demantoid garnet and
Paraiba tourmalines.Within a species or variety,
color is a major factor determining value. In general, color purity
(saturation or freedom from modifying grey or brown hues) is the most
important aspect of color value, although hue ( color band in the
spectrum) and tone (depth of color) cannot be discounted. (Of the
basic spectral hues yellow tends to be the bargain color -- at least
in my experience, yellow gems are harder to sell and bring less per
carat than comparably colored gems in the other hues of blue, red or
green.)Tanzanite nicely illustrates
the case when "taste" or preference enters the value equation.
Tanzanites range in hue from slightly bluish violet to slightly
violetish blue. Given equal saturation and tone, the bluer the stone
the higher the per carat price. This value scale is not arbitrary,
but based on the collective experience of gem dealers and jewelers
with the preferences of their customers. Similar considerations make
slightly purplish red rubies more valuable than slightly orangey red
ones, and slightly violetish blue sapphires more valuable than
slightly greenish blue ones.Now to get to your specific
issue: Yes, Tanzanite is very rare (also very popular), but it is
especially rare in the depth of the natural brownish color which will
heat treat to the desired rich blue-violet shades. Blue topaz on the
other hand starts out as abundant and low value white topaz -- the
major part of the value of a blue topaz gem is actually added by the
treatments, which are rather expensive. Dear Barbara,
Berrylium treatment of
sapphires: I purchased a yellow sapphire from a dealer who said it
had been berrylium treated. What is it? What does it do to gems? Will
it wear off? Are these stones safe to wear? Many Thanks....Ann,
USAHello Ann:Beryllium treatment is a newly
developed (last three - four years) extension to the older technology
of diffusion. When a gem is diffused, it is heated to a very high
temperature in the presence of chemical elements which, when they
diffuse into the crystal structure of the gem, give it a certain
color. It is used primarily with sapphire and topaz. Older diffusion
processes called "surface diffusion", mainly used with blue
sapphires, produced a very thin skin of color and as a result the
gems weren't durable and the color could wear off or be revealed with
chips or scratches. Such gems could not be recut as the color layer
would disappear.The newer process being used
with sapphire is called "bulk" or "lattice" diffusion and the light
element beryllium which mostly imparts yellow, orange and reddish
colors is able to penetrate well into the interior -- in many cases
all the way through. Such gems are quite durable and their color can
be permanent. There are no safety issues with diffused gems as it has
nothing to do with irradiation and there are no chemical dyes on the
surface of the gem. The AGTA suggests a gem enhancement code of U for
such stones.Your dealer was honest and
forthright in telling you that the stone was enhanced and presumably
he/she charged you a price commensurate with a treated, rather than a
natural color, stone. In the ethics of gem sales, it's all about
disclosure. There's nothing wrong with any kind of enhancement,
synthetic or simulant, as long as you know what you are getting and
you are paying the appropriate price. Hi Barbara,
I keep seeing mystic topaz
everywhere, but I can't seem to find any information on what it is.
Can you tell me what mystic topaz is? How it's made? How it differs
from other colored topaz stones? Thank you....Jeri,
USA.Hello Jeri:"Mystic" topaz is a trade name
for a vapor deposition or sputter-coated topaz that shows iridescent
colors. The exact nature of the thin metallic coating is proprietary
information, but I would guess it contains titanium. There are now
several other trademarked brand names of the same thing, such as
"Rainbow" topaz, etc. Such stones are fragile and they cannot be
re-cut, as to do so removes all or part of the thin color layer. They
also should not be used in rings or bracelets that get hard wear as
the coating may wear or chip off. Other artifically colored
topazes such as red, blue-green and green have been produced by a
surface diffusion process that colors a thin layer in a similar
manner to that sometimes used for sapphires. These stones have been
heated to near the melting point of the topaz and a coloring element
diffuses into the surface layers. These are much more durable than
coated stones, but still cannot be re-cut.You are, I'm sure, familiar
with the family of blue topazes which are produced by irradiation and
heating of white topaz, such as Swiss, sky, and London blue. These
are colored all the way through and the colors are stable.
Finally there are naturally
colored topazes such as the yellow, apricot and light orange
"precious topazes" which have usually received, at most, simple heat
treatment to improve their color toward the pinkish side. There are
various brown topazes found in Mexico and other areas whose color,
though natural, may fade with exposure to light. There are also
natural pink topazes in very light to medium shades. Topaz also
occurs naturally and VERY rarely in deep orange (Imperial), red and
purple. NEW FOR MAY
'05:Dear Barbara,
I have some vintage crystal
necklaces that I had picked up at a church sale. One of them is
strung on very fine sterling chain with sterling findings, and friend
thought it might be rock cystal, not glass crystal. Is there an easy
way to tell the difference between glass crystal and rock crystal
(quartz)? thanks!...Yuko, USAHello Yuko: The short answer is YES! There
are two simple ways and one not-so-simple one: the first you can do
with just a loupe or microscope. Focus on the interior of the stones
-- if they are glass they should have at least some bubbles (rounded
or oblong inclusions that look hollow) or swirls. If they are quartz
they would have more angular solid looking inclusions such as tiny
included crystals. Based on its thermal inertia,
glass doesn't feel doesn't feel as cool as most crystalline gems to
the touch, although it is not noticeably warm to the touch like
plastic. This property is easy to misread, depending on room
temperture, the settings the gems are in, and your own level of
experience in testing it.If you scroll down through this
"Ask Barbara" page and look for my answer to Carmen in November, I
describe how to make a home made polariscope with which you can test
your stones. If they stay dark under "crossed filters" as you turn
them, they are glass, if they blink from dark to light they are
crystalline and therefore possibly quartz.--Dear Barbara, what property
is shared by many gems,such as diamonds,rubies,sapphires,emeralds,and
topaz?...Cicely, USA Hello Cicely,In order to BE a gem, a
material has to be a natural mineral or organic substance with
substantial beauty, rarity and durability. All of the ones you
mention, as gems, share all those characteristics.The first four in
your list were once known as "precious" gems, with all other gems,
like topaz, being considered "semi-precious" but for most gemologists
and jewelers today, that terminology is obsolete. We just call all
the species and varieties "gemstones".In terms of gem characteristics
all of the ones you mention come in transparent grades, have fairly
high refractive indices, and are of hardness 8 or better. All of them
occur in the marketplace in both unenhanced and enhanced
forms.They belong to different
chemical groups, though, and have different cyrstallographies as well
as quite distinctive optical and physical properties, so I'd have to
say that they are really more different than they are
alike.--Dear Barbara,
THANK YOU FOR THE VALUABLE
INFORMATION REGARDING "MOONSTONE"ON YOUR WEBSITEA. I RECENTLY
PURCHASED A MOONSTONE RING, SET IN SILVER AND 14KT GOLD ACCENTS, FROM
T J MAX, AND THE STONE IS FACETED. IT IS BLUEISH, WITH PINK
HUES EMULATING FROM THE BACK AND SIDES THROUGH THE STONE. I LOOKED AT
ANOTHER SITE, AND THEIR MOONSTONE WAS OF HIGH QUALITY, AND EACH READ
AS AUTHENTIC MOONSTONE, AND I COULD SEE THAT THEIR PIECES ALL HAD
NATURAL INCLUSIONS. THIS STONE SEEMS ALMOST FREE OF INCLUSIONS,
AS I HAD A HARD TIME FINDING THEM, ALTHOUGH THEIR WERE SOME, BUT
EXTREMELY FEW. IS THIS POSSIBLY A MOONSTONE SYTHENTIC, AND DOES IT
EXIST? THE RING WAS $59.99, BUT THE COMPARE PRICE IS $85.00.
COULD YOU PLEASE HELP ME TO UNDERSTAND IF IT MAY BE "REAL"?...Alisa,
USA...AFTER EMAILING YOU, I DID
MY OWN INVESTIGATING, AND FOUND A STONE CALLED "OPALITE" ON EBAY, AND
OTHER SITES. THE RING I PURCHASED LOOKS IDENTICAL TO THIS, AND
MAYBE YOU COULD JUST SHED ALITTLE MORE LIGHT WITH YOUR
KNOWLEDGE. I THINK I ANSWERED MY OWN QUESTION. THIS
MATERIAL IS BEING USED TO PASS OFF AS "MOONSTONE".
UNBELIEVABLE! ...Alisa, USAHello Alisa:In both my roles: as a gem
dealer and as a gemology teacher, I often get questions about
moonstone, which is a name used in a variety of correct and incorrect
ways in the general marketplace. You have already figured out that
the piece you bought isn't really what gemologists call
moonstone--and that was clever detective work on your part!
;-)"Opalite" has a long history of
use in jewelry, going back at least as far as the Victorian Era. It's
a type of semi-transparent glass that is made in such a way as to be
slightly hazy and iridescent and therefore looks something like some
types of opal. It is also marketed (in some very upscale catalogues)
under the name "sea opal".I'm sorry you had the
experience of finding out that what you paid for, isn't what you got,
but to be honest, it happens to all of us (no matter how much you
learn about gemology) -- as long as you think the piece you got is
pretty and you enjoy wearing it, at least it isn't a total loss.
I hope you'll continue to visit
my site and read the essays, and that you'll look for good gemology
books (like Cally Hall's Smithsonian Handbook of Gemstones). Learning
more won't protect you 100% against fraud and misrepresentation, but
it will make you a more sophisticated buyer and will certainly
increase your enjoyment and appreciation of gemstones.
---NEW FOR APRIL'05: Dear Barbara,
On a travel show they showed
a place, I think in Pennsylvania, where one could dig (for a fee) for
semi precious gems. They also had many places to pan for gold (for a
fee). Do you know where I could find more information on these
places?...Dick, USA.Hello Dick,My first thought would be for
you to go to a local rock club meeting -- if you don't know of one,
contact the Chambers of Commerce of cities in your area. They
maintain lists and contact numbers for all sorts of clubs and
interest groups. If you find such a group, they would know of any
opportunities in your area, and may even lead field trips
there.Another approach would be to
start subscribing to, or reading, rock hobby magazines, like Lapidary
Journal which often have quite detailed information on fee digging
and panning sites. A trip to the website and a thorough exploration
of the various links and archives may yield such a list.
http://www.lapidaryjournal.com/Finally, if neither of those
approaches "pans out" contact your and surrounding States' tourism
bureaus to see if any such sites are within travelling
distance.--Dear Barbara,
I have a green/brown colored
stone that looks similar to smokey quartz but when held up to the
light it has flashes of red,green,blue, orange. Without seeing the
stone would you have an idea where to look to compare?...Marcia,
USA.Hello Marcia,There are two main
possibilities that could account for the appearance of your stone. It
could be pleochroic or it may be highly dispersive.Pleochroism is the case where
you observe different colors in a gem as you twist and turn it
different directions. Each axis of the crystal produces a different
color. The only relatively common brownish stone with this
characteristic is Andalusite.Because, you say you see red,
green, blue, etc, the stone is more likely to be showing dispersion.
This characteristic of some gem species causes the white light that
enters it to break up into spectral (rainbow) colors. Diamond shows
this attribute strongly which is usually referred to as "fire".
Dispersion usually only shows itself in very light colored stones,
but there are some exceptions. The brown-green stones which are good
candidates for high and visible dispersion are: sphene, sphalerite,
perhaps Mali garnet, and, of course, brown diamonds.Except for brown diamonds I
have pictures of all the possibilities on my website that you can
look at -- trouble is though, dispersion is hard to capture with the
camera. Just enter the species, "sphene", for example, in the search
box on the homepage.Also, you can go to the gem of
the month archive read my essay on dispersion (here's a link) to find
out more.http://www.acstones.com/gemofmonth/2004/gemofmonth6.04.html
One thing is for sure -- your
gem is NOT smokey quartz as this variety shows neither distinct
pleochroism nor dispersion.---Dear Barbara,
Thanks for the valuable
information in your essay about faceting. I am a CPA but
may like to have a successful career in faceting.
Irrespective of what I do, I want to produce the best,
top quality products and services. I believe this characteristic
would be beneficial in the faceting process. Can one make a
living doing this? The question leads one to
reflect on many important life-decision issues. What can one
earn doing faceting on a full-time basis? I need some rock-solid
information and sources on this aspect of faceting. Your help
will be greatly appreciated....Ron, USA.Hello Ron,Perhaps 15 years ago or so I
could have been more encouraging to you in regards to becoming a
fulltime, professional facetor. The people I know who DO make their
living at it, at present, usually combine faceting with other related
activities like jewelry design and manufacture or selling gem rough
in order to put together a liveable income. With the exception of
some "superstars" of the faceting world whose creations (deservedly)
sell at a premium to designers and collectors, most facetors make
quite modest amounts from their craft. I'm sure there are one or two
out there who would prove me wrong, but I know of no one who makes
a"full time living wage" from faceting. I do know many, though, who
supplement their "day job" income with profits from their faceting
hobby, or use it to provide extra money during retirement.
Years ago, the custom faceted
gemstone was a great rarity and the vast majority of gems on the
market were native or commercial cut. This is becoming less and less
true as cutting houses in Thailand and China and other areas convert
to modern style equipment and with increased use of computer
controlled robotic cutting machines. Such firms are producing decent
looking commercial quality stones, from nice looking commercial grade
rough at a VERY low price. As a CPA you must be quite
familiar with the difficulty American artisans or workers, in any
field, have competing with foreign labor or sophisticated
mechanization. The only arena where folks such as you and I still
have little competition is in the production of extremely high
quality stones, rare or unusual materials, and non-traditional shapes
and sizes. As an example, do an internet
search on "8 x 10 mm amethyst oval" and see what such goods sell for,
now consider that your yield from rough is going to be approximately
20% and it will take you probably 2-3 hours (once you become
proficient) to produce the stone. I don't mean to be
discouraging, but at best I see it as a hobby that can help pay for
itself.---NEW FOR MARCH '05:Dear Barbara,
I recently came across these
two stone descriptions... any comments?: Paraiba Indicolite
Tourmaline, Merelani Tsavorite Garnet....Julia, MA.
Hello Julia,You don't say where you found
the descriptions, but they could mean a couple of things. In
gemology, place names can mean just that, but they also have a way of
evolving into color names over time. Likewise, trade names tend to of
lose their "quotes" which indicate the trade name status as they pass
from dealer to dealer.Paraiba, of course, is a place
location in Brazil, the mine site that produced the stunning copper
containing super-saturated tourmalines of the same name. To my
knowledge, production of that mine is essentially exhausted and has
been for some time. Other copper containing blue and green
tourmalines have been found in Africa, but, at least to my eye, they
haven't the same punch. They are occasionally offered as African
"Paraibas" by legitimate dealers and as true Paraibas by others. Very
little regulation of trade names exists,so it is buyer beware for
sure. A similar situation exists with
the term Padparasha which purists (like me) insist can only be used
for Asian-origin sapphires, but which is often applied to African
stones that approach the same color. Any blue or substantially
bluish green tourmaline can be legitimately be called indicolite,
though, as that is an established gemological variety
name.As far as the term, "Merelani",
that is one of the mine areas for Tsavorite, but it often produces
stones too light in tone to be officially called Tsavorite, and they
sometimes go under the trade name of "Merelani Mint" garnets. In this
case your description could be of a very light color stone, or it
could just be indicating the mine if it is in the Tsavorite color
range. This is the essence of the problem with trade names -- you
can't tell just from the name exactly what you've got.
Dear Barbara,
Is there a diamond called a
Brilliant Diamond? IF so, is this a real or fake Diamond?...Brendy,
US Hello Brendy,As far as I know, unless
someone has recently introduced this as a trade name, the term
"brilliant" in reference to a diamond means "round brilliant", one
which is cut in a round shape and has 58 facets. Sometimes the term
"brilliant" is used alone instead of the longer, "round
brilliant".Some diamond simulants like
"Diamonique" (cubic zirconia) use a form of the word diamond as their
trade name, but I have not heard "Brilliant Diamond" used in that
way. Dear Barbara,
I have been collecting and
cutting fire agate for a number of years and have recently seen
several spectacular specimens (under 40 carats) being sold for about
$200.00 per carat. There seems to be almost no demand for anything
but the absolute best quality. Do you think that there will ever be
any commercial market for medium-to-high grade stones? I still have
approx. 600 lbs of rough purchased from the Slaughter Mountain mine
from the mid-1990's. Rex....USAHello Rex,I, personally, have never seen
any pieces selling for $200/ct, but I'm not too surprised to hear
that you did. In general, the ones I sell go for between $10 and $30
per ct. One of the issues holding fire
agate back as a highly popular gem, is the nature of the material --
it doesn't lend itself to calibrated sizes and so the mass jewelry
market isn't interested. Even those buyers who appreciate custom cut
cabs and carvings often do not realize the many hours of work it
takes to reveal the best in each piece of fire agate. This gem's
surface, as you know, must be painstakingly carved to reveal the best
colors, and agate is a hard and tough gem which carves slowly.
Customers are likely to get "sticker shock" from something with
"agate" in its name with higher than expected price per carat. One of
the jewelry designers I've purchased from refuses to use the term
"fire agate" and sells his pieces as "precious limonite"!
Dear Barbara,
I HAVE A BLACK SET OF PEARLS
THAT CONSISTS OF A BRACELET AND NECKLACE, AT LEAST IT LOOKS LIKE
BLACK PEARLS TO ME. THEY ARE INDIVIDUALLY KNOTTED, RATHER HEAVY, HIGH
LUSTRE AND SMOOTH WITH THE TEETH TEST. WHAT BAFFLES ME IS THAT THEY
LOOK AND FEEL REAL. I THOUGHT THEY MIGHT BE HEMATITE BUT COULD NOT
FIND ANYTHING ON LINE ABOUT THEM. PLEASE HELP ME DECIDE. THE CLASP IS
SILVER COLORED ....RITAHello Rita,If the pearls are smooth with
the tooth test, it usually means that they are imitation pearls. (If
you have access to a microscope you could examine the surface for the
minute mineral platelets that indicate real pearl -- imitations look
and feel smooth). Don't be surprised that they
look so real, today's manufacturers of "faux" pearls do a very good
job. The ones which have a weight and feel similar to real pearls are
usually made from treated and dyed shell rather than from the less
expensive and much previously used plastic. You could rule out
hematite by testing with a magnet -- hematite would be slightly to
strongly attracted to it, pearls, either faux or real, would
not.
NEW FOR FEBRUARY
'05:Dear Barbara,
I purchased a teardrop cab
of what to me looks like gem silica, but was sold to me as Peruvian
opal. 24 mm top to bottom 9 (length) x 14 mm wide x 10 mm deep at the
highest point of the dome. It is translucent with a very small amount
of black/green inclusions. How do I tell the difference between gem
silica and Peruvian Opal?...AnjaliHello Anjali,Unfortunately there is no
reliable way to discriminate these two gems just by sight, as both
can have dendritic inclusions and are translucent blue to blue green.
Gem silica's blue is usually considerably modified by green tones
whereas this is less often true of the opal. If you could send me a
picture, it might help.There are numerous physical and
optical differences which can be revealed by testing with gemological
instruments. The hardness, refractive index and specific gravities
are slightly different between chalcedony (gem silica) and opal, but
would require careful testing and can be ambiguous. The surest way
would be to subject the piece to a polariscope test, as opal gives an
"SR" reaction (dark when turned under crossed filters) and gem
silica's reaction is "AGG" (light when turned under crossed filters).
Assuming you don't have a polariscope you could seek out a jeweler or
gemologist in your area who has one, and have them test it for you.
It is also possible to rig up a homemade version of the device from a
pair of polaroid sunglasses (see Ask Barbara for November '04, and
read my answer to Carmen ) to learn how you would do this, and
contact me again if you are interested, so I can describe the
procedure and reactions in detail for you.Having said all that, my first
impression is that it is probably opal -- my reasoning is that gem
silica is rather scarce, especially in large translucent pieces. If
you didn't pay an extremely high price for the piece, then there's a
good probability its opal. Most blue opal goes from about $5 to $20
per carat, while gem silica's range is more like $50 - $150 per carat
in fine grades. Dear Barbara,
In my gemstone nugget beads
collection I have two types of lemon quartz. One type appears to be a
coating over clear quartz in that the surface is ever so slightly
cloudy and a bit dull. Whereas, the second nugget type appears to be
the result of radiation in that the color saturation is consistent
throughout the stone without surface dullness. These stones are
superior to what I suspect are dyed nuggets. The quartz used under
this 2nd method appears to be alpine crystal quartz which is that
beautiful clear non-included material you find used for old time
crystal chandelers (sp). I was curious about this: are you seeing
both methods, dying and radiation common on the commercial market for
the so-called lemon quartz? Is the dying versus radiated treatment
going to be a function of the basic quality/ clarity of the clear
crystal quartz used in the process? Do you have any information about
this. I'm concerned about the stability of the dyed material....Leigh
Anne, USA
Hello Leigh Anne,
Thanks for visiting my website
and for your question. Without at least a picture, it is hard to
determine what you've got, but let me speculate. If your beads are
rock crystal quartz which has been dyed, it would most likely be by
what is called the quench crackle process. Solid crystalline material
is not porous, so it is heated and plunged into cold liquid to create
a myriad of tiny fractures into which the dye can penetrate. If this
is the case you should be able to see dye concentrations in the
cracks with a 10x loupe. It is also possible your beads could be dyed
chalcedony which is a type of quartz made up not of a single crystal,
but of microscopic interconnected crystals that will take up the dye
readily. They could also be glass, plastic, or a variety of
synthetics or simulants, so again, I cannot give you any positive
conclusions. In general, today's dyed gems
are fairly stable -- modern dyes usually don't wear off or rub off,
but some types can fade with long exposure to strong light, be
removed by steam or ultrasonic cleaning, or by the use of solvents
such as acetone or denatured alcohol. In fact a simple test that will
reveal the presence of many dyes is to swab the item with acetone in
an inconspicuous area and look for dye transfer. In beads, the drill
holes sometimes reveal the true color of the material, but dyeing
after drilling can defeat this mode of detection. Under magnification
such items might still reveal dye concentrations in surface
imperfections, though.The majority of what I see,
that is being called lemon quartz, is irradiated rock crystal, I have
seen few dyed pieces, but then I do not handle many beads or nuggets
where that process might be more common. The rock crystal which
irradiates to that neon yellow color comes from only one area in
Brazil, whereas the general outcome from irradiating most colorless
quartz is grey-brown smokey quartz. The difference is undoubtedly due
to some slight chemical and/or physical difference in the material
from that area.One last point - the term
"lemon quartz" is a trade name, not a recognized mineralogical
variety name. That means it has no legal meaning and anyone can sell
anything they want as lemon quartz. If it isn't really quartz,
technically they should put quartz in quotes, but enforcement is
minimal on inexpensive gems. Another point to watch out for is use of
the word "natural". Legally this word means not synthetic,
it doesn't mean
unenhanced. So a seller
can call the yellow quartz material "natural" and it may still be
dyed or irradiated or colored by other means. It's always best to
specifically ask whether the material is enhanced. It sounds like you're a gem
detective in the making. There are a number of good books such as
"Gem Identification Made Easy " by Antoinette Matlin that you might
enjoy.
NEW FOR JANUARY
'05: Dear Barbara,
I recently acquired a large
demantoid garnet from Namibia, Africa. It is 3.10 cts. I also
purchased a mali garnet from Mali, Western Africa. The dispersion is
almost the same in these two stones except the mali garnet is a
ligher green. How can I tell if the demantoid is really a demantoid
garnet as it has some inclusion but not the horsetail inclusion as
does the demantoid garnet from Russia? Is the demantoid from Namibia
valuable?...Troy, USA. Hello Troy,Dispersion is an optical
property of gems which is much influenced in its expression by the
color and cut of the gem. The lighter the color, the greater the
clarity, and the higher the crown angles on a cut, the more of the
potential for dispersion of a given species will actually be seen.
Both Mali and demantoid are dispersive gems, but usually it shows
more in Mali garnets because of their greater clarity and lighter
color.Unfortunately, unless you have
some gemological equipment or know someone who does, you cannot tell
just from looking that a stone is a demantoid. Tests like refractive
index, optic character, and specific gravity would be able to give a
conclusive identity. True, the Russian specimens have diagnostic
inclusions (the horsetails) which confirm their identity -- but the
demantoids from Namibia and Arizona in the US, don't have horsetails
so other methods must be used in their identification.
In terms of value, if your
stone is indeed a demantoid (and eyeclean or better, and well
colored) it is reasonably valuable, in the range of one to a few
hundred dollars per carat. Only the spectral green Russian stones
with horsetails command thousands per carat, though. Dear Barbara,
Would you please help me to
clarify stones that have mostly the same colors like blue topaz, blue
zircon, tourmaline,aquamarine, tanzanite...how to identify these
stones?...Samen, Cambodia Hello Samen,Unfortunately gem
identification is not a simple matter. Many gems with very different
physical and optical properties and values can superficially look
similar. Besides being able to discriminate one species from another,
there are also synthetics and simulants to consider. Your best bet
would be to get a basic gem identification book, such as Antoinette
Matlins: "Gem Identification Made Easy". You would also need to
invest in some basic gem identification equipment -- at minimum a
good loupe, a refractometer, and a dichroscope. A polariscope would
be a wise investment as well. Your total costs for these items would
be well over $1000. If you don't have the time or
interest to pursue gem identification on your own, the best you can
do is to stick with established, reputable dealers who do know how to
identify gems. Items purchased on the street, at flea markets, or
through newspaper ads have a higher chance of being either
unknowingly misidentified or deliberately misrepresented.
Businesses which are members of
AGTA for example, are held to exacting standards of ethics and
disclosure. Individuals with diplomas in gemology like the FGA, or
GG, are also reliable sources. For a very valuable gem, you could
insist on a certificate from a recognized laboratory like GIA, EGL or
AGTA before purchase.
NEW FOR DECEMBER
'04:Dear Barbara,
What would you think if I
told you I could get a 2.75 ct flawless custom cut pink tanzanite?
What would a person pay for something like that? ... Diane,
California. Hello Diane,I have been asked about pink
"Tanzanite" several times lately, so I think it's time to have a go
at it. I am not aware of any "pink" stones, per se. A small
percentage of the normally yellow-brown zoisite rough will heat to
green or blue green instead of the usual blue-violet, but to my
knowledge pink is not a possible result. When a stone is cut on the
purple-violet axis and its color is very light
it could indeed look pink. Before you buy, get a second opinion
(other than mine -- nothing I say comes down from the mountain
engraved on tablets) -- I'm thinking the "pink" label might be a
clever way to market very light material, kind of like "Rose d'
France" for extremely light amethyst. Dear Barbara,
I've discovered that I love
freshwater pearls. I've seen beautiful sterling silver rings with
pearls that I'd like to buy but I hesitate because of the difficulty
I expect to have in cleaning the silver without damaging the pearls.
Please tell me what can be used to clean tarnished silver that won't
damage the pearls. Thank you so much... Gail, USA.
Hello Gail,You aren't alone in the love of
freshwater pearls -- they have really hit it big with consumers. And
you are correct in being concerned about the cleaning needs of silver
versus those of pearl. Here are some tips:1) Try to purchase your pearls
in a silver setting that has been rhodium plated -- a lot of them
are. The coating is the same color, but is not susceptible to
tarnish. It is true that the coating is thin and will ultimately wear
off in spots, but it will not look unsightly when that
happens.2) Wear the piece -- silver
that is worn constantly doesn't tarnish as much as that which
lanquishes in a drawer or jewelry box, probably either because skin
oils form a protective coating or because friction from rubbing, etc.
removes forming tarnish. You mention rings, but I wouldn't recommend
daily wear for any type of pearl ring, whereas pendants or earrings
are another matter. If you do want to wear your pearl ring every day,
then just expect that you will have to replace it at some point. With
the modest price of freshwater pearls in silver settings you will
have an abundant and inexpensive series of choices.3) When cleaning is necessary,
use a soft toothbrush or your fingers and a mild detergent in warm
water to clean the pearl -- VERY carefully use the toothbrush with a
baking soda paste (mild abrasive) to clean the silver setting. If
some of the paste gets on the pearl, rinse it off which will dissolve
the little crystals of baking soda, don't wipe it. You can obtain an
inexpensive jewelry polishing cloth from your jeweler that has a
gentle abrasive embedded which will allow you to shine up your silver
ring, although you should still try to avoid the pearls as use it on
the silver. Dear Barbara,
I bought my wife a 1.04 ct.
diamond as an engagement ring. Since then she has switched bands and
would like to put her birthstone in the other band. I am looking to
find a 1ct. amethyst round to set in this ring. Where can I find
something like this?... Gary, USA. Hello Gary,The 1.04 carat diamond (I
assume, round) if cut with standard proportions would be
approximately 6.5 - 6.6 mm in diameter. Diamond is a fairly dense
material (specific gravity = 3.52) whereas quartz (amethyst) is quite
a bit less dense (specific gravity = 2.66). I mention this because if
you bought a one carat round amethyst, cut to diamond proportions, it
would be about 7.1 mm in diameter and probably would not fit your
setting. So, what you really want to search for is a .80 ct amethyst
which will have the desired diameter of approximately 6.5 mm and
should fit your setting perfectly. Having said that, there is "good
news and bad news" in regards to your lady's request:The good news
is that amethysts are easy to find. The best quality stones are a
medium dark purple color sometimes with reddish flashes. An internet
search using terms like "6.5 mm, round amethyst, top color" should
yield a large number of potential locations where you can purchase a
fine stone for a modest price.The bad news
is that amethyst, at hardness 7, is too soft to be worn in a high
prong set (Tiffany style) setting all day, every day. If your setting
is of this type, and if she plans to put it on and never take it off
-- then the amethyst will not wear well enough for such
use.The only gems suitable for such
heavy use in rings in exposed settings are those with hardnesses of 8
or higher, and with good toughness: diamonds, sapphires & rubies,
chrysoberyls and perhaps spinels qualify. Sapphires and spinels do
come in amethyst-purple, but they are rare and expensive, if
natural. NEW FOR NOVEMBER
'04:Dear Barbara,
Is there a way of looking
through a regular magnifying glass or a loupe to distinguish the
difference between an aquamarine and a blue topaz?...Annie,
Nevada.Hello Annie,Unfortunately there is no sure
fire visual way to separate the two. Some folks are under the
impression that aqua is always a lighter blue than blue topaz -- but
there are some aquas which are quite dark in color, and some pale
topazes, so very light color doesn't always mean aqua, and darker
color doesn't always mean topaz. And, there is no reliable way to
tell an aqua from a topaz with a loupe. There are big physical and optical differences that can be
determined with other methods such as using a spectroscope, a
refractometer or determining specific gravity, but using a loupe is
usually not conclusive. One visual possibility, though,
is a type of inclusion called a "growth tube" which is typical of
beryl (aqua) and rarely, if ever. seen in topaz. Not all aquas will
show them, though. Growth tubes are straight hollow channels that are
usually thicker than rutile needles. Another signal might be the
presence of cleavages (straight breaks) on the surface or in the
interior of the stone -- topaz is much more prone to cleavages than
beryl. All in all though, visual discrimination of these two blue
gems is dicey at best. Dear Barbara,
I have been enjoying looking
at your website; it's very informative. I was wondering whether you
could help me identify a stone - a friend has brought some from
Brazil; she says this one is called "green gold" - she said it was
not a type of topaz but was simply referred to as "green gold" - I
haven't heard of that before. The color to me looks similar to the
stone on your website called Mali garnet. I've attached a picture -
sorry for its poor quality due to my scanner. Thanks for any
information....Amy, USA.
Hello Annie,The first rule of gem
identification is "never do a sight ID" -- having said that, I'm
reasonably sure your stone is a type of irradiated quartz. The term
"green gold" is the English version of the trade name "Oro Verde"
commonly used for quartz of this type. Some vendors call it Lemon
Quartz. Usually when colorless quartz is irradiated the result is
brownish grey smokey quartz, but rough from certain mines has a
slightly different chemistry and it comes out this pretty chartreuse
color. The process is similar to that used to make blue topaz out of
colorless topaz. In Brazil "topazos" means yellow and historically
was applied loosely to any yellow stone, be it quartz or topaz,
tourmaline or any other. Yellow topaz does come
from Brazil but its color is an orangey to brownish to pinkish yellow
not the greenish tone in your stone. It is unlikely to be any type of
garnet as very little of that gem in any yellow variety originates in
S. America. Dear Barbara,
How can I tell a glass stone
from a gemstone? I have a 10X Loupe and three rings the stones of
which are questionable. One jeweller told me the stones are real
(blue topaz, yellow/brown topaz and amethyst) and another told me
they are glass only....Carmen, Alaska.Hello Carmen,It is usually pretty easy to
spot glass "stones" with a loupe -- first thing is to get good
lighting. Gemologists frequently use what is called "darkfield
illumination" to examine gems as it makes any inclusions easier to
spot. With darkfield, the light enters the gem from the side and the
gem is seen against a dark background. You can rig a pretty good
simulation of darkfield by using a desk lamp or some other type of
light with a shade, tape a strip of black paper right below the shade
then hold the gem right under that paper and view it from the side,
with your loupe.First look at the gem's
surface, glass stones usually have somewhat rounded facets edges (not
like a sharp knife edge). Then turn your attention to the interior --
small rounded gas bubbles and/or swirl marks are signs of
glass.If you can't see enough to make
a call on the stones, and if you really
want to pursue it, you can make a homemade polariscope. A working
model of this expensive piece of gemologist's equipment can be
gerry-rigged with a penlight or small flashlight, a widetooth comb
and an old pair of polaroid sunglasses -- these will have to be
sacrificed so don't use your new Maui Jims! Remove the lenses from the
glasses (they must be polaroid or it won't work). Using the
flashlight as a light source and the comb to hold the lenses do the
following. (You will either need three hands or helper!) Hold the
flashlight between your knees or prop it up so that the light beam
goes up, stand the comb up above the light, and put one of the
sunglass lenses near the bottom, but above the light. Put the other
lens near the top of the comb (the teeth should hold the lens in
place). Now adjust the two lenses so that as you look down through
the top lens to the bottom one, the least amount of light passes
through. Try turning the top lens in different directions until this
is accomplished. Now you have your polariscope set up in what is
called the "crossed filters" mode. Put one of your gems in between
the two filters and slowly twist it in a 360 degree arc. If the gem
is doubly refractive like topaz and amethyst, it will blink
dark/light/dark/light -- if it is amorphous, like glass, it will stay
the same shade of dark no matter how you turn it. NEW FOR OCTOBER
'04:Dear Barbara,
What is a Pyralspite garnet?
Is it a special type of garnet or just the whole family of garnets?
Thanks...Robert, USAHello Robert,The garnet family of gem
minerals is a group of closely related species which share a common
crystal structure and similar chemical formulae.The quick, first answer to your
question is that a "pyralspite" garnet is more than one species and
less than the whole group -- it would be any of the three member
species of the pyralspite
series of species within
the garnet group. To amplify: the generic formula
for any garnet is "A"3"B"2Si3012 where
the "A" position can be occupied by iron, calcium, manganese or
magnesium and the "B" position can be occupied by aluminum, iron,
titanium or chromium. The rest of the formula is standard for all and
makes every garnet one of the "silicate" gems.The six most closely related
species in this large family are divided into two "series": the
pyralspites and the ugrandites The pryalspites
(pyropes, almandites
and spessartites) have
aluminum in the "B" position and the ugrandites (uvavovite, grossularite and andradites) have
calcium in the "A" position. In addition to these six, there
are other species within the garnet group which are either virtually
unobtainable or have no "gem" properties. And there are also named
varieties like rhodolite and malaya which are often
said to be intermediate in composition between various members of the
six species gemologically important species.Most gemologists would agree
that very few to no garnets are 100% of one species or another and
all of them, in truth, represent mixtures along this "solid solution"
series. So, in practice, since chemical composition is so complicated
and variable, we usually identify a garnet by color, and refractive
index rather than by its chemistry. The one main exception to that
might be uvarovite, which has restricted distribution and is the most
unique of the six in its properties and characteristics.
Dear Barbara,
When someone says a cut
stone is "calibrated", what does that term mean?...King,
USA.Hello King,Calibrated means cut to a
standard size: such as 10 x 8 mm, for example, for an oval or 6 mm
for a round. Calibrated sizes are necessary when trying to put stones
into pre-manufactured mountings. Stones that aren't calibrated
usually require that the commercial mounting be adjusted by a jeweler
to fit the stone, or, more likely that a custom mounting must be made
for it. Dear Barbara,
I would like to know how and
at what temperature gems are heated to change their color? Thank
you...Jim, USA.Hello Jim,The simple answer to your
question, is that "it depends" -- for example: heat can be used to
darken, to lighten, to change hue, or to remove or to induce certain
inclusions. With zircon, different results are obtained with high
temperature (1000 degrees Centigrade) versus low temp. (150 degrees
C), and with oxidizing versus reducing atmospheres. My best advice would be to run,
not walk, to your nearest bookstore (bricks and mortar or on-line)
and get a copy of Kurt Nassau's definitive work on the subject:
Gemstone Enhancement: History, Science and State of the Art, 2nd Ed.
ISBN # 0 7506 1797 7Among other things, you'll find
a chapter on heat treatments, covering the species which can and
can't be treated, temperatures, heating/cooling regimens and
atmospheric conditions (reducing/oxidizing) appropriate for various
materials from amber to zoisite.One fairly general point in all
heating procedures is that due to thermal expansion rates in a gem
and to differences in the rates between those gem minerals and their
inclusions, it is best to start with clean rough or cut stones. It is
also important to raise and lower the temperature very slowly. NEW FOR SEPTEMBER
'04:Dear Barbara,
I have a stone (rather
large), it is shades of purple at most times and at others it will be
a beautiful blue. It will change colors inside or out, warm or cool
weather. It is set in a silver ring in a round cut. I have read about
color changing stones but not that combo. What might it
be?Also another ring somewhat
old, (say at least 60 yrs) has 5 small what I thought were emerald
stones, until they were removed to repair the setting. When viewed
from bottom side they are red. (?) Thanks 4 help...Jennifer,
USA Hello Jennifer,I'll answer your second
question first as it is easier. I'm 99% sure your green stones
are a type of assembled stone called "garnet and glass doublets".
Before it was technically possible and economically feasible to make
synthetic stones our predecessors had to use their ingenuity and it
really shows in these creations. The bottom and most of the top of
the piece is made of green glass, with a thin layer of red garnet
glued to the top. The thin garnet layer adds no color when seen face
up, but gives the stone durability and even some natural looking
inclusions to reassure an owner looking at it with a loupe. Once set
in a mounting they are very hard
to detect, and very attractive looking --the simulation is that good.
They are usually detectable with magnification or as in your case
when unmounted and turned upside down. At present these are antique
curiosities, actually kind of cool -- enjoy them for what they are.
:-)The blue/purple stone could be
a case of true color change or the stone could just be extremely
pleochroic like iolite or Tanzanite. If it changes completely in
different light sources then it is color change, but if the change is
more based on what direction you turn the stone, and occurs in a
place with multiple light sources (like a room lit with a mix of
incandescent and fluorescent lights) it could be merely pleochroic.
Having said that, I'll go out
on a limb and say that your stone is most likely a type of synthetic
corundum (sapphire) sold under the name "Alexandrium" -- alternately
it could be one of the newer types of man-made color change glass
which show a blue to purple change. A large stone with a very
distinct color change would be worth a great deal of money, and
probably wouldn't be set in a silver ring. Dear Barbara,
What is a Hydrogrossular
garnet? Is it real or is it man made? Thanks. ....R. Black,
USA*****Hello Robert,Hydrogrossular garnet is a
mineral species belonging to the garnet group of minerals. In general
pieces are translucent green with spots and markings but also occur
in opaque forms and in shades through grey to pink. They are almost
always cut as cabochons or carved Most specimens come from South.
Africa. The resemblance of the green type to jade has led to the
misnomer "Transvaal Jade" which has been used in commerce. Perhaps
this is what gave you the impression there was something "not real"
about it. Dear Barbara,
I am a new gem collector. I
have been told that I should sell some of my Tanzanite high and make
money (to buy other gems). If so, where would I sell them? Are there
buyers out there for regular people?...Vicki, USAHello Vicki,Just to give you a general
background against which to gauge my remarks, let me say that I have
never been an advocate of "investment" in gems. Too many factors,
such as new finds, changes in government policies and changes in
fashion trends make it entirely too risky. I own hundreds of gems in
my personal collection, but I bought them all because I found them
interesting or beautiful, rather than with any expectation they might
appreciate in value.As far as your Tanzanite
question, the main factors to consider are: 1) What did you pay for the
stones? 2) What is their size, color and quality -- tiny differences
in Tanzanite color make big differences in the price, and price per
carat increases exponentially with size in this gem 3) What are
retail and wholesale Tanzanite prices now and what will they be in
the future?Unfortunately, there is no
regular marketplace through which a private collector can sell their
gems -- instead, those who wish or need to sell gems:Try to sell to a
jewelerPut a classified ad in a
newspaper or magazineTry an online
auctionAny of these situations, is
very much a "buyers" market, and it would be difficult to sell even
the best gems for a good price. Gem buyers generally have
established, wholesale sources and (I'm assuming your original
purchase was retail). So even if prices have gone up, you will be
competing against these wholesalers who can almost always offer the
lowest prices. I'm sorry to sound discouraging -- it may be
theoretically true that you bought cheaper than the current retail
selling price, but for you to translate that into a profitable sale
is, sadly, rather unlikely. NEW FOR AUGUST
'04:Dear Barbara,
I've decided that I need a
loupe, and did some research. There are more than plenty of 10x
triplets to choose from, so I am little bit at a loss and decided to
seek your advice. ...Julia, Boston*****Hello Julia,Well, you've narrowed down the
job quite a bit by deciding you want a triplet loupe, which is the
best way to go, even if it adds to the cost. Triplet loupes have
three lenses, each of which has been specially ground so that as a
group they correct for the chromatic and optical distortion of any
single lens. Beyond that, you want to consider size, magnification
and packaging.Size -- a bigger loupe gives
you a wider field of view (probably not necessary for most gems) and
adds to the cost considerably.Magnification -- the higher the
magnification the shorter the focal length and the closer the lens
must be held to the gem. The standard 10x loupe will focus at 1" from
the object. It's hard enough to get used to that -- so don't be
tempted to go for a 15X or 20X model which is very tricky to focus
and must be practically touching the gem. Besides, 10x is the
standard even for the picky art of diamond grading.Packaging -- the housing:
plastic, metal: silver, black, etc. Make your choice based on the
weight you prefer, what kind of "wear" you expect to give it, and
what appeals to you appearance-wise. Some recommend the black coating
as minimizing reflections, but I have both kinds, and never have
noticed a difference.(Now to be practical -- the
only place I actually use my 10x loupe is when I go to gem shows or
to visit a cutter) -- for all my routine grading in the studio I use
a 10x Darkfield
loupe. It consists of a
triplet loupe within a housing which fits over a standard "Maglite"
style flashlite. This set up baffles the light and directs it through
the side of the gem. The stone, then, is seen against a dark
background. The side lighting reflects strongly from any inclusions
or interior features (increases their apparent "relief") so that they
jump right out at you. Prices can be high @ $200 for the model I
have, but I recently saw a couple of less expensive models in the
Riogrande catalog that look good.Bottom line recommendation :
get the least expensive 10x triplet loupe you can find from a known
manufacturer (German, Japanese and American companies all have good
reputations for precision lens making), in a moderately small size,
with either a black or silver metal housing -- and don't forget to
get a good pair of, preferably locking, gem tweezers. Dear Barbara,What colored gemstones are
suitable for daily wear, such as in a wedding ring? ..."S", N.
Carolina Hello, I'm glad you asked that
question! Many gems are promoted for use in rings without adequate
consideration of their durability.In general, I would recommend
only gems of hardness 8.5, and above, for constant daily wear in a
ring or bracelet. That pretty much restricts the colored stone
choices to chrysoberyl and corundum (sapphire and ruby). It's
important to note, though, that not all specimens of a species with a
given hardness are equally tough. Inclusions in a gem, especially
fractures which reach the surface can dramatically reduce a gem's
durability. This is notably the case with emeralds which are usually
considerably more fragile than their published hardness of 7.5 - 8
would imply, due to such internal fractures.Before I get a flood of mail
along the lines of: "well, I've got an aquamarine ring (hardness 7.5
- 8) that I wear every day and its fine" or "my Aunt had a ruby ring
and the gem broke", let me also say that each individual situation is
different: how "protective" a setting is, makes a big difference. A
bezel setting, or one in which the colored gem surface is recessed
below the metalwork or below diamond accents, can make a less durable
gem more useable. The gemstone's shape can make a difference -- pear
shaped or marquis gems with sharp points are more vulnerable than a
round, cushion or cut corner shape. (The "emerald cut", a cut corner
rectangle, got it's name as it was used so frequently to improve the
durability of emerald gems). Other significant factors are the
lifestyle, occupation and habits of the individual who is wearing the
ring: some folks are just hard on jewelry, others less so.
When thinking about rings that
aren't worn 24/7, the field opens up greatly. Certainly any gem with
hardness 7 and above is a candidate. And as demonstrated by the
common use in rings of some pretty fragile gems (pearls and opal come
to mind), with sufficient care, most commonly available gems can be
used successfully in occasional wear rings.
NEW FOR
JULY:Dear Barbara,
I purchased a Eudialyte
necklace from you. I absolutely love it as I have with everything I
have purchased from you. I was on the "Mineralogy Database" the other
day and it said that Eudialyte is mildly radioactive. Does this pose
a health concern that you are aware of? ...Lucinda, New
York.*****Hello Lucinda,Eudialyte is classed as you
mentioned: "mildly" radioactive. The estimated radiation dosage from
a one gram piece (5 ct) held in the hand for one hour is .002 mREM.
The allowable dose for an adult is 50,000 mREM per year - (body) and
15,000 mREM per year - (eyes). To put this in perspective: There are
8766 hours in a year. If you wore a 5 ct. stone continuously for a
year, your radiation dose would be .002 mREM x 8766 hours/year =
17.53 mREM per year. This is .035% of the allowable dose for the body
and .116% of the dose for your eyes.The unavoidable sources of
natural background radiation from the soil androcks, radiation from
space, in foods, etc. and the elective forms such as medical
radioisotope studies and diagnostic procedures dwarf those figures.
Although it is wise to ask such a question, and there are worries
about improperly "cooled" irradiated gems which could be a problem,
and some natural minerals with radiation levels that should be
avoided -- eudialyte can be enjoyed without concern. :-)
Dear Barbara,
I found part of a string of
pearls on the street. I don't know whether they are cultured or
"real" but they are one or the other as they are ever so slightly out
of round, and are ever so slightly rough. They appear smooth but
really are not. There is no layer of finish on them. They were double
knotted and the clasp is white gold and appears to be vintage. Where
can I get a value for the individual pearls? Thanks... Jackie,
USA.Dear Jackie,Thanks for visiting my website
and for your question. Once my son found an 18k gold charm bracelet
in a parking lot -- so it's amazing what you can find if you keep
your eyes open! Let me clarify some basic terminology first: there
are essentially no more natural pearls -- most of the ones which were
harvested in previous centuries are in the state treasury of Iran or
in the hands of private collectors. Today's "real" pearl is a
cultured pearl as opposed to pearl simulants euphemistically called
"faux" pearls. A simple test, which can often discriminate real from
faux, is the tooth test. Rub the surface of the pearl across your
front teeth -- if it feels smooth then it's probably a simulant,
whereas a slightly rough feeling means it's most likely cultured.
Your saying that they were on 14k gold and individually knotted leads
me, also, to think that they are probably cultured. The slight out of
roundness isn't always an indication that they are freshwater pearls,
but could be. When you say they have "no layer of finish", if you
mean that have no nacre or slightly iridescent "orient" -- then they
are probably damaged and not worth anything. If, on the other hand,
you mean there is no layer of lacquer or waxy sealant, then, again,
it would point to cultured rather than simulant.What sets value in individual
pearls includes a variety of factors --1) color and orient -- body
color can be silvery white, creamy white, through all shades of
yellowish, pinkish and peachy -- or can be dyed virtually any color
in the rainbow. Natural is always worth more than dyed. You can
sometimes detect dye by looking at the drill hole with a microscope
to see the bead's true color. Orient (overtones of slight
iridescence) brings more value the stronger it is.2) roundness -- in general the
rounder the better3) size -- bigger is worth
more.4) salt or freshwater origin --
saltwater pearls are usually worth more than freshwater pearls of any
given size and color.You might want to take them to
a custom jeweler in your area for a quick opinion, but to get an
actual identification or evaluation from an appraiser/gemologist
would be expensive. NEW FOR JUNE
'04: Dear Barbara,
I was looking at gemstone
pendants and came across an item identified as Fossil Palm. However,
this item has a pattern of yellowish tan swirls on dark brown and is
unlike the pinpoint pattern described for palm wood. Could this be
another type of fossilized gemstone?...Annie, USA.
*****Dear Annie:I could probably tell you more
accurately if you could send me the URL so I could take a look at the
pendant, but I can tell you, sight unseen, that it certainly
could be palm wood.What form the pattern takes in
a fossilized piece of wood is dependent on a large number of factors
such as the exact species and tissue of the wood, the mineral which
replaces it, and the rate, completeness and conditions under which
the petrifaction occurs. For example, I have a specimen of fossilized
palm root in the new June collection and its pattern
and colors look quite different than the typical "dotted" palm wood
pattern. Roots have a different internal structure and growth form
than ordinary wood. Likewise, another piece in inventory is a
fossilzed palm wood burl with
its own distinctive pattern.Another major factor that
enters in, is how the gem was oriented when cutting it from the
rough. In a piece of palm wood, the water carrying structures in the
wood are like very long thin straws -- picture taking a bundle of
straws in your hand and cutting them in various ways. If you cut them
in cross section, you'll get a bunch of circles, but if you do it at
an angle or lengthwise the shapes produced will look very different.
So it is with cutting fossil woods and other plant structures. Since
many people find the dotted pattern of palmwood attractive and,
therefore, such pieces are highly saleable, gemstones are generally
cut to display that pattern if at all possible. Dear Barbara,
I have always wondered what
the word "grossular" means when describing a grossular garnet--and
why are these stones usually green?...Lauren,
Massachusetts*****Dear Lauren,The name is from the Greek
"grossularia" or gooseberry. This is a reference to the light
yellow-green color of the first type of grossular garnet discovered
(an opaque, non-gem type). Although the more valuable and available
members of this group are green, they are not really the most common,
color-wise. The colors range from the colorless of pure grossular
(quite valuable to collectors) to yellow, pink, orange, brown and
black, each created by the presence of various chemical elements.
Some other well known members of this same group are "hessonites --
orangey brown grossulars and Tsavorites -- medium to dark green
grossulars. Grossular garnets often have a
particular inclusion which is an identifying characteristic: called
"treacle". Under a microscope, swirled patterns are created by tiny
included crystals, generally diopside. Hardness ranges from 6.5 -7.5
with an average specific gravity of 3.6. Generally it forms by
contact metamorphism and only in localized deposits. Major sources
for grossular garnet are Sri Lanka, Pakistan, Russia, Canada, USA,
Mexico, Africa, Australia and Brazil. Hydrogrossular garnet, an
opaque to translucent green to pink closely related gemstone, has a
long history in the gem trade usually under the name of "Transvaal
jade".Garnets belong to the isometric
crystal system and commonly grow in a distinctive well developed
crystal form known as a dodecahedron (triangular-shaped faces).
Natural garnets are a complex "solid solution series" of gemstones.
This means that the various species share a crystal structure and an
infinitely grading series of generally similar chemical formulas.
Gemologists divide them into the calcium bearing "ugrandites", named
after the initial letters of the three calcium species: uvarovite,
grossular, and andradite, and the calcium-free pyralspites, named
after: pyrope, almandine, and Spessartite. Aluminum, iron, and
chromium substitute freely in the ugrandites whereas iron, magnesium,
and manganese substitute readily for one another in the pyralspites.
All gradations between the pure species are possible and as most
gemologists do not have at their disposal a means for precisely
determining the chemical composition of a garnet, we rely on color
and refractive index for classification. NEW FOR MAY
'04:Dear Barbara,
I just went to your web-site
in search of a little help with a ring I inherited from my
grandmother. It is a child's ring with what was told to me to be, a
ruby. However, I had it appraised in 1985 by a town jeweler. He told
me that it was glass. I understand that in the 1900's many fabricated
rubies were circulating at the time. My grandmother's father gave her
the ring as a child. He was a mine-inspector during the turn of the
century. Do you think I should have a gemologist take a look at this
ring or was the appraisal sufficient from the jeweler? The setting
was appraised at $250.00. ...Suzanne, USA*****Dear Suzanne,It would be very easy for a
gemologist to tell whether the piece is glass or not -- a polariscope
test absolutely discriminates amorphous substances like glass from
crystalline materials like ruby. The specific gravity and refractive
index tests could be added, if the material is crystalline, to
discriminate ruby from other red gems like garnet or spinel. If it is
a ruby, determining whether it is a synthetic ruby or a natural one
is a bit more difficult. Given the age of the piece, if it is
synthetic, it would be a "flame fusion" type which is generally the
easiest to discriminate from natural. A synthetic stone would not add
any value beyond that already determined for the setting, but if it's
natural, the value should go up proportionately based on the size of
the stone and its quality. Whether sending it to a gemological
laboratory is worth doing, which would cost you approximately
$75-$100, depends on how badly you want to know what the stone is,
and whether you intend to sell it, or want to insure it.
Dear Barbara,
Cuprite/malachite is a very
striking (red and green) colour contrast, but would the cuprite
oxidise over time and become more greenish? ...Denise,
England*****Dear Denise,The short answer to the cuprite
question is no, it won't change. Cuprite is Cu2O, technically cuprous oxide, and it is already as
oxidized as it will get in atmospheric air, so the color is stable.
Were you to heat it in a furnace with a reducing atmosphere, or to
subject it to acids or bases that might be a different story.
To add some additional,
related, information: Copper normally produces green colors when
present in a mineral in amounts up to 5%, over which, the color
darkens to black. If you've looked at a lot gems of copper-containing
mineral mixtures, most of them have some black areas as a result.
Metallic copper and metal alloys which contain copper, often acquire
a lovely green "patina". This is caused by green copper salts, which
are combinations of the metal copper and various other chemicals.
Examples include copper sulfate and copper acetate. The green color
of our Statue of Liberty is the outcome of the exposure of its copper
to the environment, with its various chemical contaminants, which
results in the production of the mixture of green salts of its
patina. The same thing applies when a green mark is left on your skin
from wearing jewelry made of some copper containing metals. We
constantly release acidic chemicals from our bodies in the our sweat
which cause such metals to form the green salts, which easily rub
off. At one time, a common home-made source of green pigment for
artists was the patina scrapings from copper that had been exposed to
acid vapors.
NEW FOR APRIL '04:
Dear Barbara,
"I've been a lurker on your
website for quite some time and I'm wondering about some of the
wonderful blue and blue green gems I've seen there, like
Azurite/Malachite. What is their hardness? Are they suitable for
jewelry use?" ...Mary, New York*****Dear Mary, Although azurite and malachite
are both fairly soft minerals, in Nature they are often combined in
various proportions with quartz which has a hardness of 7. In
general, the harder the material, the shinier the polish that can be
obtained. (Polish also depends, of course, on the skill of the
cutter). A simple rule of thumb, then, would be, the higher the
polish on one of these mixtures, the more quartz and the harder the
gem, and so, the more usable it is in jewelry. Soft minerals like
chrysocolla, and cuprite also sometimes occur in attractive gemstones
that have a fairly high proportion of quartz in their makeup.
On the ACS site such stones are
labeled with the (J/D) jewelry use code, which means that they can be
used for jewelry purposes, but protective settings and care in
setting and wearing are good ideas. Earrings, pendants and brooches
made with stones of this type would be quite safe. Daily wear rings,
bracelets and belt buckles would be very risky, but occasional wear
of such pieces would most likely be OK. Dear Barbara,
"I'm a beginner in the gem
hobby. Can you recommend a good book?" ...Scott,
Florida*****Dear Scott,I get that question frequently,
and I usually recommend The
Eye Witness Handbook of Gemstones, by Cally Hall. It has wonderful photos and
illustrations and highly readable text. Each page is devoted to one
species or variety of gemstone, and although detailed gemological
information is there, it is unobtrusive. Most entries have photos of
the gem as rough, cut specimens, and set in jewelry. There are notes
on lore, history and major world sources. This book is a delight for
the more advanced gem lover, as well as the beginner -- so you won't
"outgrow" it. Best of all, it's only about $20 and is widely
available from internet sellers such as Amazon.com, and "bricks and
mortar" chains like B. Dalton. Dear Barbara,
"What do you think of the
gems and jewelry sold on TV on the shopping channels?" ...Jean,
Ohio*****Dear Jean,(The first thing I'd better say
in answering this question, is that you should "consider the source"
-- they are, afterall, my competitors, secondly, I'm giving you my
opinion not an unbiased, factual analysis.) That
being said, here goes:There are a growing number of
these venues, some of which broadcast 24 hours a day, and others
which operate more like info-mercials or auctions. I think, in
general, they have had an overall positive effect on the colored
stone marketplace. People watch their shows and are introduced to a
wide variety of gem species that are not common in jewelry stores and
catalogs. In my view, any development which promotes increased
exposure to the diversity of colored gemstones is "a good
thing".On the other hand, I feel that
in their attempt to appeal to a very wide, often gemologically naive,
audience, and to sell mass quantities of their items, much of what
they say about their merchandise is misleading. For example, two
terms that are virtually always misused on such shows are "rare" and
"natural". To call gemstones which they sell in multiples of
thousands of pieces, over and over in the course of time "rare" is,
in my opinion, a misuse of the term. Likewise, the term "natural" is
frequently used to imply,
that a gem has not been enhanced -- for example, the vast majority of
the jade sold on these shows is dyed, but they repeatedly refer to it
as natural. True, it is natural jade as opposed to a synthetic or
imitation, but it has been bleached and then dyed to produce totally
"unnatural" colors. There's nothing wrong with selling dyed jade
(there is a huge market for it) as long as it is clear to the
customer that it has been dyed.The shopping channels operate,
as I do, under the guidelines published by the Federal Trade
Commission which sets rules for advertising. They employ a legal
staff to make sure that they, at least technically, comply with the
letter of the law, but I feel they frequently circumvent the "spirit"
of the law. As a member of AGTA (The American Gem Trade Association,
which publishes the accepted industry guidelines for disclosure of
enhancements), and from my own personal convictions, I believe
sellers should make the maximum disclosure on the goods they sell,
(not the minimum technically required by law).As far as the quality of their
merchandise, I have no quibble with it. They sell what would be
called "commercial" quality goods. That's not a slam, as 99% of the
gems in the marketplace including those in mall jewelry stores and
mail order catalogs, are in that category. With their huge buying
power they can offer you about the best price you are going to find
on such items. If, on the other hand, you're looking for something
more in the range of "gem quality" (AAA color, custom cut, etc.) you
won't find it on TV. (Even though they use that phrase liberally.)
Such pieces are truly rare
and there is no way they can be provided in calibrated sizes, and
matching colors for hundreds to thousands of jewelry pieces. The
jewelry pieces they offer are also a good bargain, for mass produced
items, though settings tend to be hollowed out, or made of light
gauge material. If what you want is a limited edition, or
one-of-a-kind custom design, you should look elsewhere.
To sum up: they cut a few
corners, ethically, on disclosure of treatments and exaggeration of
rarity, but offer excellent bargains for the type of goods they
sell.
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